Stephen Cubine

As unit produciton manager, I was responsible for pre-production prep, budgeting, scheduling, crewing up, contract negotiations, supervision of a crew of 60, vendor negotiations, wrap out, and asset management.

Served as executive in charge of all films produced by Shut Up Charlie Productions, an independent film production company led by principles Cameron Watson and Maggie Biggar. Duties included budget analysis, film scheduling, fund-raising, contract negotiations, implementing film industry union guidelines, hiring & supervision of crews, and script development. Also responsible for developing new projects, which entailed meeting with agents, producers, and talent, keeping current on trends, reviewing submissions, providing and script coverage for potential development.

As Line Producer, I was responsible for pre-production prep, budgeting, scheduling, crewing up, contract negotiations, securing equipment, securing locations, supervision of a crew of 60, vendor negotiations, tracking costs, petty cash, travel, call sheets, production reports, clearances, permits, payroll paperwork, wrap out, and asset management. The film stars Anna Camp and Tony Hale.

I was the producer of season 1 and 2 of the Emmy-winning comedy series that stars Christina Pickles, Allison Janney, and Octavia Spencer. As a producer, I was responsible for all aspects of development, pre-production, production (where I served as Line Producer.UPM), and post-production

As Line Producer of the Emmy-winning digital series starring Christina Pickles, Allison Janney, and Octavia Spencer, I was responsible for pre-production prep, budgeting, scheduling, crewing up, contract negotiations, securing equipment, securing locations, supervision of a crew of 45, vendor negotiations, wrap out, and asset management.

Served as executive in charge of all films produced by Ten/Four Productions, an independent film production company led by principles Gil Cates, Jr. and Caitlin Murney. Duties included budget analysis, film scheduling, fund-raising, contract negotiations, implementing film industry union guidelines, hiring & supervision of crews, and script development. Also responsible for developing new projects, which entailed meeting with agents, producers, and talent, keeping current on trends, reviewing submissions, providing and script coverage for potential development.

As a co-executive producer, I was responsible for all aspects of development, pre-production, casting, crewing up, contract negotiations, union negotiations, supervising the Line Producer and UPM, and post-production.

As co-producer, I was responsible for development, script notes, casting input, and pre-production prep. I also served as Line Producer where I was responsible for budgeting, scheduling, crewing up, contract negotiations, supervision of a crew of 65, vendor negotiations, wrap out, and asset management. The film stars Colin Hanks, Ari Graynor, and Ann-Margret.

As production coordinator, I was responsible for hiring and supervising the office staff, setting up all aspects of the production ofifce, establishing and negotiating vendor contracts, distribution of internal communications and script changes, coordinating all travel and hotels, maintaining union contracts and deal memos, establishing central files, executing union paperwork, approving ofifce expenses, equipment rentals, issuing certificates of insurance, and maintianing and distributing crew lists and vendor lists.

As line producer, I was responsibel for pre-production prep, budgeting, scheduling, crewing up, contract negotiations, supervision of a crew of 60, vendor negotiations, wrap out, and asset management.

As the unit production manager, I was responsible for pre-production prep, budgeting, scheduling, crewing up, contract negotiations, supervision of a crew of 55, vendor negotiations, wrap out, and asset management.

I was producer of season 1 of the thriller-themed series on BET.

As production coordinator, I was responsible for hiring and supervising the office staff, setting up all aspects of the production ofifce, establishing and negotiating vendor contracts, distribution of internal communications and script changes, coordinating all travel and hotels, maintaining union contracts and deal memos, establishing central files, executing union paperwork, approving ofifce expenses, equipment rentals, issuing certificates of insurance, and maintianing and distributing crew lists and vendor lists.

As production coordinator, I was responsible for hiring and supervising the office staff, setting up all aspects of the production ofifce, establishing and negotiating vendor contracts, distribution of internal communications and script changes, coordinating all travel and hotels, maintaining union contracts and deal memos, establishing central files, executing union paperwork, approving ofifce expenses, equipment rentals, issuing certificates of insurance, and maintianing and distributing crew lists and vendor lists.

As production coordinator, I was responsible for hiring and supervising the office staff, setting up all aspects of the production ofifce, establishing and negotiating vendor contracts, distribution of internal communications and script changes, coordinating all travel and hotels, maintaining union contracts and deal memos, establishing central files, executing union paperwork, approving ofifce expenses, equipment rentals, issuing certificates of insurance, and maintianing and distributing crew lists and vendor lists.

As production coordinator, I was responsible for hiring and supervising the office staff, setting up all aspects of the production ofifce, establishing and negotiating vendor contracts, distribution of internal communications and script changes, coordinating all travel and hotels, maintaining union contracts and deal memos, establishing central files, executing union paperwork, approving ofifce expenses, equipment rentals, issuing certificates of insurance, and maintianing and distributing crew lists and vendor lists.

As producer, I was responsible for all aspects of development, pre-production, production (where I served as Line Producer.UPM), post-production, and deliverables. The film stars Allison Janney, Jason Ritter, Keith Carradine, and Cheryl Hines.

As Line Producer of Miramax feature film starring Allison Janney, Jason Ritter, Keith Carradine, and Cheryl Hines, I was responsible for pre-production prep, budgeting, scheduling, crewing up, contract negotiations, securing equipment, securing locations, supervision of a crew of 70, vendor negotiations, tracking costs, petty cash, travel, call sheets, production reports, clearances, permits, payroll paperwork, wrap out, and asset management.

Served as executive in charge of all films produced by GADA Films, an independent film production company led by principle Cameron Watson. Duties included budget analysis, film scheduling, fund-raising, contract negotiations, implementing film industry union guidelines, hiring & supervision of crews, and script development. Also responsible for developing new projects, which entailed meeting with agents, producers, and talent, keeping current on trends, reviewing submissions, providing and script coverage for potential development.

As co-producer, I was responsible for script notes, casting input, supervising locations and the art department, marketing, and wrap.