Dan McKenna

• Communicated directly with network executives to maintain a high standard of production. • Directed and shot camera in multi-camera scenes. • Produced improvisational comedy moments with the talent. • Designed every renovation using past experience and knowledge in construction.

• Ran the overall production of four shows for Destination America: Buying the Beach, Buying the Rockies, Buying Alaska, and Buying the Bayou. • Worked close with network executives to keep each episode fresh and entertaining. • Managed up to ten teams of producers and editors. • Wrote production bible, and created workflows.

• Ran the overall production of four shows for Destination America: Buying the Beach, Buying the Rockies, Buying Alaska, and Buying the Bayou. • Worked close with network executives to keep each episode fresh and entertaining. • Managed up to ten teams of producers and editors. • Wrote production bible, and created workflows.

• Ran the overall production of four shows for Destination America: Buying the Beach, Buying the Rockies, Buying Alaska, and Buying the Bayou. • Worked close with network executives to keep each episode fresh and entertaining. • Managed up to ten teams of producers and editors. • Wrote production bible, and created workflows.

• Ran the overall production of four shows for Destination America: Buying the Beach, Buying the Rockies, Buying Alaska, and Buying the Bayou. • Worked close with network executives to keep each episode fresh and entertaining. • Managed up to ten teams of producers and editors. • Wrote production bible, and created workflows.

• Oversaw field production of this adventurous, real-life drama series. • Lived in the remote Alaskan village of Tanana and became immersed into local culture. • Worked with producer/shooters to sculpt story lines. • Directed multiple camera scenes and conducted interviews with cast. • Produced talent and managed their schedules.

In charge of story development and directed story in the field. Conducted OTF, and story interviews. Directed 2-3 camera scenes. Coordinated all scheduling with cast and crew. Shot scenic Alaskan b-roll.

Worked on development of new programing from conception to the pitch tape. Wrote one sheets, outlines, and other pitch documents. Cast talent and produced casting tapes. Coordinated field shoots and budget of field shoots.

Supervised the overall production of every episode. Directed muilt-camera scenes in the field.

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