3/18 – 1/19
Producer
–
MIA
Film (Feature-length) — BrandTONE films
3/18 – 1/19
8/17 – 9/18
Film (Feature-length)
8/17 – 9/18
6/18 – 7/18
Music Video
6/18 – 7/18
3/18 – 6/18
Film (Feature-length)
3/18 – 6/18
2/18 – 4/18
Film (Feature-length)
2/18 – 4/18
12/17 – 2/18
Film (Feature-length) — Sargasso, Llc
12/17 – 2/18
3/17 – 1/18
Film (Feature-length) — BrandTONE films
3/17 – 1/18
11/17 – 12/17
Film (Feature-length) — Crystal Sky Pictures
11/17 – 12/17
10/17 – 12/17
First Assistant Director
–
Orphan horse
Film (Feature-length) — Broken doll company
10/17 – 12/17
8/17 – 10/17
Film (Feature-length)
8/17 – 10/17
3/17 – 7/17
TBN — TV
3/17 – 7/17
1/17 – 2/17
First Assistant Director
–
Pokemon
Film (Feature-length)
1/17 – 2/17
11/16 – 12/16
First Assistant Director
–
Rileys Peak
Film (Feature-length) — SP operations
11/16 – 12/16
10/16 – 11/16
Film (Feature-length) — BrandTONE films
10/16 – 11/16
10/16 – 10/16
Undebate.US — Advertising
10/16 – 10/16
9/16 – 10/16
First Assistant Director
–
Carrion Doll
Film (Feature-length) — Steven paul operations
9/16 – 10/16
12/15 – 9/16
Film (Feature-length) — Anagram
12/15 – 9/16
8/16 – 8/16
First Assistant Director
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Renegades
Film (Feature-length) Details
8/16 – 8/16
Daily work flow included tracking daily progress against the production schedule, arranging logistics, preparing daily call sheets, checking cast and crew, and maintaining order and safety on the set.
7/16 – 8/16
First Assistant Director
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Open
Film (Feature-length) — CIY(Christ In Youth)
7/16 – 8/16
6/16 – 8/16
First Assistant Director
–
Star trek
Film (Feature-length)
6/16 – 8/16
4/16 – 5/16
First Assistant Director
–
Dead trigger
Film (Feature-length) — Badhouse Films
4/16 – 5/16
2/16 – 4/16
TBN — TV — Rare Bird Productions
2/16 – 4/16
2/16 – 3/16
TBN — TV
2/16 – 3/16
2/16 – 3/16
Production Coordinator
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DEFROST
Film (Feature-length) — Feral Dog
2/16 – 3/16
12/15 – 2/16
TNT — TV — F train media
12/15 – 2/16
12/15 – 2/16
Location Scout
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Ringside
Film (Feature-length) — Swirl Films, Russ Parr Film
12/15 – 2/16
10/15 – 2/16
Production Coordinator
–
False Profit
Film (Feature-length) — Beneath the iceberg, LLC
10/15 – 2/16
11/15 – 12/15
First Assistant Director
–
Before You Go
Film (Feature-length) — Digital Echo LLC
11/15 – 12/15
11/15 – 11/15
Location Manager
Advertising — Air Philosophy, LLC
11/15 – 11/15
9/15 – 11/15
Film (Feature-length) — Swirl Films
9/15 – 11/15
6/15 – 10/15
Film (Feature-length) — Mothers Day, LLC
6/15 – 10/15
7/15 – 8/15
Film (Feature-length)
7/15 – 8/15
5/15 – 5/15
Set Medic
Advertising — Decathlon
5/15 – 5/15
4/15 – 5/15
Location Manager
–
Catch 22
Film (Feature-length) — Dream Unit
4/15 – 5/15
1/15 – 4/15
Unit Production Manager
Lily tranport — Advertising Details
1/15 – 4/15
Handled all aspects of production for a series of twenty commercial spots.
3/15 – 3/15
First Assistant Director
Advertising
3/15 – 3/15
2/15 – 3/15
First Assistant Director
Advertising
2/15 – 3/15
11/14 – 3/15
Film (Feature-length) — Intellectual Artists Management
11/14 – 3/15
1/14 – 1/15
TV — Durable Goods
1/14 – 1/15
11/14 – 12/14
Film (Feature-length) — MINUS ZERO FILMS
11/14 – 12/14
10/14 – 10/14
First Assistant Director (2nd Unit Director)
–
Kaiju fury VR Jaunt
Film (Feature-length) — Stan Winston School of Character Arts Details
10/14 – 10/14
Dealt with all departments on a miniature set with stunts, pyrotechnics, safety guidlines, scheduling, call sheets, & ADR.
7/14 – 10/14
Unit Production Manager
–
Quick Burn
Current — TV — Quick Burn, LLC
7/14 – 10/14
6/14 – 7/14
TV — City On A Hill Productions Details
6/14 – 7/14
Scheduling, company movement, on set operations, crew safety, daily reports, & call sheets.
1/14 – 6/14
Executive Producer (EP) (Director)
–
The Dumb Fox
Film (Feature-length) — HSO films
1/14 – 6/14
5/14 – 5/14
Film (Feature-length) — Stan Winston Studio Details
5/14 – 5/14
Responsible for scheduling, on set operations, & crew safety.
4/14 – 5/14
TV — City On A Hill Productions Details
4/14 – 5/14
Handled all day to day on set operations. Worked closely with Director and 1st AD to handle large groups of extras and principal talent. In addition, prepared call sheets and daily reports.
4/14 – 4/14
First Assistant Director
–
Mirrors
Film (Feature-length) — Zhongkai  Teng Details
4/14 – 4/14
Responsible for scheduling, on set operations, & crew safety.
2/14 – 3/14
First Assistant Director
–
The Jokesters
Film (Feature-length) — Jokesters, LLC Details
2/14 – 3/14
Scheduling, company movement, on set operations, crew safety, daily reports, & call sheets.
1/14 – 3/14
Location Manager (Permit liaison, scout, logistics)
–
The Jokesters
Film (Feature-length) — Jokesters, LLC
1/14 – 3/14
10/13 – 3/14
TV — Anagram
10/13 – 3/14
2/14 – 2/14
Music Video — Anagram
2/14 – 2/14
1/14 – 2/14
Film (Feature-length) — XXlll Entertainment Details
1/14 – 2/14
Scheduling, company movement, on set operations, crew safety, daily reports, & call sheets.
10/13 – 1/14
TV — Quasar entertainment
10/13 – 1/14
10/13 – 12/13
Film (Feature-length) — Pocket Listing the film, llc.
10/13 – 12/13
11/13 – 11/13
TV — XVlll Entertainment
11/13 – 11/13
10/13 – 11/13
Unit Production Manager (first assistant director)
–
A Thousand Year Journey
Film (Feature-length) — MINUS ZERO FILMS
10/13 – 11/13
10/13 – 10/13
First Assistant Director (Locations liason)
–
Tiger Tale
Film (Feature-length) Details
10/13 – 10/13
Scheduling, company movement, on set operations, crew safety, daily reports, & call sheets.
8/13 – 9/13
Second Assistant Director (Production Coordinator)
–
A Horse Story
Film (Feature-length) — Cochise County Films Details
8/13 – 9/13
As DGA 2nd Assistant Director I coordinated the movement and safety of cast & crew. Daily responsibilities included scheduling, call sheets, release paperwork, SAG/AFTRA contracts, DGA paperwork, location liaison, and damage control,
11/12 – 12/12
First Assistant Director (Production Coordinator)
–
ROTN - I just want to ...
Music Video — ROTN Productions
11/12 – 12/12
10/12 – 11/12
Unit Production Manager
–
N/A
Mermaid Mafia — Advertising — View creative
10/12 – 11/12
8/12 – 9/12
Live/Special Event — View creative Details
8/12 – 9/12
Coordinated large scale photo shoots and runway shows for major brand. Handled productions from A to Z. Job duties included casting, hiring crew, equipment rentals, location scouting, payroll, talent release, etc..
6/12 – 6/12
Bravo — TV
6/12 – 6/12
4/12 – 6/12
First Assistant Director
–
DDB
Jeep — Advertising — Wunderman Entertainment, LLC. Details
4/12 – 6/12
Coordinated all talent, special effects crew, construction team, & production on location for over a month. Handled all on-set duties along with being liaison between agency & production.
8/10 – 4/12
Producer
–
VFTL
Flaunt Magazine — Advertising — View From The Lens Details
8/10 – 4/12
Produce & execute photo shoots for magazine covers and stories.
9/10 – 10/10
Line Producer (Co - Director)
–
Tips (Pilot)
TV — The Lenz Films
9/10 – 10/10
7/10 – 10/10
Second Assistant Director
–
Soul moon
Film (Feature-length) — Norsemen Television Productions, LLC
7/10 – 10/10
4/09 – 6/09
Film (Feature-length)
4/09 – 6/09
5/09 – 5/09
First Assistant Director
eve.com — Advertising Details
5/09 – 5/09
Scheduling, company movement, on set operations, crew safety, daily reports, & call sheets.
1/09 – 4/09
Film (Feature-length)
1/09 – 4/09
11/07 – 1/09
First Assistant Director
–
Play Time
Film (Feature-length) — Ebert Pictures, LLC Details
11/07 – 1/09
Scheduling, company movement, on set operations, crew safety, daily reports, & call sheets.
3/08 – 3/08
Bravo — TV — View From The Lens Details
3/08 – 3/08
Produced photo shoots in conjunction with multiple camera setups for Blowout with Jonathan Anton. Coordinated everything from Casting, insurance, locations, product placement, & payroll.
12/03 – 8/07
Producer
Advertising — View From The Lens Details
12/03 – 8/07
Produced photo shoots and commercials all over the world. Dealt with all aspects of production including work visas, equipment coordination, talent booking, etc.
1/04 – 10/06
TBS — TV — Norsemen Television Productions, LLC
1/04 – 10/06
7/06 – 7/06
Music Video
7/06 – 7/06
11/05 – 2/06
Film (Feature-length)
11/05 – 2/06
6/05 – 7/05
Producer
Samsonite — Advertising — View creative
6/05 – 7/05
5/05 – 5/05
Producer
Nike — Advertising — View creative Details
5/05 – 5/05
From conception to completion I worked hand in hand with agency, above the line, cast, and crew. Company collectively won a Gold CLIO award for best commercial.
4/05 – 5/05
Music Video — MTV Networks (Viacom)
4/05 – 5/05
3/04 – 4/04
Film (Feature-length) — Independent Film
3/04 – 4/04
2/03 – 7/03
Film (Feature-length) — Into the night, llc
2/03 – 7/03
7/02 – 9/02
Film (Feature-length) — public pictures
7/02 – 9/02
8/02 – 8/02
Music Video — FM Rocks
8/02 – 8/02
3/01 – 5/01
Film (Feature-length) — Vanguard Cinema
3/01 – 5/01
3/01 – 4/01
Music Video — Palomar Pictures
3/01 – 4/01
2/01 – 2/01
Music Video — Geneva Films
2/01 – 2/01
1/01 – 1/01
Music Video — Supermega
1/01 – 1/01
8/00 – 9/00
Music Video — HSI
8/00 – 9/00
6/00 – 6/00
Music Video — FM Rocks
6/00 – 6/00
4/00 – 4/00
Music Video — HSI
4/00 – 4/00
4/00 – 4/00
Art Department Assistant
–
Grey dalko
Pedigree — Advertising — Smokestack Productions
4/00 – 4/00
1/00 – 1/00
Music Video — HSI
1/00 – 1/00
7/99 – 10/99
Film (Feature-length) — N/A Details
7/99 – 10/99
Worked with multiple dollies and cranes to achieve requested shots from DP and Director.
