Nick Brunetti

Operated 38 in stadium cameras and set up audio feeds to the network trucks for each NFL home game.

Head of sound department in charge of mic’ing up to 6 talent at a time in live-scenario shooting with no room for errors.

Operated 38 in stadium cameras and set up audio feeds to the network trucks for each NFL home game.

After multiple seasons of working with the series as Media Manager/DIT, I was promoted to full time Camera Operator. It was my responsibility to oversee and execute lighting and camera placement at each setup, as well as operate in various conditions (interview setups, green screen, OTF, B-roll and ENG). Additionally, I became drone certified and began shot Aerials on B-roll days.

Ingested footage at the end of each shoot day. 4 FS7's, DJI Inspire 2, 8 Go pro's, 3 5D Mark iii's.

Camera Operator for a Food Network Pilot featuring local Farm recipes.

I was responsible with the management of lighting and Grip equipment as well as setup of cameras and video village for each day. I was also a Camera Operator for each scene after the setup was complete.

I was responsible with the management of lighting and Grip equipment as well as setup of cameras and video village for each day. I was also a Camera Operator for each scene after the setup was complete.

I was responsible with the downloading, management, and shipment of media as well as shooting on the majority of scene setup throughout Season 8 of The Dead Files. I'm fluent in Shot Put Pro as well as Adobe Premiere Pro. Each episode was shot in a different city in the United States, which meant 13 weeks in different cities and 6 months of total travel time. We shot on 5 Sony FS7's, a DJI Ronin, and 3 5D-Markiii's. I'm extremely experienced with SXS, XQD, CF, SD/Micro SD, and CFAST media.

Assistant Camera for Promotional interviews for upcoming film release.

Responsible for lens changes, slating, and focus pulling. Multiple F55's.

I was responsible with the downloading, management, and shipment of media as well as shooting on the majority of scene setup throughout Season 7 of The Dead Files. I'm fluent in Shot Put Pro as well as Adobe Premiere Pro. Each episode was shot in a different city in the United States, which meant 13 weeks in different cities and 6 months of total travel time. We shot on 5 Sony FS7's, a DJI Ronin, and 3 5D-Markiii's. I'm extremely experienced with SXS, XQD, CF, SD/Micro SD, and CFAST media.

Ingested Media for Live event at the end of each day. 3 FS700's, 5 Gopro's,

I was responsible with the downloading, management, and shipment of media as well as shooting on the majority of scene setup throughout Season 6 of The Dead Files. I'm fluent in Shot Put Pro as well as Adobe Premiere Pro. Each episode was shot in a different city in the United States, which meant 13 weeks in different cities and 6 months of total travel time. We shot on 5 Sony FS7's, a DJI Ronin, and 3 5D-Markiii's. I'm extremely experienced with SXS, XQD, CF, SD/Micro SD, and CFAST media.

Shooter/Producer for docu-series following law enforcement in Colorado. Solely oversaw production in field including audio management, multiple camera operation, and story producing. Shot on C300.

Managed media from multiple cities spread across Nova Scotia. Averaged 6 hours driving time daily in order to ingest media and send back to la the following day.

Transferred footage in field daily for 9 camera shoot to main hard drive, which was then sent back daily to Los Angeles. Backed up footage on daily basis. Additionally, shot Production Stills in the field 3 times a week.

Shooter/Producer for docu-series following law enforcement in Tennessee. Solely oversaw production in field including audio management, multiple camera operation, and story producing. Shot on PMW-200.

Managed Media in field for 2 PMW-200's, a 5D Mark iii, a PDW-F800, and 6 go Pro's. Earned certification to climb telecommunication towers.

It was my responsibility to ingest footage after every day of shooting. We shot with 4 PMW 200's and 6 Go pro's.

Each day, I prepped the Deputy's car with light strips and set up our interior/exterior go pro's. After Lav'ing the deputy, we left headquarters and answer any calls received in their respective zone. Our main Shooter/Producer was moved to another production, and recommended I take over his position.

Producer/Shooter for a National Geographic Cop Series. On a daily basis we used 6 Go Pro's, 5 PMW-200's, 2 5D Mark iii's, and wearable camera's provided by the Sullivan Co. Police Dept. I also managed Light set up daily for each shift as well as managing audio lav's in the field with each officer.

Maintained edit bays and assisted with editors needs. Managed and delivered various cuts to Network Headquarters and Talent in the field. Prepared and uploaded cuts for the International, development, and production departments.

Shot Behind the Scenes for a Web Series that followed teenagers competing for an RCA Record deal.

Responsible for changing lenses in field. Assisted with Camera Operator's requests. Managed shot media in the Field. Transferred media simultaneously to back-up and master hard drive via Shot Put Pro 5. Helped set up flags, silks, and other equipment.

Assisted with Camera Operation for Canon 5D Mark iii. Production was for a brunch sit down with new band Fifth Harmony for the MTV VMA's.

Performed various errands around town. Covered phones and scheduling for COO and CEO desk on multiple occasions. Production Assistant on all internal productions. Operated camera for casting (EX-3, PMW 200/300, 5dMark iii, ), while working with various types of lighting and Sound equipment.