7/22 – 7/23
HGTV — TV — High Noon Entertainment
7/22 – 7/23
4/22 – 4/23
NECN — TV — Kadilak Productions
4/22 – 4/23
2/22 – 2/23
TLC — TV — Sharp Entertainment
2/22 – 2/23
11/21 – 11/22
MTV — TV — 11th Street Productions
11/21 – 11/22
5/22 – 5/22
First Assistant Camera
–
Childe
Colorado Centers for Reproductive Medicine — Advertising — Childe Productions Details
5/22 – 5/22
Focus puller for a national series of commercials for CCRM. Utilized a Arri Alexa Mini and a Red Komodo with Zeiss SS Mk2 lenses and a WCU4. Steadicam follow Day-in-the-Life of real testimonials.
5/22 – 5/22
C Span — Live/Special Event — C Span
5/22 – 5/22
4/22 – 4/22
DIT (Digital Imaging Technician)
–
Jack Harlow
Online — Live/Special Event — First Tube Media
4/22 – 4/22
4/22 – 4/22
Internet — Live/Special Event — First Tube Media Details
4/22 – 4/22
10 camera ISO live shoot with 5 VMIX streams
Jib
Steadicam
Booth cams
VSW X2
2/22 – 4/22
HGTV — TV — High Noon Entertainment
2/22 – 4/22
3/22 – 3/22
Twenty Nine Music Group — Music Video — Project 2 Studios Details
3/22 – 3/22
24’ Jimmy Jib Super Giant on an indoor green screen. Ronin R2 head
3/22 – 3/22
Atlantic Records — Music Video — Turn 2 Details
3/22 – 3/22
24’ Jimmy Jib with a Ronin head. Indoors on a sound stage with a cyc green screen.
2/22 – 2/22
TLC — TV — Sharp Entertainment
2/22 – 2/22
12/21 – 12/21
Fondazione Prada — Digital — Prada Details
12/21 – 12/21
3 camera shoot with Canon C500s on a stage show
10/21 – 11/21
First Assistant Camera (3rd Unit)
–
Salvation
Film (Feature-length)
10/21 – 11/21
10/21 – 10/21
A&E — TV — Category 6 Media
10/21 – 10/21
5/21 – 10/21
TLC — TV — Kinetic Content
5/21 – 10/21
4/21 – 10/21
NFL Films — TV — NFL Films
4/21 – 10/21
6/21 – 6/21
Second Assistant Camera
–
MasterClass
Internet — Digital — Yanka Industries
6/21 – 6/21
11/19 – 11/20
Apple TV+ — TV — Harpo Studios
11/19 – 11/20
3/20 – 3/20
First Assistant Camera (Specialty Camera )
–
Google
Google — Advertising — Google
3/20 – 3/20
10/19 – 10/19
ESPN — TV
10/19 – 10/19
8/19 – 8/19
First Assistant Camera (Boston Unit )
Hulu — Advertising — Turner Network Television Details
8/19 – 8/19
Focus puller and MoVi tech with an Alexa Mini. 6 Cooke Primes and an Angeniux 24-290 with an Arri WCU-4
8/19 – 8/19
Specialty Camera (MoVi Operator)
–
This is a Robbery
Netflix — Film (Feature-length) — Netflix
8/19 – 8/19
8/19 – 8/19
Tobacco Free Kids — Advertising Details
8/19 – 8/19
F55 with a set of Angenieux zooms. Filming in a hospital and in a high school
7/19 – 7/19
First Assistant Camera
–
Live Nation
Hilton Honors and American Express — Advertising Details
7/19 – 7/19
2x C300 Mk2
7/19 – 7/19
SimpliSafe — Advertising Details
7/19 – 7/19
Arri Alexa Mini
GoPro Hero Black
6/19 – 6/19
First Assistant Camera (Robotic Head/Motion Tracking )
–
The Troupe
Canobie Lake Park — Advertising — The Troupe Details
6/19 – 6/19
Slider and motion tracking for a 3 day shoot at a new water park attraction
5/19 – 6/19
Internet — Digital — Harvard University Details
5/19 – 6/19
A Camera op on a series of online educational seminars
5/19 – 6/19
Showtime — Film (Feature-length) — Jigsaw Productions Details
5/19 – 6/19
B Camera Operator on a high profile current events documentary investigating the life and death of journalist Jamal Khashoggi
5/19 – 5/19
First Assistant Camera (MōVI Technician )
–
Big Brick Productions
York Athletics — Advertising — Big Brick Productions Details
5/19 – 5/19
Movi Technician on a Movi Pro with an ARRI Alexa Mini and Anamorphics. Remote focus pulls and high speed work
6/18 – 9/18
FYI — TV — Kinetic Content Details
6/18 – 9/18
B cam crosshooter, with B roll, interviews, and OTFs
10/17 – 10/17
Specialty Camera (MoVi Operator )
Advertising
10/17 – 10/17
10/17 – 10/17
Comedy Central — Live/Special Event — McKinney Pictures
10/17 – 10/17
10/17 – 10/17
Corporate
10/17 – 10/17
8/17 – 8/17
Director of Photography (DP) (Sony FS7)
Advertising
8/17 – 8/17
8/17 – 8/17
Camera Operator (Sony FS7)
–
Linkage
Digital
8/17 – 8/17
8/17 – 8/17
Specialty Camera (MoVi Operator )
–
Clip Pictures
SONY — Advertising — Clip Pictures Inc
8/17 – 8/17
7/17 – 7/17
First Assistant Camera (Union )
Advertising Details
7/17 – 7/17
B Cam 1st AC, Union.
Arri Alexa, Cooke S4, Angeneiux 12x, Arri WCU-4
Filmed on an ice rink for a 4 day commercial shoot
5/17 – 5/17
Netflix — TV — Netflix
5/17 – 5/17
5/17 – 5/17
Gaffer
Advertising — Yellow Fan
5/17 – 5/17
5/17 – 5/17
Camera Operator (F55)
–
Gillette
YouTube — Digital
5/17 – 5/17
5/17 – 5/17
YouTube — Digital
5/17 – 5/17
4/17 – 5/17
Scenic Artist
–
Ennis
TJX / Home Goods — Advertising — Ennis
4/17 – 5/17
4/17 – 4/17
Camera Operator (FS7)
Advertising — Granite River Studios
4/17 – 4/17
4/17 – 4/17
Still Photographer (Assistant )
Advertising
4/17 – 4/17
4/17 – 4/17
Still Photographer (Assistant )
Advertising
4/17 – 4/17
3/17 – 3/17
Showtime — TV — Left/Right Inc.
3/17 – 3/17
3/17 – 3/17
Specialty Camera (MoVi Operator )
Advertising — Parallax Productions Details
3/17 – 3/17
Operated a MoVi Pro inside studio and corporate locations with a Canon C300 Mk2 and SmallHD monitor.
3/17 – 3/17
Specialty Camera (MoVi Operator)
–
Alpen Pictures
Aetna Health — Advertising — Whistle Pig Details
3/17 – 3/17
Operated a MoVi Pro on a beach location with a Canon C300, Heden Carat, Teradek Bolt 600, and SmallHD monitor to a wireless video village.
2/17 – 3/17
TV — EnMaze Pictures Details
2/17 – 3/17
Prepped, maintained, and tuned a MoVi Pro with Arri Alexa Mini, Arri WCU-4, Teradek Bolt, and SmallHD monitor in a variety of challenging locations for a Chinese TV pilot. Working on locations including busy downtown scenes, an airport, Chinatown, and parking garages.
2/17 – 3/17
Gaffer
Advertising — Urban Mouse Details
2/17 – 3/17
Led a lighting crew of 4 for a brand commercial in the manufacturing facilities of Whelen. Utilized HMIs, LED, Kino Flos, scissor lifts, hi-his, and 12 bys
2/17 – 2/17
ESPN — TV
2/17 – 2/17
12/16 – 12/16
Gaffer
Advertising — Alex Terrill Productions
12/16 – 12/16
12/16 – 12/16
ESPN — TV — ESPN Networks
12/16 – 12/16
11/16 – 12/16
Specialty Camera (MoVi Operator)
–
FCB New York
Poland Spring — Advertising — Rattling Stick
11/16 – 12/16
11/16 – 11/16
ESPN — TV — Ming Entertainment Group
11/16 – 11/16
11/16 – 11/16
ESPN — TV
11/16 – 11/16
10/16 – 10/16
Director of Photography (DP) (Sony FS7)
Advertising — Granite River Studios
10/16 – 10/16
10/16 – 10/16
Camera Operator (RED Raven, RED EPIC W, RED Dragon, Canon C100 Mk2, Sony Z100u)
–
New Hampshire Film Festival 2016
Live/Special Event — Backlash Productions
10/16 – 10/16
8/16 – 10/16
Film (Feature-length) — Broken Lizard Productions
8/16 – 10/16
9/16 – 9/16
Gaffer
Advertising — Winton DuPont Films
9/16 – 9/16
9/16 – 9/16
Camera Operator (Sony A7SII)
Advertising — AV Media
9/16 – 9/16
9/16 – 9/16
Second Assistant Camera
–
Wheelman
Film (Feature-length) — Netflix
9/16 – 9/16
9/16 – 9/16
Corporate — Granite River Studios
9/16 – 9/16
9/16 – 9/16
Director of Photography (DP) (Sony FS7)
–
Anchor Hitch Media
Montague Bikes — Advertising — Anchor Hitch Media
9/16 – 9/16
8/16 – 8/16
Director of Photography (DP) (Sony FS7)
–
Anchor Hitch Media
Shaheen Brothers Inc — Advertising — Anchor Hitch Media
8/16 – 8/16
7/16 – 7/16
National Geographic — TV — Asylum Entertainment
7/16 – 7/16
7/16 – 7/16
Director of Photography (DP) (Sony FS7, Nikon D800, GoPro Hero 4 Blacks)
Advertising — Lorenzo Films Details
7/16 – 7/16
Organized the camera department and outlined shots for a commercial shoot. Used A Camera to capture stunts, talent demonstrations, and B roll.
7/16 – 7/16
Corporate — Zoo Content Details
7/16 – 7/16
Setup and operated 9 BlackMagic Micro 4K cameras, 1 Blackmagic Ursa Mini, 2 GoPro Sessions, and 2 Canon 5DMk3 on a hidden camera gag for internal corporate use
6/16 – 6/16
Gaffer
Advertising — Fortland Productions
6/16 – 6/16
5/16 – 6/16
Stonehedge Inn and Spa — Advertising — Anchor Hitch Media Details
5/16 – 6/16
Developed a shot look and stylistic choices for a televised commercial series. Worked closely with the lighting and props to drive a rich, scenic advertisement for a local resort.
5/16 – 5/16
Gaffer
Nuance Communications — Advertising — Third Rock Productions
5/16 – 5/16
5/16 – 5/16
Gaffer
SimpliSafe — Advertising — In-House
5/16 – 5/16
3/16 – 3/16
AARP — Advertising — Grey Productions
3/16 – 3/16
1/16 – 3/16
Fox — TV — CJ Worldwide
1/16 – 3/16
1/16 – 1/16
Showtime — TV — Left/Right Inc.
1/16 – 1/16
12/15 – 12/15
Corporate — Heavy Digital
12/15 – 12/15
12/15 – 12/15
B2W — Advertising
12/15 – 12/15
12/15 – 12/15
Circle Furniture — Advertising
12/15 – 12/15
12/15 – 12/15
Director of Photography (DP) (Sony FS700)
–
Heavy Digital
Remax — Advertising — Heavy Digital
12/15 – 12/15
11/15 – 12/15
ESPN — TV — ESPN
11/15 – 12/15
10/15 – 10/15
Camera Operator (Canon C100 Mk2, Canon C300)
Advertising
10/15 – 10/15
10/15 – 10/15
Camera Operator (Sony FS700)
–
CRE Conference
Live/Special Event — Heavy Digital
10/15 – 10/15
10/15 – 10/15
Director of Photography (DP) (Sony FS7)
–
Anchor Hitch Media
The Flyer's Club — Advertising
10/15 – 10/15
9/15 – 9/15
Key Grip
–
HCPro
Corporate — Anchor Hitch Media Details
9/15 – 9/15
Rigging lighting and a dolly for a stage shoot at a hospice.
8/15 – 8/15
Digital — Reliant Studios Details
8/15 – 8/15
Rigging lighting grids and backdrops for veterans' interviews at Gillette Stadium for a charity's web content.
7/15 – 7/15
FYI — TV — Kinetic Content Details
7/15 – 7/15
Operated a Sony F800 for reality B-Cam. Shot reality, OTFs, and B-roll. Also shot ship-to-ship on a follow boat.
7/15 – 7/15
Key Grip
Advertising — Heavy Digital Details
7/15 – 7/15
Overhead rigging, slider, dolly and practical rigging
7/15 – 7/15
Best Boy Grip
Advertising — IndieWhip Details
7/15 – 7/15
Interior and exterior rigging.
Interior and exterior 12 overheads, day for night
7/15 – 7/15
Best Boy Grip
Advertising — IndieWhip Details
7/15 – 7/15
Interior and exterior rigging, single setup interior with 12x interior rigging
7/15 – 7/15
Key Grip
Advertising — IndieWhip Details
7/15 – 7/15
Indoor rigging for TV and Internet commercial spots. 8x overhead, lighting grid rigging on location, rolling truss rigging.
6/15 – 6/15
ESPN — TV — Cross Creek Pictures Details
6/15 – 6/15
Worked as a broadcast utility for a 4 day NHRA drag event at New England Dragway for ESPN. Stationed as pit lane/start line broadcast utility/wrangler.
6/15 – 6/15
Florence Savings Bank — Advertising — Sean Tracey Associates Details
6/15 – 6/15
Operated a 18' Jimmy Jib inside a historic theater for hero shots of 17 independent singers for a series of commercial spots. Sony FS7 on Canon Cine Primes. Underslung remote head.
5/15 – 5/15
Dolly Grip
Ramp — Advertising — Heavy Digital
5/15 – 5/15
5/15 – 5/15
Music Video — RA Vision Productions
5/15 – 5/15
3/15 – 3/15
CBS — TV — Catwalk Productions
3/15 – 3/15
3/15 – 3/15
Assistant Camera (AC) (Canon C300, C100)
–
Undercover (Season 1)
Playboy TV — TV — Catwalk Productions
3/15 – 3/15
3/15 – 3/15
Camera Operator (Canon 5D Mk3, 5D Mk2, 6D)
Advertising
3/15 – 3/15
3/15 – 3/15
Camera Operator (Sony FS7, DJI Ronin/Panasonic GH4)
–
PAX East
Internet — Live/Special Event — Maker Studios Details
3/15 – 3/15
1st Camera Op on a 3 day live streaming broadcast of a national gaming and entertainment show. Shot interactive panels, event coverage, game shows, and interviews. Used a Sony FS7 to capture panels, events, and interviews and used a Panasonic GH4 on a DJI Ronin to capture walkthroughs, B-roll, and behind-the-scenes.
3/15 – 3/15
Internet — Live/Special Event — LMG Productions Details
3/15 – 3/15
Assisted pit cameras for a a live show through the Honda/Vevo Concert Series. Worked with the Grass Valley LDK 8000 and assisted on audio/video cabling from the broadcast truck directly to camera; 7 triax, 2 fiber, 3 phase power, and com cables.
3/15 – 3/15
Corporate — RA Vision Productions
3/15 – 3/15
3/15 – 3/15
Internet — Live/Special Event — LMG Productions Details
3/15 – 3/15
Assisted pit cameras for a a live show through the Honda/Vevo Concert Series. Worked with the Grass Valley LDK 8000 and assisted on audio/video cabling from the broadcast truck directly to camera; 7 triax, 2 fiber, 3 phase power, and com cables.
3/15 – 3/15
ESPN — TV — Lyons Group Details
3/15 – 3/15
Running triax, fiber, and DT mults, branching and laying triax cables to hard and handheld camera positions and running triax drops to press conferences and coach/player interviews. Faxing cameras. Interview lighting. Broadcast uplink troubleshooting. Wrangling cable for handhelds.
3/15 – 3/15
Music Video — Swift River Studios Details
3/15 – 3/15
Operated a Jimmy Jib Super Giant Triangle jib and a Red Epic camera. Filmed indoor against a 1800 sq ft greenscreen cyc.
3/14 – 3/15
Corporate — RA Vision Productions
3/14 – 3/15
12/14 – 2/15
Internet — Corporate — RA Vision Productions Details
12/14 – 2/15
Operated a Red Epic MX with a teleprompter on a greenscreen for a internal corporate video detailing the release of new services the hiring company offers.
1/15 – 1/15
CBS — TV — CBS Sports Details
1/15 – 1/15
Part of the rigging team for SkyCam. Assisted in rigging feeds from the SkyCam rig. 4 separate towers were brought in to position and assembled on the catwalks overlooking the venue. Completed rigging for motor feeds. Ran control lines to SkyCam's command module.
1/15 – 1/15
Yahoo — Live/Special Event — Live Nation
1/15 – 1/15
12/14 – 12/14
ESPN — TV — Ming Entertainment Group
12/14 – 12/14
12/14 – 12/14
Sizzle Reel — Live/Special Event — AVmedia, Inc.
12/14 – 12/14
12/14 – 12/14
New Balance — Advertising — AVmedia, Inc.
12/14 – 12/14
11/14 – 11/14
Camera Operator (Epic, 5DMkIII)
Advertising — RA Vision Productions Details
11/14 – 11/14
Greenscreen shoot with slider, tripod and handheld work for a corporate commercial series
11/14 – 11/14
ESPN — TV — Ming Entertainment Group Details
11/14 – 11/14
Lead utility responsible for running triax and coaxial cables from broadcast trucks to stadium. Supervised rigging and cabling for a multicam shoot. Prepped cameras and followed test transmission procedures for a pre-gameday test.
Gameday, worked as a senior camera utility and assisted a courtside cameraman with cabling and broadcast needs.
11/14 – 11/14
Internet — Live/Special Event — RA Vision Productions
11/14 – 11/14
11/14 – 11/14
ESPN — TV — Ming Entertainment Group
11/14 – 11/14
11/14 – 11/14
ESPN — TV — Ming Entertainment Group Details
11/14 – 11/14
Sidelines audio tech/parabolic mic operator
10/14 – 11/14
Film (Feature-length) Details
10/14 – 11/14
Exterior-only filming. Rigged 40' dolly runs on a train platform. Rigged on active train cars and a locomotive for exterior sequences. Duties also included working as dolly grip, set safety around active railyards, and overheads.
10/14 – 10/14
Travel — TV — Tremendous! Entertainment
10/14 – 10/14
10/14 – 10/14
ESPN — TV — Ming Entertainment Group
10/14 – 10/14
10/14 – 10/14
Driver (Studio Truck Driver)
–
n/a (in house)
Edward Jones — Advertising — In house Details
10/14 – 10/14
Handled 30' and 18' studio and grip trucks on a 6 day shoot on location.
12/13 – 10/14
Gaffer (Boston Unit )
–
Bjorn
Film (Short) — Lost Jockey Productions Details
12/13 – 10/14
Lighting design on interior reshoots for a short film. Light interior and exterior rigging.
9/14 – 9/14
National Geographic — TV — Evolve IMG Details
9/14 – 9/14
24' Jimmy Jib inside SFX dock for boat SFX and insert shots
9/14 – 9/14
TV — Green Compass Productions Details
9/14 – 9/14
Shot a promotional episode for an upcoming docureality adventure series. In this episode, shooting took place in remote mountains and featured cave rappelling and spelunking. Effort was put into gear selection and packing due to the journey to the shooting location and confined working spaces on location.
9/14 – 9/14
Film (Short) Details
9/14 – 9/14
Lead the grip dept on both the mainland unit and the remote unit for a short film set on a isolated island off the coast on New England. Responsible for rigging overheads, rigging rooftop lighting setups, interior VFX setups, and location logistics in challenging environments.
9/14 – 9/14
Film (Feature-length) — TWR Productions Details
9/14 – 9/14
Support in the grip department for a series of pickup shoots for a feature film.
9/14 – 9/14
Corporate — PC Connection Details
9/14 – 9/14
Prepped overhead and stage lighting for a sound stage shoot for a internal corporate video series.
8/14 – 8/14
Second Assistant Camera
Sylvania Lightbulbs — Advertising — Waverly Pictures Details
8/14 – 8/14
Shot at NH Motor Speedway with a track-prepped Toyota Highlander outfitted with Sylvania automotive lighting products. Worked with car rigs, pursuit camera trucks, and skidpad sequences. Slated for multi-camera shoots and worked with operators to ensure safety and camera prep in pursuit sequences.
8/14 – 8/14
Best Boy Electric
Care.com — Advertising
8/14 – 8/14
8/14 – 8/14
Internet — Live/Special Event — On Campaign
8/14 – 8/14
8/14 – 8/14
Music Video — Backlash Productions Details
8/14 – 8/14
Operated a 12' camera crane and custom remote head for a scripted music video shoot in outdoors day/night conditions.
8/14 – 8/14
Music Video — Backlash Productions Details
8/14 – 8/14
Used a handheld camera stabilizer for extreme tracking shots. Shot a 4 minute continuous walkthrough scene through multiple stylized sets and went through numerous rehearsals to implement a precise walkthrough in challenging environments.
7/14 – 8/14
Film (Feature-length) — I Hunger Productions Details
7/14 – 8/14
Rigging HMI's and tungsten heads for outdoor night exteriors. Rigging practicals for lighting an 80' dolly shot through an abandoned barn. Generator operating for remote lighting.
7/14 – 7/14
Film (Short)
7/14 – 7/14
7/14 – 7/14
Music Video — Backlash Productions Details
7/14 – 7/14
Ran a handheld camera stabilizer for motion-controlled shots. Used for long tracking runs from the edge of the beach up to the dunes and tracking walk-throughs of a beach party.
6/14 – 7/14
Telemundo — TV — Magical Elves
6/14 – 7/14
6/14 – 6/14
PBS — TV Details
6/14 – 6/14
Operated a 18' Jimmy Jib Triangle with a Canon C300 and Angeneiux Optimo Zooms in outdoor locations around a university campus.
6/14 – 6/14
Gaffer
University of Maine — Advertising — Magnet Media
6/14 – 6/14
6/14 – 6/14
First Assistant Camera
Storyland — Advertising — Wild Horses Details
6/14 – 6/14
Worked a series of shoots, half as Best Boy grip and half as 1st AC, for a commercial.
Duties as a 1st AC included specialty camera rigging, camera maintenance and assistance in special environments (height, wet conditions, roller coasters, boats, vehicles) and demonstrating set safety in challenging and dangerous environments.
6/14 – 6/14
Best Boy Grip (Specialty Rigger)
Storyland — Advertising — Wild Horses Details
6/14 – 6/14
Worked a series of shoots, half as a Best Boy rigging grip and half as 1st AC, for a amusement park commercial. Duties as a grip included building overheads, rigging roller coasters, specialty camera rigs, and demonstrating set safety in challenging and dangerous environments.
6/14 – 6/14
Film (Short) — Backlash Productions
6/14 – 6/14
6/14 – 6/14
Music Video — Backlash Productions Details
6/14 – 6/14
Lighting design and stage lighting for a music video shot on location at the Rochester Opera Hall.
5/14 – 6/14
Bravo — TV — Magical Elves Details
5/14 – 6/14
Drove 26' refer trucks, 14' refer trucks, 26' studio trucks, 14' cube trucks at stage and locations.
5/14 – 5/14
Key Grip
Seacoast Dental Implant & Oral Surgery Center — Advertising — MJM Productions
5/14 – 5/14
5/14 – 5/14
First Assistant Camera
–
Grey
AARP — Advertising — Vision
5/14 – 5/14
4/14 – 5/14
BBC — TV — Temple Street Productions
4/14 – 5/14
4/14 – 4/14
First Assistant Camera
Akamai — Advertising — RA Vision Productions
4/14 – 4/14
3/14 – 4/14
TLC — TV — Half Yard Productions
3/14 – 4/14
3/14 – 4/14
Lifetime — TV — Collins Avenue
3/14 – 4/14
3/14 – 3/14
Second Assistant Camera (Red One MX, Canon 5D Mark III)
National Children's Alliance — Advertising — 03801 Studios Details
3/14 – 3/14
2nd Camera Assistant for a 2014 Spokeswoman presentation for national commercial TV audiences. Responsible for setting up Preston remote follow focus and sliders, as well as slating for cameras.
3/14 – 3/14
Camera Operator (Canon 1D-X, Canon 5D Mark III)
–
PC Connection: Chalktalk
Internet — Digital — PC Connection Details
3/14 – 3/14
Operated two DSLRs on tripods for filming two segments of a company presentation of company services. Also assisted in lighting design and set staging on a sound stage with overhead lighting grid.
2/14 – 3/14
First Assistant Camera (Red Epic, Canon 5D Mark II, Canon 5D Mark III)
–
Dear World
Internet — Live/Special Event — The Deltree Details
2/14 – 3/14
1st AC on a film about a survivor is training bystanders and survivors to run the 2014 Boston Marathon and stills of survivors of the 2013 Boston Marathon bombings.
Declicked Zeiss lenses were used on a Red Epic with a Nikon PL mount.
Pulled focus using Tilta FF-T04 and Preston Remote FF
2/14 – 2/14
Key Grip
Partners Healthcare — Advertising — Heartwood Media Details
2/14 – 2/14
Rigged fluorescent and LED fixtures in a variety of office, laboratory, medical testing, and conference settings.
2/14 – 2/14
Jib Operator
Litecontrol — Advertising — Prism Production Services Details
2/14 – 2/14
15' Jimmy Jib w/ Panasonic HPX500
2/14 – 2/14
Key Grip
PC Connection — Advertising — Hatchling Studios
2/14 – 2/14
2/14 – 2/14
Internet — Digital — RA Vision Productions
2/14 – 2/14
2/14 – 2/14
Internet — Digital — Artwork Details
2/14 – 2/14
Key Grip on a segment for a web video series titled "Earth: The Operator's Manual" which aimed to raise awareness of climate change.
2/14 – 2/14
Music Video — I Hunger Productions
2/14 – 2/14
1/14 – 1/14
National Geographic — TV — True Entertainment
1/14 – 1/14
1/14 – 1/14
Key Grip
Akamai — Advertising — RA Visions
1/14 – 1/14
12/13 – 12/13
Travel — TV — Twelve02 Television Details
12/13 – 12/13
Performed Camera PA duties (built camera packages, lens swaps, maintained shot media) and assisted with camera support (responsible for tripods and assisted the grip team with building and mounting a 6' slider system
12/13 – 12/13
Camera Operator
PC Connection — Advertising — PC Connection Details
12/13 – 12/13
In-house produced commercial detailing advancements in VDI solutions for businesses.
Shot on Canon 1D-X and 5D Mark III
12/13 – 12/13
Verizon — Advertising — Atta Girl Entertainment
12/13 – 12/13
11/13 – 12/13
MTV — TV — Endemol Shine Group
11/13 – 12/13
11/13 – 11/13
TLC — TV — Half Yard Productions
11/13 – 11/13
11/13 – 11/13
Assistant Camera (AC) (C300)
Executive Protection — Advertising
11/13 – 11/13
11/13 – 11/13
Live/Special Event — White Mountain Films Details
11/13 – 11/13
Freelance photographer for live event coverage of the Red Sox 2013 World Series championship parade.
5D Mark III with 70-200mm f2.8L IS II
7D with 24-105mm f4L
T2i with 70-300mm f4 SP IS VC
10/13 – 11/13
Key Rigging Grip
PC Connection — Advertising Details
10/13 – 11/13
Rigged studio lighting for a talk show stage from overhead grid
10/13 – 10/13
Key Grip
Art Institutes — Advertising — Process Creative
10/13 – 10/13
10/13 – 10/13
Internet — Live/Special Event Details
10/13 – 10/13
12' Jimmy Jib with Sony HDC-1500 with Canon 11x lens for a three day live streamed tech conference.
10/13 – 10/13
Jib Operator
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Wedü
WalkBikeDoBetter PSA — Advertising — Granite River Studios Details
10/13 – 10/13
12' Kessler jib with Sony FS700 mounted in a Ford F250 for moving shots of children on bicycles and stationary for direct overhead shots of children walking on a crosswalk.
9/13 – 10/13
TV Details
9/13 – 10/13
Rigged a 20'x24' overhead lighting grid and a 60'x120' overhead lighting grid. Used a scissor lift to rig power cables, tungsten units, ellipticals, and softboxes from the lighting grid. Used 5Ks, 2Ks, 1Ks, and 9 light sources to light studio sets.
9/13 – 9/13
Camera Operator (Canon 5DMkIII)
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Tell-Tall Heart
Internet — Digital — Smalltown Pictures
9/13 – 9/13
8/13 – 9/13
Assistant Camera (AC) (RED EPIC, Phantom Flex, Sony F3, Canon 5D Mark III)
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Wicked Tuna (Season 3)
National Geographic — TV — Evolve IMG Details
8/13 – 9/13
Assembled camera packages, built cameras prior to shooting, performed media management, and other camera related basic duties. Shooting primarily took place at sea on small fishing vessels, so certain precautions were taken to prevent unsafe working conditions and special procedures were implemented to safeguard the cameras and equipment from elements.
7/13 – 9/13
Fox — TV — American Idol Productions, Inc.
7/13 – 9/13
8/13 – 8/13
A&E — TV — 44 Blue Productions Details
8/13 – 8/13
Prepped camera packages, media managed footage in the field, assisted with rigging interview lighting, and configured wireless video transmission for monitors.
8/13 – 8/13
Jib Operator
Stand Up Speak Out PSA — Advertising — National Children's Alliance Details
8/13 – 8/13
Jib operator for a national ad campaign by NCAC. The ad premiered on November 19th, 2013 and was featured on Reddit, Upworthy, The Colbert Report, Comedy Central, and many others.
8/13 – 8/13
Production Assistant
Reebok — Advertising — Small Army Productions
8/13 – 8/13
8/13 – 8/13
Gaffer
WebMD — Advertising
8/13 – 8/13
7/13 – 7/13
Key Grip
One World Coffees — Advertising — Morgan LaForge Photography
7/13 – 7/13
7/13 – 7/13
Jib Operator
Child Advocacy Center PSA — Advertising Details
7/13 – 7/13
4' Libec jib with RED One MX
7/13 – 7/13
Jib Operator
Smith & Wesson — Advertising — IQ Media Details
7/13 – 7/13
Operated a 24' Jimmy Jib Super Plus w/ remote head mounted with Canon C300 for crowd shots.
7/13 – 7/13
Electrician
WebMD — Advertising
7/13 – 7/13
7/13 – 7/13
Camera Operator (Canon 5D Mark III, Canon 5D Mark II)
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Toast
Film (Feature-length) — Smalltown Pictures
7/13 – 7/13
7/13 – 7/13
Film (Feature-length) — Break Media Details
7/13 – 7/13
Rigged and operated Skyjack RT SJ 7135 and rigged a Condor crane.
7/13 – 7/13
ABC — Live/Special Event — Sureshot Productions Details
7/13 – 7/13
Ran a Thomson/Grass Valley HD DPM+ camera on a 24' jib with a remote head at the 228th 4th of July celebration at the historic Bristol Parade. Live broadcast via ABC 9.
6/13 – 7/13
Film (Feature-length) Details
6/13 – 7/13
Assisted Key Grip with rigging lighting structures for outdoor scenes to replicate moonlight. Rigged stunt and picture vehicles for camera and lighting departments. Rigged rooftop lighting for city scenes.
6/13 – 6/13
Key Grip
WebMD — Advertising Details
6/13 – 6/13
Rigged cyclorama and lighting
6/13 – 6/13
Key Grip
Merrimack Valley Federal Credit Union — Advertising — Bill Tracey
6/13 – 6/13
6/13 – 6/13
Rock Creek Productions
6/13 – 6/13
6/13 – 6/13
Music Video — Trollbound Entertainment
6/13 – 6/13
6/13 – 6/13
BankNewport — Advertising — Digital Video Consulting
6/13 – 6/13
5/13 – 5/13
Federal Savings Bank — Advertising — Bill Tracey & Communicators Group
5/13 – 5/13
3/13 – 5/13
Spike TV — TV — Bongo, LLC
3/13 – 5/13
4/13 – 4/13
Film (Feature-length) — Backlash Productions Details
4/13 – 4/13
Oversaw electrical distrubution and lighting. Used 2k fresnels, 1k fresnels, and par can arrays for exterior lighting. Used 2k zip lights, 1k fresnels, 1k softlights, 650w open-faces, elipsoidals, Kino Flos for interiors.
Also worked as a dolly grip; laid 48' of track and a Matthews dolly through a woodland scene.
3/13 – 4/13
Film (Feature-length) — April Oprea Productions
3/13 – 4/13
3/13 – 3/13
Film (Feature-length) — Shoe Slung Films Details
3/13 – 3/13
Pre-rigged an indoor set and operated tungstens, Kino Flos, and ellipsoidals on set for a segement of the collective feature film The End
3/13 – 3/13
Film (Feature-length) — Backlash Productions Details
3/13 – 3/13
Gaffer and jib operator on a short film. Resposibilities included lighting a car scene (Mercedes-Benz S55 AMG with Kino Car Kit and Kino Single Kit with battery belt power) and jib shots on a 4' jib and a Blackmagic Cinema Camera.
3/13 – 3/13
Music Video — LightSpeed Productions Details
3/13 – 3/13
Operated a Libec JB-30 with a Panasonic AG-AF100 and helped the G&E department pre-rig scaffolding and lights for a performance by Becca Byram, Eugene Friesen, and "Dempsey"
2/13 – 2/13
Music Video — Swift River Studios Details
2/13 – 2/13
Rigged interior lighting (HMI's, Kino Flo's, Source Four's) and ran electrical distribution for set.
2/13 – 2/13
Music Video — Swift River Studios Details
2/13 – 2/13
Rigged interior lighting (HMI's, Kino Flo's, Source Four's) and ran electrical distribution for set.
2/13 – 2/13
Upromise by Sallie Mae — Advertising — Digital Video Consulting Details
2/13 – 2/13
Assisted the grip department as Best Boy and rigged outdoor lighting platforms and indoor lighting set-ups for tight quarters.
1/13 – 1/13
Film (Feature-length) — Backlash Productions Details
1/13 – 1/13
Led the lighting department and worked with day/night and interior/exterior lighting for a short comedy film.
12/12 – 12/12
Gaffer
TTE Laboratories, Inc. — Advertising — A Shane Dzicek Production Details
12/12 – 12/12
Transported, staged, and rigged the lighting package for an industrial video for a laboratory services comapany.
12/12 – 12/12
Film (Feature-length) Details
12/12 – 12/12
Provided grip work on a short film.
12/12 – 12/12
Music Video — A Shane Dzicek Production Details
12/12 – 12/12
Transported, staged, and rigged the lighting package for a music video.
11/12 – 11/12
Gaffer
Ironwood Pharmaceuticals, Inc — Advertising — Frame Zero, s,l. Details
11/12 – 11/12
Transported, staged, and rigged lighting for an industrial video for Ironwood Pharmaceuticals with a Spanish production company, Frame Zero s,l.
11/12 – 11/12
Boom Operator
Eastern Bank — Advertising — New England Sports Network Details
11/12 – 11/12
Assisted the sound department and operated the sound boom on the set of Eastern Bank's Toys For Tots charity drive commercials.
11/12 – 11/12
Electrician (2nd Electric)
Eastern Bank — Advertising — New England Sports Network Details
11/12 – 11/12
Worked for the grip and lighting rental company, staging and rigging lights, for the Toys For Tots charity drive commercials.
11/12 – 11/12
Film (Feature-length) — Backlash Productions Details
11/12 – 11/12
Transported, staged, and rigged lighting and grip equipment for a short film.
11/12 – 11/12
HGTV — Live/Special Event — HGTV Productions Details
11/12 – 11/12
Assisted the Head Jib Operator on a Jimmy Jib 24' Super-Plus Triangle jib. Assisted in the load in, transport, assembly, staging, operation, and load out of the jib with the jib rental company.
11/12 – 11/12
Film (Feature-length) — Shoe Slung Films Details
11/12 – 11/12
Assisted the camera department to supplement natural lighting.
9/12 – 10/12
SyFy — TV — Ping Pong Productions
9/12 – 10/12
7/12 – 8/12
Film (Feature-length) — Stock Footage, LLC Details
7/12 – 8/12
Worked as a grip, rigging indoor and outdoor lighting set-ups in residential and agricultural buildings and remote outdoor locations during day and overnight shoots.
5/12 – 6/12
Fox — TV — ITV Studios America
5/12 – 6/12
5/12 – 5/12
Electrician (Night)
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Crypsis
Film (Feature-length) — Crypsis, LLC Details
5/12 – 5/12
Assisted the grip and electrical department on overnights.
3/11 – 6/11
Second Assistant Camera (Teaser/Trailer Camera Operator; Production Still Photographer)
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The Save
Film (Feature-length) — WarCry Entertainment Details
3/11 – 6/11
Shot teaser/trailer footage for The Save and shot production stills during principal photography.
