At this female led media company I moved between post production roles for original programming and branded content across digital platforms. I established and implemented Production and Post Production Standards to ensure seamless workflows and oversee quality control for all films. Clients: Spotify, Nat Geo, The Future of Storytelling, Okta, Lifetime. Original Programming: 6 episodes of short-form series, Under Her Skin; 3 episodes of long form series, HERE; 2 episodes of short form series, Working Women.
Summary
I'm a versatile creative producer for film, digital media, podcasting, art exhibitions and events. My work has been presented at international film festivals, museums and art fairs. Skilled at working with creatives to ensure their visions are protected.
Credits
10/17 – 2/18
Post Production Coordinator
Staff Position — The Front Media Details
10/17 – 2/18
7/09 – 7/10
Director – How Big Little Is
Film (Feature-length) — Ferniture Films, LLC Details
7/09 – 7/10
Director and Producer of this hybrid documentary and fiction feature film. The ambitious project consists of hundreds of hours of verite footage and thousands of drawings and hundreds of archival elements. Most re- cent production includes a two day narrative shoot with full crew, requiring production insurance, equipment rental, and sourcing a 1970s Cadillac for prop rental. We have a 1.5 hour rough cut and currently seeking final finishing funds to complete post production.
Orgs

Recos
Education
Class of '02
University of Kansas
Bachelor of Arts in Art History & American Studies
Skills
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