Summary

A story producer with careful attention to detail in love with the magic of a clever edit and compelling human stories. I am also interested in research as I also enjoy finding stories to bring to life on screen.

Credits

3/22 – 7/22

Story Producer Swiping America (Season 1)

HBO Max — TV — IPC -The Intellectual Property Corporation Buckingham Television Details
3/22 – 7/22

Watched down footage in its entirety, handed polished SLX or strings off to post supervisor for notes before taking the scenes to the editors with advisements on tone and action. Also presented suggestion for story structure to post supervisor for my two episodes, tracked clearance matters, ordered graphics, and of course worked on network notes with editors.

9/21 – 2/22

Story Producer The Substitute (Season 2)

Nickelodeon — TV — ICP Details
9/21 – 2/22

While stringing the pranks and other comedy beats were left entirely the editors, I took on stringing all the other set up beats and wrote the bulk of narration for the episode. This was a GFX and chyron-heavy show that required a close attention to detail for making sure we followed all of the various L3 guidelines, which was my responsibility as well as other story work.

9/21 – 2/22

Production Coordinator Phrogging (Season 1)

Lifetime — TV — Brightroad Productions Details
9/21 – 2/22

During pre-production, took a Box drive of hundreds of releases from highly disorganized and mismanaged to tip-top shape. Chased releases that still needed to be met, got talent on payroll, reconciled field receipts, booked travel and arranged transportation for cast, onboarded crew, and all the other standard production coordinator tasks made tricky by COVID protocols.

3/21 – 5/21

Story Producer How To Olympics (Season 1)

YouTube — TV — The Intellectual Property Corporation Details
3/21 – 5/21

Cut polished stringouts before handing off to editors, cut history and rules packages, revised VO per network notes, requested all stock ingestion for the entire season from the IOC, story produced four out of eight episodes as well as assisted in other episodes where needed.

2/20 – 5/20

Story Producer We're Here (Season 1)

HBO — TV — IPC Details
2/20 – 5/20

Began as associate producer, mostly stringing out concise and polished scene work for the editors to clean up. Eventually took on the fifth episode as story producer, drew up an episode grid, and executed network notes with the team.

5/19 – 1/20

Story Producer The DNA of Murder (Season 1)

Oxygen — TV — Wilshire Studios Details
5/19 – 1/20

Started out as an associate producer, stringing out complex scenes that involved tracking forensic details in a clear manner for the audience to follow. Stringing out the batch of our ten hour-episodes was the bulk of my duties as AP as well as reading in-depth case files to ensure our storytelling was accurate and painted a fair picture of our investigator's opinions and making sure we followed proper clearance guidelines on featuring crime scene photos. When I was promoted to Story Producer, I picked up the added responsibilities of ordering accurate crime scene recreation graphics, suggesting episode grids, and tracking further story details to ensure accuracy of the storytelling for a very complex crime.

11/18 – 5/19

Story Associate Producer Styling Hollywood (Season 1)

Netflix — TV — Kingdom Reign Entertainment Details
11/18 – 5/19

STYLING HOLLYWOOD | Netflix, November 2018 – May 2019, Kingdom Reign. Field AP Worked in tandem between the field and post production team. This entailed booking and managing locations, coordinating with talent, taking thorough field notes and writing hot sheets, all while tracking wild lines, licensing a multitude of acquired content and stringing out scenes.

7/18 – 11/18

Story Associate Producer Sex For Sale: The Untold Story

A&E — TV — Karga Seven Pictures Details
7/18 – 11/18

Edited dozens of concise but polished and colorful cast auditions for network. Once in production, wrote story beats, put together research packets for interviews as well as wrote interview questions, and strung-out scene work.

Recos

Would you like to write a recommendation for Jennifer? Write a Recommendation »

Education

Class of '13

Stephen F. Austin State University

BFA in Cinematography and Photography

Skills

  • Post Production
  • Producer
  • story
  • Story Notes
  • Adobe Lightroom