Worked for Levant Blanc / PXP for the "Sonic Entice" campaign, as a direct liaison on set between the Commercial Client (Sonic) and the Director to communicate shot feedback and ensure all content needs were being met to achieve the Client’s creative vision.
Summary
Los Angeles based freelance Producer specializing in docu-series, reality, and commercial projects.
Credits
3/24 – 3/24
Producer – PXP
Sonic — Advertising — Levant Blanc Details
3/24 – 3/24
3/24 – 3/24
Producer – Seqs productions
J.Crew x USA Swim — Advertising — Seqs productions Details
3/24 – 3/24
Worked closely with internal J.Crew Producers to facilitate local resources for the J.Crew X USA Swimming campaign, facilitated athlete/talent transportation, and supervised base camp for the duration of filming.
2/24 – 2/24
Assistant Production Supervisor – Community Films
Eli Lily — Advertising — PRODUCTION CO: COMMUNITY FILMS Details
2/24 – 2/24
Under the directive of the Production Supervisor, was responsible for reconciling vendor expenses, preparing/assisting in the collection of union payroll paperwork, supervising Production Assistants, and booking crew as requested. Was additionally responsible for creating the commercial Pre-Production book, as well as organizing catering and supplies for Pre-Pro meeting.
2/24 – 2/24
Producer – Levant Blanc
Bank of America — Advertising — Bank of America Details
2/24 – 2/24
Work closely with Executive Producer to meet client expectations and deliverables, and assist in managing crew logistics for the duration of shoot days.
5/23 – 1/24
Senior Producer – Hearts of Heroes (Season 5)
ABC — TV — Hearst Media Production Group Details
5/23 – 1/24
In this role I was responsible for researching, outreach, and pitching rescue stories across the United States. After the stories were approved, I was responsible for managing the scheduling and logistics surrounding the shoot. Additional responsibilities included booking crew, gear, and travel for the field team. While filming in the field my responsibilities included interviewing involved first responders and victims from the rescues, directing camera operators for desired content, tracking shots, and keeping detailed story notes. When not actively filming or researching - the role was also responsible for tracking story status and assisting with episode order and outlines.
8/22 – 4/23
Producer – Lucky Dog (Season 10)
CBS — TV — Hearst Media Production Group Details
8/22 – 4/23
During Production responsibilities included creating daily shoot schedules based on story outlines, directing a multi-cam crew to capture desired content, and managing shoot logistics based on host and adopter availability. I was also responsible for conducting all on-camera interviews and keeping detailed notes for each shoot day. During pre-production the role was responsible for interviewing potential show participants/adopters and writing story outlines for network approval.
2/23 – 3/23
Producer – Biktarvy Hot Take
Corporate — Levant Blanc Details
2/23 – 3/23
- Worked closely with multi-million dollar company to achieve desired look/content for internal pharmaceutical video series. - Supervised crew during set build and shoot days/ managed shoot logistics. - Hired local crew and booked all gear and supplies for shoot. - Booked crew travel and meals. -
7/22 – 8/22
Producer – Levant Blanc
MLB — Advertising — Bank of America
7/22 – 8/22
Recos
Education
Butte College
Associate Of Science: Video Production
My Gear
Skills
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