Jessica 'Evon' Bradford

Episode- Everything's Bigger in Texas (2011) ... (production assistant)

Demonstrated leadership, accountability, follow through and adaptability while coordinating and offering logistical support to the Producer and Director on set. Managed key talent & background talent. Stayed abreast of talent and crew whereabouts, needs/concerns and ensured that members were aware of production changes and immediate responsibilities. Locked up set.

Grim Family: You're Not Allowed to Get Sick, Tired or Injured (2011) - Steward Family: I Want You to Be Great at Everything (2011)

-Supported Directors, Assistant Directors and Producers in the daily operations associated with production - carried out logistics, communicated between departments, followed up and produced solutions as a key crew member of the Production department. -Performed lockups, counted lunch, staged background, escorted First and Second Team. -Supported the 2nd 2nd with daily operations at basecamp as well as assisted with company moves. -Carried out offsite errands. -Verified sides - identified inconsistencies, ran corrections and distributed. -“Flyered” trailers and handled distro. -Performed radio distro and managed inventory. -Assisted 1st AD/2nd AD on set. Exhibited resourcefulness and problem solving skills - identified solutions and resources that put out production fires. -Managed key talent, background talent, stand-ins and crew members throughout production shoot days. 100+ personnel. Stayed abreast of whereabouts, needs/concerned and ensured that members were aware of production changes and immediate responsibilities. -Helped members to reach resolution to problems/concerns. -Exercised endurance, focus and determination throughout lengthy shoot days. -Maintained a keen awareness of production status and details at all times. Communicated such details to all affected personnel.

Texas local PA for episodes 204 and 205

-Locked up set -Secured appearance releases -Transported crew members during production -Coordinated crew lunches -Acted as a team player and team leader taking direction and initiating positive actions to aid in the success of production. Episode: Mike and the Momzilla (2010) ... (production assistant)

-Assisted the Unit Production Manager in reconciling daily receipts and expenditures - compiled receipts and submitted petty cash reports. -Managed on camera appearance releases for Legal. -Created and managed digital databases as well as prepared physical binders of appearance releases. -Assisted UPM at the end of production with the Production Office Wrap Out - consolidated all materials and prepped for shipping. -Filed and maintained internal and external documents for the Production department. -Ran office errands Episodes: - The Cougar Trap (2011) ... (production assistant) - Whit's End (2011) ... (production assistant) - My Mom Stole My Crown (2011) ... (production assistant) - Gunning for Trouble (2011) ... (production assistant) - Texas Throwdown (2011) ... (production assistant) - Brat Attack (2011) ... (production assistant) - Model Meltdown (2011) ... (production assistant) - Brawling Beauty Queens (2011) ... (production assistant) - Beauty Queen Drop Out (2011) ... (production assistant) - Welcome to the Club (2011)

Performed in-the-field story transcription. Monitored talent dialog in real-time properly identifying key events, details and sound bites during high intensity shooting. Submitted daily notes which aided producers in story development. Episodes - - Ashley (2010) - Felicia (2010) - Brooke (2010) - Samantha (2010)

-Offered logistical support to the UPM. -Ran errands between office and set -Coordinated Crew Lunch -Prepped green screen for set -Transported equipment Episodes: - Pony Up (2011) ... (production assistant) - Everythings Bigger in Texas (2011) ... (production assistant) - Friendly as Fire Ants (2011) ... (production assistant) - Getting to Know You (2011) ... (production assistant) - Make Love Not War (2011) ... (production assistant) - When Pigs Fly (2011) ... (production assistant) - Take the Bulls by the Horns (2011) ... (production assistant) - Plenty of Fish in the Big D (2011) ... (field production assistant) Show less

Provided daily transcription during film shoots. Turned in documents at rhe end of day to Field Producer.

Episode - Auditions : Dallas

-Resolved technical issues pertaining to hardware and software - decks, patch bays, routing and signal flow. -Offered daily support to the Post Supervisor, Senior Editors and Story Producers -Captured footage from shot tapes into the Avid digital editing environment -Resolved technical issues encountered during ingestion - timecode issues and physical troubleshooting that occurred along the way. -Logged and organized digital media clips making them easily accessible to a large group of editors and producers. -Created daily stringouts of media - Identified significant sounds bites and shots. -Performed “grouping” of scenes shot with multiple cameras. -Created the Network deliverables - Performed “uprezes” of episodes - converted clips from low resolution to HD. Laid HD episode versions off to physical tape, dvd, encoded the files for web and posted them to FTP. -Organized and managed the physical media library. Episodes: - Stressed to Impress Nina (2009) ... (assistant editor) - Wedding Belle, Intern Hell (2009) ... (assistant editor) - Intern Wars (2009) ... (assistant editor) - Off and Running (2009) ... (assistant editor)

-Resolved technical issues pertaining to hardware and software - decks, patch bays, routing and signal flow. -Offered daily support to the Post Supervisor, Senior Editors and Story Producers -Captured footage from shot tapes into the Avid digital editing environment -Resolved technical issues encountered during ingestion - timecode issues and physical troubleshooting that occurred along the way. -Logged and organized digital media clips making them easily accessible to a large group of editors and producers. -Created daily stringouts of media - Identified significant sounds bites and shots. -Performed “grouping” of scenes shot with multiple cameras. -Created the Network deliverables - Performed “uprezes” of episodes - converted clips from low resolution to HD. Laid HD episode versions off to physical tape, dvd, encoded the files for web and posted them to FTP. -Organized and managed the physical media library. Episodes: - New York Hustle (2008) ... (assistant editor) - One Night Only (2008) ... (assistant editor) - Unforgivable Hustle (2008) ... (assistant editor) - Hooray for Hollywood! (2008) ... (assistant editor) - Diddy.com (2008) ... (assistant editor) - No Bitchassness Allowed (2008) ... (assistant editor) - Welcome to Bad Boy (2008) ... (assistant editor) - Go Get the Model (2008) ... (assistant editor) - Show Me the Monae ... (assistant editor) - Finale ... (assistant editor)

-Resolved technical issues pertaining to hardware and software - decks, patch bays, routing and signal flow. -Offered daily support to the Post Supervisor, Senior Editors and Story Producers -Captured footage from shot tapes into the Avid digital editing environment -Resolved technical issues encountered during ingestion - timecode issues and physical troubleshooting that occurred along the way. -Logged and organized digital media clips making them easily accessible to a large group of editors and producers. -Created daily stringouts of media - Identified significant sounds bites and shots. -Performed “grouping” of scenes shot with multiple cameras. -Created the Network deliverables - Performed “uprezes” of episodes - converted clips from low resolution to HD. Laid HD episode versions off to physical tape, dvd, encoded the files for web and posted them to FTP. -Organized and managed the physical media library. Episodes: - Unreliable Sources (2008) ... (assistant editor) - The Frontlines of Journalism (2008) ... (assistant editor) - The Anatomy of a Story (2008) ... (assistant editor) - Dumbing It Down (2008) ... (assistant editor) - The Future of News (2008) ... (assistant editor) - News Fixations and Taboos (2008) ... (assistant editor)