7/21 – 7/21
Netflix — TV
7/21 – 7/21
4/21 – 4/21
Director of Photography (DP)
–
What If Batman
Film (Short)
4/21 – 4/21
9/20 – 10/20
Producer
Advertising
9/20 – 10/20
9/20 – 10/20
Director
Advertising
9/20 – 10/20
6/20 – 7/20
Film (Short)
6/20 – 7/20
6/20 – 7/20
Film (Short)
6/20 – 7/20
7/19 – 7/20
Film (Feature-length)
7/19 – 7/20
2/20 – 3/20
Film (Short)
2/20 – 3/20
12/19 – 3/20
Film (Short)
12/19 – 3/20
2/19 – 2/20
Film (Feature-length)
2/19 – 2/20
1/20 – 1/20
Film (Feature-length) — Indie Film
1/20 – 1/20
7/19 – 12/19
Corporate Details
7/19 – 12/19
Production Assistant - Teleprompter Operator
11/19 – 11/19
Film (Short)
11/19 – 11/19
11/19 – 11/19
Film (Short)
11/19 – 11/19
10/19 – 11/19
Film (Short)
10/19 – 11/19
8/19 – 8/19
Assistant Art Director
–
Javelina Run
Film (Short)
8/19 – 8/19
8/19 – 8/19
Visual Effects Supervisor
–
Iris
Film (Short)
8/19 – 8/19
8/19 – 8/19
First Assistant Director
–
Iris
Film (Short)
8/19 – 8/19
5/19 – 6/19
Film (Feature-length)
5/19 – 6/19
5/19 – 5/19
Sound Mixer
–
Brunch
Film (Short)
5/19 – 5/19
4/19 – 5/19
Visual Effects Supervisor
Advertising
4/19 – 5/19
4/19 – 5/19
Editor (Adobe Premiere)
Advertising
4/19 – 5/19
4/19 – 5/19
Director
Advertising
4/19 – 5/19
4/19 – 4/19
Film (Short)
4/19 – 4/19
3/19 – 3/19
Editor (Adobe Premiere)
Advertising — Crop Walk
3/19 – 3/19
2/19 – 2/19
Music Video
2/19 – 2/19
1/19 – 2/19
Music Video
1/19 – 2/19
1/19 – 2/19
Music Video
1/19 – 2/19
1/19 – 1/19
NBC — TV
1/19 – 1/19
1/19 – 1/19
Film (Feature-length)
1/19 – 1/19
12/18 – 1/19
Second Assistant Director
–
Grace
Film (Short)
12/18 – 1/19
11/18 – 11/18
Title Designer
–
Eternium
Film (Short)
11/18 – 11/18
11/18 – 11/18
Visual Effects Supervisor
–
Eternium
Film (Short)
11/18 – 11/18
11/18 – 11/18
Film (Short)
11/18 – 11/18
11/18 – 11/18
Editor (Adobe Premiere)
–
Eternium
Film (Short)
11/18 – 11/18
10/18 – 10/18
Awaiting Distribution — TV
10/18 – 10/18
7/18 – 10/18
Awaiting Distribution — Film (Feature-length) Details
7/18 – 10/18
Editor of feature film. Also did all assistant editing duties, color correction, and some visual effects.
8/18 – 8/18
Awaiting Distribution — Film (Short)
8/18 – 8/18
8/18 – 8/18
Awaiting Distribution — Film (Short)
8/18 – 8/18
2/17 – 5/17
Film (Short)
2/17 – 5/17
1/17 – 5/17
Film (Short)
1/17 – 5/17
1/17 – 5/17
Film (Short)
1/17 – 5/17
2/17 – 3/17
Film (Short)
2/17 – 3/17
2/17 – 3/17
Film (Short)
2/17 – 3/17
9/15 – 1/17
Writer
–
Ex
Film (Short)
9/15 – 1/17
9/15 – 1/16
Editor
–
Ex
Film (Short)
9/15 – 1/16
9/15 – 1/16
Director
–
Ex
Film (Short)
9/15 – 1/16
9/15 – 11/15
Director of Photography (DP)
–
Ex
Film (Short)
9/15 – 11/15
6/15 – 8/15
Film (Short)
6/15 – 8/15
6/15 – 8/15
Film (Short)
6/15 – 8/15
6/15 – 8/15
Film (Short)
6/15 – 8/15
7/14 – 10/14
Film (Short)
7/14 – 10/14
7/14 – 10/14
Film (Short)
7/14 – 10/14
7/14 – 10/14
Film (Short)
7/14 – 10/14
10/10 – 10/10
Austin Public Access — Live/Special Event
10/10 – 10/10
10/10 – 10/10
Austin Public Access — Live/Special Event — W3 Event Specialists
10/10 – 10/10
10/09 – 12/09
Austin Public Access — Film (Short)
10/09 – 12/09
5/08 – 4/09
Austin Public Access — TV
5/08 – 4/09
5/08 – 4/09
Austin Public Access — TV
5/08 – 4/09
5/08 – 4/09
Austin Public Access — TV
5/08 – 4/09
9/06 – 10/06
Production Assistant
–
Stop-Loss
Film (Feature-length) — Peace Pictures
9/06 – 10/06
