Joey Rassool

Camera Op for a live studio broadcast

Cinematographer for a 3 day shoot on location.

Lighting and shooting a 1 actor no dialog showcase film for the Varicam LT. taking advantage of the cameras unique strengths and traits including 5000 iso shooting, infrared shooting, and HDR delivery.

creating a high contrast black and white look with red isolation.

Acting a B-cam operator for a series of interviews with company employees across the country. Occasionally acting as DP when needed. Consultant on camera choices and lenses.

Field camera operator for the live broadcast of CIF:SS football games during the football season. also some coverage of Basketball, Soccer, Swim, Track, and Wrestling in the off season.

Pulling Focus, building camera, and maintaining gear on set. also swapping the lens mount and checking gear before the shoot.

Correction pass and color grade pass on this feature film shot on multiple prosumer camera formats in HD

Directed, Dp'ed, and Colored this film for the 48hr film fest. the film made it to the best of screening and was nominated for 7 awards including "Best Cinematography",

Operating the C300 for capture of 6 comedic stand-up acts

Operation of main camera as well as second unit camera during the month of filming. Also contributing to the cinematography of the film.

Resident Cinematographer for Sypher arts. this included not only getting archival video coverage of the entire events, but shooting promos, and acting as a cinematic advisor for the company.

A 1 Day shoot for a single location horror short.

Cinematographer on a 3 day shoot for a romantic narrative film. including night shoots on location, day for night interiors, and a 50 ft dolly shot.

Camera 2 on 3 days of 8 hour live streaming race coverage.

Acting as Cinematographer and Camera Op for this one day shoot incorporating the live performance lighting that was built for the bands tour.

Acting as 1st AC on the second unit camera of this Feature length comedy. shot on Arri Alexa EV with Cooke S4i's.

Cinematographer and Camera op for a 1 day shoot at 240fps on the Sony FS700.

1 of 2 Camera Operators for a 3 camera set up cooking show

Color Correction of 1080p 444 prores footage captured with the Sony F3. several scenes were corrected to match colors with previous scenes including some Day for night color correction.

Cinematographer and Camera op on this 1 day shoot for a now award winning short film.

Pulling focus and maintaining camera on this 3 day short scifi film which included elder and Steadicam shots. Shot in the Red Epic-X using Zeiss super speeds.

Color correction on grading of a full length feature film shot on multiple, low bit rate, formats and settings. this project was a real challenge when it came to balancing where the image should be, and how far the codec could be pushed.

Cinematographer and Camera op for this award nominated short horror film.

Cinematographer, Camera op, and Colorist for the repilot, season 2, and 3 of this semi scripted comedy series. winner of Best pilot at the Laughlin international filmfest.

Pre lighting an in studio setup for future use by the company. Segment camera operating and cinematography

Color grading of Cinestyle footage from multiple Canon 5D's

Cinematographer and camera operator for the first season of this narrative mini series.

Color Correction on several scenes with mismatched settings and harsh lighting conditions.

Resident Cinematographer, Camera Op, and High Speed Technician for Bat in the Sun's productions. this includes the Series Super Power Beat Down with Machinima.com, but also any other project the company has done since i joined.

Acting as Focus puller, and Camera technician for this two camera Horror Narrative Feature. 25 days of shooting including night shoots and company moves. shot on Red One MX using Cooke S4's

Shooting The And1 Ball Up Basketball team as they travelled to games, events, and promotions.

Acted as Cinematographer and Camera op on a single camera horror parody feature. This shoot was a total of 12 days.

Acted as Cinematographer and Camera operator for a 2-3 camera, 15 day shoot of a dark-comedic feature film.

Cinematographer and Camera op for this musical parody video shot with 2 Red One MX camera systems