I'm a NY based Local 600 Camera Assistant. I'm also an owner/operator of a Movi M15.


2/19 – 2/19

Assistant Camera (RED Scarlet W) PJA Advertising and Marketing

Blue Cross Blue Shield — Advertising — Production Bucket
2/19 – 2/19
1/19 – 1/19

Camera Loader The Blacklist (Season 6)

CBS — TV — Davis Entertainment Details
1/19 – 1/19

I worked as loader on a day play agreement. I was responsible for setting up video village and helping to ensure a link between the cameras and village.

10/18 – 12/18

Camera Production Assistant Elementary (Season 7)

CBS — TV Details
10/18 – 12/18

As the Camera PA, I assisted the loaders and filled in gaps as needed. My daily tasks involved setting up video village and running cables to DIT, lightings switcher boards, and HMU monitors. I was also responsible for helping to maintain relevant equipment and helping to keep count of expendable supplies.

10/18 – 10/18

Camera Operator (Sony FS7) SYFY WIRE Live from NYCC

SYFY WIRE — Live/Special Event — Paperlyte Details
10/18 – 10/18

As one of three camera operators at Syfy Wire's live event booth, I was responsible for closeup shots of the guests during each panel. I coordinated with the director and the graphics supervisor to present lower thirds name plates for each guest (sometimes in groups) on the fly despite no predetermined seating arrangements. An example can be found at the following link:

9/18 – 9/18

Camera Operator (Canon C300 Mk2) Yahoo! Finance All Markets Summit

Yahoo — Live/Special Event — Oath Studios Details
9/18 – 9/18

Gathered BTS and B-Roll to be used in editing a 30 second sizzle for prospective clients of Oath Studios. Worked with and around a multitude of VIPs in the financial sector to document their participation in this event. B-Roll consisted of crowd footage, texture shots, etc.

4/18 – 8/18

Assistant Camera Moonshiners (Season 8)

Discovery — TV — Magilla Entertainment Details
4/18 – 8/18

Build and manage two Sony FS7/FS5 cameras, as well as support two cameramen during production. Also responsible for 4 GoPro Hero 5 cameras, a still photo camera, and all support equipment. Responsible for offloading media at the end of each day and sending logs/shuttle drives to HQ.

3/18 – 3/18

First Assistant Camera N. Ave - Gravity

Music Video — Set In Motion Details
3/18 – 3/18

As the 1st AC I built and supported the camera, Ronin 2 gimbal, wireless monitor, and all other support devices. Additionally I was responsible for pulling focus during a series of very kinetic and free flowing shots at a wide aperture.

1/18 – 2/18

First Assistant Camera The Honeymoon Phase

Film (Feature-length) — Aspire Motion Pictures Details
1/18 – 2/18

As the 1st AC my primary responsibility was focus pulling, but my duties also covered the normal gamut that one would expect. I handled the construction and maintenance of the camera and all support systems related to it, including camera gimbals, video transmitters, batteries, and other hardware. This film was shot on a RED Epic over 20 shooting days using Lomo round front anamorphic lenses. Support systems included a DJI Ronin 2 camera gimbal and an RT Motion Mk3.1 wireless follow focus.


Would you like to write a recommendation for Jon? Write a Recommendation »

My Gear

  • GoPro
  • Sony FS7
  • Movi M15
  • Red Scarlet-W
  • DJI S1000 Drone
  • Radian MC Wireless Video TX/RX


  • Canon C300
  • Canon C100
  • Canon 7D
  • RED dragon
  • FAA Licensed Drone Operator
  • DJI Ronin
  • Arri Alexa Mini
  • RED Weapon
  • Sony F5
  • Canon 5D MKIII
  • Sony A7s
  • GoPro Hero 4
  • GoPro Hero 3
  • ZOOM H4N
  • RED Scarlett
  • Sony PMW-F55
  • Panasonic Lumix GH4
  • DJI Matrice 600
  • DJI Ronin MX
  • DJI S1000+
  • GoPro Hero 2
  • RED Epic X
  • Teradek RX/TX
  • RT Motion Mk3.1 Wireless Follow Focus