Jordyn Roach

cinematographer and camera operator of an URSA Mini Pro G1 for a 2 minute wine commercial.

Lead videographer highlighting performing arts events and groups in the Portland area.

Camera Operation and Sound Capture for a documentary on daily life in animal sanctuary world for women sanctuary founders. Documentary in progress. Filmed on Black Magic Pocket Cinema Camera 4K.

manual focus puller for Red Raven on Fisher dolly and Rhino slider. Prep and break down camera for each shoot.

1st AC duties for DP Sean Conley with FS7 easyrig set up

Plan, shoot and edit short documentary with elite athlete Tim McNeill for Tensegrity Physical Therapy.

Write, shoot and edit short ad for use across Float On's social media platforms. Camera: Ursa Mini Pro.

1st Assistant duties for DP Sean Conley with RED Dragon on easyrig

1st AC duties for DP Sean Conley with FS7 on easyrig

capture interviews, main action documentary footage, and b-roll of a story about two women who have started a llama center to help the community's mental health. The director provided a shot list for me to follow, and I handed over the footage to the director after the shoot.

1st Assistant Camera duties for DP Sean Conley for FS7 with easy rig and dolly setups

2nd Assistant duties, as well as digital media managing for three cloned hard drives during production.

With director Beth Pielert, plan stylized shots on Lummi Island to create concept trailer for drama television series.

Plan, shoot and edit weekly documentary episodes for Kimera AI's YouTube series "Moving Humanity Forward," with Ursa Mini Pro, shoulder rigged. Produce a cinematic story following one main character's journey through various cities nationally and internationally.

1st AC duties for C300 M2, slating and lens cleaning.

BTS photography of characters, scenes, crew and cast interacting

camera operation for series of training videos. Incorporation of jib, Ronin, and shoulder-mount movements for a diversity in shot styles. Cinema zoom lenses utilized.

broke down screenplay into a detailed shot list, made equipment choices on a low budget, composed shots, operated A-Cam, designed each lighting setup

Utilized Shotput Pro, DaVinci Resolve and Canon XF Utility to review and checksum footage before backing up on 3 drives each day.

ensuring b&c cables connected correctly between corresponding Amiras and Video Village, marking, slating, battery monitoring and charging, moving camera equipment, swapping lenses, cleaning equipment, cable wrangling, among other 2nd AC duties.

Setting up Kino kit for dramatic interview looks on location, building Dana dolly, operating B-cam (Arri Amira and Sony A7s).

Helped set up and break down grip and electric equipment as part of recre unit. Also helped art department set up and breakdown sets on location, and assumed some second AC duties of switching lenses for an Amira and Alexa, and ensuring batteries got charged.

DP duties of shot-blocking, operation of Ronin-M and Glide Cam, in charge of artistically and technically appropriate exposure/focus/aperture/lens/white balance decisions. This film is almost exclusively shot in the unpredictable weather of Oregon's rugged coastal forests and rivers.

Operation of A-Cam in front of runway (pan, tilt, zoom to follow models up and down catwalk). Use of slow-motion and appropriate shutter speeds and exposure settings to emphasize different qualities of different clothing materials. Capture of party B-roll and interviews with important attendees such as the mayor of Portland and the technical editor of Marie Claire.

Operation of Black Magic 4K on tripod and GlideCam in rugged forest terrain for day and night shoots. Assistance in DP duties such as frame composition, lighting and camera movement choices.

set up lights, breakdown and pack equipment, gaff, act as the show host's stand-in

Second unit direction of photography for road trip portion of film. Shot with natural and practical lights exclusively, mostly hand-held, but also utilized the shoulder rig and tripod when appropriate for the shot.

Arranging catering for crew of +80 people, supply and prop runs, food runs, crowd control, crafty, monitoring set

light setup, b-roll capture on an Osmo, vehicle operation, handed out and gathered release forms, and aided cameraman in changing lenses and moving camera gear.

slating, loading, battery and SxS card monitoring, video village setup, lens and filter cleaning and changing, equipment labeling and organization, dumping footage and cloning with DaVinci Pro, Arri Alexa monitoring

Operate Sony A7, capture B-roll on Canon 5D, setup and breakdown lighting equipment, monitor audio levels, assist in changing lenses and shot arrangement

Almost exclusively shot as night exteriors in and out of water with LED lighting. Land shots were done on with URSA and usually via dolly or jib. Shots in the pool were shot with an A7s MII in hand-held sport housing.

I moved set equipment, prepared crafty, kept set clean, kept people off screen quiet during shooting, and ensured appearance releases were signed appropriately.

Wrangling, monitoring and exchanging batteries, moving equipment and set bags, labeling and tagging equipment, cleaning camera carts, unloading and loading equipment from truck, keeping camera crew hydrated and fed.

I operated the camera, designed the lighting setups, and exposed the shots.

I helped develop the screenplay, and blocked and guided non-English speaking actors through their actions with personalized non-verbal cues. I also developed a highly organized shooting schedule that minimized lighting and camera setups, allowing us to stick to our limit of three shooting days and three rolls of 16 mm film.

I combined sound, video and still images into educational media to promote university research projects.

I helped maximize set efficiency by acting as script reader and clapperboard operator.