Managed production of this genre feature
Summary
Feature film, television and new media creative development and production and consulting. Budgets, schedules, production fixing, crisis mitigation, motivation, and workflow. DGA UPM, SAG/AFTRA signatory. All budget sizes.
Credits
10/15 – 10/15
Unit Production Manager – The Job
Film (Short) — Jason Matzner Productions
10/15 – 10/15
4/15 – 10/15
Unit Production Manager (Editor) – Lilly Fenichel
Film (Short) — Venice Institute of Contemporary Art
4/15 – 10/15
5/15 – 5/15
Unit Production Manager – Joy Camp (Pilot)
TV — Slowlearner, LLC
5/15 – 5/15
8/14 – 3/15
Co-Producer (Unit Production Manager, Line Producer) – Texas Heart
Film (Feature-length) — Texas Heart, LLC
8/14 – 3/15
1/14 – 1/15
Director (Executive Producer, Producer, Editor) – Trans Angeles
Syndication — TV — Venice Institute of Contemporary Art
1/14 – 1/15
4/14 – 6/14
Unit Production Manager (First Assistant Director) – Low Life's (Pilot)
Internet — TV — Agenda Pictures
4/14 – 6/14
1/12 – 6/14
Executive Producer (EP) (Director) – Lisa Adams: As It Appears To Be
Film (Feature-length) — ArtWorld Productions
1/12 – 6/14
1/14 – 2/14
Line Producer (Associate Producer) – Jonny's Sweet Revenge
Film (Feature-length) — Buffalo Speedway Pictures
1/14 – 2/14
Unions
Orgs
Media
Recos
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Education
California Institute of the Arts
BFA
UC, San Diego
Film/Classical Studies
My Gear
Skills
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