Justin Marre

I actually aided every department, at some point or another.

Did overnight fire watch, alone. Made sure nobody came to the property that wasn’t authorized. Essentially, overnight security guard.

Did receipt management, lunches, managed 2 P.As, and aided in location scouting.

Worked one episode as a Coordinator, for a remote shoot, and also worked as the COVID Compliance Officer.

Primarily setup video village daily, kept batteries for camera charged, and did some light A.C duties. Worked the full season, 10 episodes, and also packed the Penske truck.

Did Production logs, shot logs, release logs, and much more.

Assisted Art Department the first half of the job, then worked with G&E for the rest.

Scouted locations for entire season, consulted with location reps, and took detailed notes and pictures for the team to review and use in their decision making.

Basic P.A responsibilities, including releasing, gear, box truck driving.

Helped on set with all aspects of what being on set can include.

Assisted with casting and escorting contestants to holding area, while also assisting Producer to escort them in.

Assisted with all things camera, did some shooting, but no Media Manager duties.

Primarily worked on set but did a run or two.

Assisted a little bit of everywhere.

Operated main camera used in wide shot and also for cutaways.

Signed in and guided talent to filming area.

Directly assisted talent and in my spare time, assisted production.

Primarily did lock ups, but also assisted with gear striking. Day player.

Primarily set up interior lighting for camera, but also assisted with talent wrangling.

Worked one full episode in Arkansas, primarily supporting the production team.

Assisted mostly in G&E but helped everywhere, including driving picture car.

Mainly worked with lighting and fulfilled nearly all the G&E needs.

Used ShotPut Pro

From lock ups to assisting other departments, I did a multitude of tasks.

Assisted on set and also performed other basic P.A duties.

Setup cameras for live stream and operate one.

Ran and coiled cable for cameras, comms, and other assorted cables. Also did some operating.

Assist with releases.

Setup and tear down broadcast cameras, as well as operate Chapman Crane.

Also worked as self Technical Director.

Also assisted by taking stills and posting them to social media platforms. Worked episodes 5 - 7.

Assisted with gear, driving crews, releases, and runs.

Assisted with releases, drove cargo van, lunch pickups, etc.

Also did utility work.

Assist with setup of lighting and camera equipment and breakdown.

Assist on stage assistance and miscellaneous tasks.

Also did some Technical Director duties.

Assist D.P with lighting and make runs.

Assisted jib op however needed.

Worked with the FS-7.

Drove cargo, assisted with gear, operated cam once.

Worked between production and camera department.

Change and label media, replace batteries, carry camera.

Primarily help setup cameras, performing more like A.C duties, minus media management.

Mostly worked as a Set, but also helped with Production. Worked the Dallas shoot.

Worked as a bascamp P.A on day one and as a driver day two.

Primarily driver, but also helped with breakdown at wrap.

Worked also with the Spider Ryg, and picked up the gear needed for the shoot.

Driver - Took place at Six Flags Fiesta Texas

Worked episode 206.

Swing from Production P.A to Camera P.A.

Assisted with PA duties, primarily working with releasing large crowds.

Drove cargo van, loaded for transport, built C stands and light setups, set up video village, and assisted with other camera related tasks. Worked the Laverne Cox Episode.

Assisted Producer with gear, transport, releases, and anything else needed.

Assist with setting up of displays seen at the event itself, to include cabeling and non electrical based displays.

Also served as Still Photographer.

Primarily worked as a driver.

Directly assisted D.P with lighting, as well.

Driver, assist with gear setup. load out.

Assisted with Alexa Mini and Sony A7S, in addition to basic PA duties.

Assisted camera and also served as still photographer.

Primarily served as Logger for the producers, and assisted with driving.

Assisted camera department, with basic camera department responsibilities.

Shoot video of rodeo and assist with wrap.

Sizzle Reel. Used Sony FS-7 and GoPro

Assist with lens swap, slider, tripod, and various minuscule tasks.

Worked as gaffer, PA, camera PA, and ended it as a cam op, shooting primarily b-roll.

Assisted camera and producer wherever needed, including picking up lunch for crew.

Assisted the camera department, including setting up cameras, assisting the 1st AC with gear setup, breakdown, and storing properly, for transport.

Assisted with sound, stage setup, lighting and more. Worked closely, with the supervisor and other team leaders.

(Episode 2) I made runs to and from set, to help the Production Coordinator do her job in a more simplistic fashion. This included getting supplies, picking up good for talent, shuttling people around, and more.

I helped roll cable, setup stage, setup shots, etc.

In a rush, they put out a call and need for a camera operator. I had just returned home from Dallas but saw the opportunity and went for it. Was hired and there to work that next morning.

I drove vehicles as needed, assisted with crafty, helped move gear, etc.

This company came to shoot the rodeo in Perkins and I was asked to be a videographer and local hire.

I assisted in setting up different rooms for different shots, did some small camera operator duties, and did media runs as needed.

I worked for this show twice, requested for the second time. My first time, I served as a story assistant, then as a PA the second round.

This company, from Canada, hired me to take them to the Rattlesnake Roundup so they could work on their new show, Champions Du Monde. I helped with many facets of logistics and PA duties.