Ideating with the team, reviewing reels and locations to write toward known quantities, allow for required elements, staying awake long enough to complete a 7-page script, coordinating meetings, securing releases, completing SAG paperwork, creating poster, registering team, communicating intensions to director to interpret for actors/crew, securing crafty and lunch.
Summary
I love being the bridge between creative and production! Exp. w/ script coverage, hiring, schdl/bgt, deliverables, office & field. Avail. for Script Consulting, Story Analysis, Script/Budget Breakdowns, and producing trailers, podcasts, and audiobooks.
Credits
1/23 – Current
Social Media Manager (Crowdsource Funding & Film Festival) – Sanctuary
SanctuaryFilm.Net — Film (Short) — Sanctuary Film LLC
1/23 – Current
4/20 – Current
Community Manager & Blog Writer
Staff Position — Stage 32
4/20 – Current
8/22 – 8/22
Screenwriter (Producer) – Livin' with Lisa
48 Hour Film Project — Film (Short) Details
8/22 – 8/22
8/21 – 10/21
Production Manager (1st Asst. Director) – Night Train (2022)
Film (Feature-length) — Rolling Thunder Films
8/21 – 10/21
2/20 – 2/21
Producer (and Production Manager) – "Sanctuary" the Short Film
Film (Short) — Sanctuary Film LLC
2/20 – 2/21
11/20 – 12/20
Second Assistant Director – Double Threat
Film (Feature-length)
11/20 – 12/20
2/20 – 3/20
Production Assistant (Lead Front of House)
Staff Position — Boyd Design Details
2/20 – 3/20
Worked with For Freedoms Congress at Japanese American National Museum (www.forfreedoms.org)
1/20 – 3/20
Assistant Production Coordinator (and Set PA) – Top Gear (Season 1)
BBC — TV — Sun Never Sets Productions Details
1/20 – 3/20
- petty cash reconciliation - established a BBC-approved workflow from production company to BBC for petty cash and P-card reconciliation and typed up a cheatsheet for future reference - Order lunch for all crew and talent, including special requests - Analyzed lunch consumption for optimal ordering on future sets, resulting in a 20% savings and reduced waste - Took candid behind-the-scenes photos per distributor requirements and was responsible for the company still camera - Selected the best 20 images per episode for captioning and distribution - purchase orders, runs, and receipt reconciliation - Created PO documents to streamline account information availability - Maintained office daily, including directing guests, delivering completed forms to accounting, and restocking craft services
Orgs
Self ID
I identify with the following groups:
Media
Recos
Line Producer
- Cat was Production Manager and Karen 'Kay' was Production Coordinator on Copycat Killers
Line Producer
- Cat was Production Manager and Karen 'Kay' was Production Coordinator on Copycat Killers
Education
Class of '16
Colorado Film School/Regis University
B.F.A. in Film & Video Production
My Gear
Skills
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