Katie Wincor Hacker

Call sheets, production reports, exhibit G's, running basecamp/talent, updating schedule.

Scheduling, running the set, collaborating with EP, Producer and Director.

-Creating production pipeline and maintaining schedule to meet deadlines -Overseeing licensed content for properties such as Disney, WB, and Fox: submitting work for approvals, making sure revisions are made and work is approved on time for deadlines -Scheduling animators to meet product needs and deadlines -Maintaining department calendar/schedule

-Crew start paperwork and timecards -Call sheets and production reports -Keeping cast and crew informed of schedule and changes -Background scheduling, paperwork and payment

-Crew and cast start paperwork -Call sheets and production reports -Generating and distributing sides -Scheduling and paperwork for background talent -Keeping cast and crew informed -Revising schedule throughout production -Ordering picture vehicles

Producer and Production Coordinator for Rigler Creative - balancing City Walk (TV show) as well as web series and documentaries. Producing segments within the show as well as episodes in collaboration with the other producers. Creating budgets and schedules. Hiring crew and renting equipment for shoots around the country.

Preparing shoots and logistics for production office and multiple shows, web series and documentaries. Segment producing. Prepping new shows to pitch and shoot. Setting up and organizing various aspects of the office. Research for the show and acquiring rights or licensing for footage and images for use within the show.

Call sheets and DPRs, cast and crew paperwork. Adjusting the schedule throughout the shoot. Communicating changes with cast and crew. Managing five PAs. Communicating timelines with Hair/Makeup/Wardrobe and the 1st AD.

Creating an effective shooting schedule and executing it to make sure we made our days. Coordinating a cast of 12 principals along with up to 50 background a day. Collaborating with the director to achieve her vision, while also collaborating with the producers to stay within budget and use our resources effectively.

Coordinate shooting day and manage all releases/paperwork. Collaborate with the producer for budget and schedule. Generating call sheets and production schedules. Informing cast and crew of all changes. Daily needs for talent and crew coming from Denmark. Research and booking talent.

Preparing call sheets, contacting cast and crew with relevant information, running base camp, collaborating with the 1s AD to aid in keeping with our schedule.

Responsible for scheduling a feature shot on location in Southern Oregon. Managing a cast of 55 people. SAG paperwork, call sheets and DPRs. Worked closely with the director to fit our ambitious shoot into 14 days, collaborating on what scenes could be altered while still preserving the integrity of the story.

Scheduling, SAG paperwork, Call Sheets and DPRs. Worked closely with the producer to address logistical needs. Collaborated with the director to make sure his vision was being achieved and keep us on track. Worked with all departments in order to address their specific needs and keep them informed of changes.

Worked as the UPM and 1st AD to schedule the shoot and make sure all cast and crew was up to speed with our schedule. Collaborated closely with Emmy-winning director Scott McKinsey to maintain his vision and make sure we stayed on schedule.

Worked with the president of the company to interpret their marketing message and branding in a promotional video for their website.

Worked closely with the 1st AD to have talent ready when they were needed on set. Responsible for Call Sheets, DPRs and SAG paperwork. In constant communication with department heads to keep them aware of any relevant changes and where we were in our day.

-Preparing detailed production schedules and managing production crew -Communicating with high profile clients to give and receive relevant event details -Prepping, inventorying and receiving equipment and cargo before and after events -Creating travel itineraries and booking travel and accommodations -Tracking costs -Maintaining office and kitchen supplies

Worked as UPM and Location Manager. Finding, negotiating and securing all locations. Involved in casting. Responsible for scheduling, AFTRA paperwork and contracts, Call Sheets and DPRs. Managed all day to day logistics of the shoot including catering, crafty, actor scheduling, special equipment (jib, steadicam) and all equipment rentals.

Worked with 1st AD to have talent ready when they were needed on set. Responsible for Call Sheets, DPRs and SAG paperwork. In constant communication with department heads to keep them aware of where we were in our day and any changes.

Responsible for locking up locations. Keeping crew informed of any changes. Giving talent warnings when they would be needed. Taking talent to and from set.

In charge of equipment rentals, actor scheduling and booking background. In constant communication with 2nd AD to make sure any needs of the set were addressed. Took care of all day to day logistics for the shoot.

In charge of Call Sheets, DPRs and SAG/DGA paperwork. Scheduled background when needed. Made sure all talent and department heads were aware of any changes.

Worked closely with 2nd 2nd AD to prep Call Sheets and DPRs. Made sure talent was taken care of and keep them aware of our schedule and any changes. Communicated relevant information with department heads.

Responsible for renting equipment and necessary items for the daily needs of production (porta potties, vehicles, etc). In constant communication with the 2nd AD to address any needs on set. Communicate between the set and the corporate offices to keep everyone aware of where we were and any changes.