-Visually search, filter and deliver video content + stills consistent with briefs. -Develop and maintain relationships with independent filmmakers and Digital Library representatives in regards to licensing their content, including rate and usage negotiations -Track down and gain talent/property releases when needed -Manage time responsibly across concurrent projects while in steady communication with teammates via Skype, basecamp and email -Shadowed by new hires
Summary
https://www.youtube.com/watch?v=Bqi7DSA1Vd4
Credits
11/19 – 11/20
Visual Researcher
Staff Position — Stalkr Worldwide Details
11/19 – 11/20
7/19 – 9/19
Marketing Coordinator – Living in the Future's Past
Prime Video — Film (Feature-length) — Jeff Bridges, Susan Kucera, Jim Swift Details
7/19 – 9/19
Assisted in the grass-roots level marketing efforts in post-production, just before the documentary entered its first nationwide theatrical run. I reached out to various individuals and organizations to talk about the movie and get them interested in helping us promote it and see it for themselves.
10/18 – 7/19
Camera Operator (Writer, Director, & Editor)
Staff Position — Stumptown Media Group Details
10/18 – 7/19
a mom 'n pop media company, doing commercial work for local medium-sized companies around Portland, OR. I would help throughout the whole process, writing treatments, shooting, assisting, editing, and delivering. We sometimes traveled for wedding shoots, too and I would cam-op and edit the footage into various reels.
8/17 – 9/17
DIT (Digital Imaging Technician) – Virginia Minnesota
Film (Feature-length) — Rushaway Pictures
8/17 – 9/17
12/16 – 12/16
DIT (Digital Imaging Technician) – Undying
Film (Feature-length) — RosieRuth Pictures LLC
12/16 – 12/16
8/16 – 9/16
DIT (Digital Imaging Technician) – Warning Shot
Film (Feature-length) — Warning Shot LLC
8/16 – 9/16
10/15 – 3/16
Still Photographer
Staff Position — Teddy Bear Portraits Details
10/15 – 3/16
I was the school-picture-day photographer! But specifically for preschool age kids, so lots of extra gentleness and playfulness. After taking a minimum of three angles for each kid, for multiple classes back to back, on my lunch break I would go and select the best few for each angle. After that, I would return to the school and set up touch screen monitors for when the parents arrived to pick their kids up at school, so they could see the photos and make selections, and I helped them with the ordering process as well.
4/15 – 5/15
First Assistant Director – Grey Shadows
Film (Short) — Saw Production
4/15 – 5/15
Recos
Education
Class of '14
University of Colorado
BFA in Film Production
My Gear
Skills
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