Shotlist planning / equipment packaging and camera operating. Entirety of documentary shot on Sony A7s Mark I.
Summary
My co-workers and peers appreciate my consistent and professional work-ethic. I believe every project requires a unique approach so I constantly exercise flexibility and attentiveness.
Credits
5/16 – 10/17
Cinematographer (Social Media: Instagram / Facebook) – Nasario Remembers the Rio Puerco
PBS — TV — New Mexico Film Foundation Details
5/16 – 10/17
11/16 – 11/16
Camera Operator (RED Epic) – Bleeding Hearts
Film (Feature-length) — Santa Fe University of Art and Design Details
11/16 – 11/16
Executed several pages of shots. Coordinated between my 1st and 2nd AC on how to properly block handheld sequences / fisher dolly shots on the RED Epic.
9/16 – 9/16
Camera Operator (Sony A7S Mark I) – Healing Voices Dance
Film (Feature-length) — Healing Voices, LLC Details
9/16 – 9/16
Interview setups with additional lighting.
7/16 – 8/16
Budget PA – Meow Wolf Documentary
TV — Meow Wolf Inc. Details
7/16 – 8/16
Coffee runs, continuity logs, transpo and 2nd AD duties.
5/16 – 5/16
Camera Operator (RED Scarlet) – Lost Kiddy Found
Film (Feature-length) — WolfQuest Productions Details
5/16 – 5/16
Day player on indoor re-shoots. Served as both a camera operator and 1st / 2nd AC.
3/16 – 3/16
Second Assistant Camera (ARRI Alexa XT) – Lip-Stitch
Film (Feature-length) — Duchy Parade Films Details
3/16 – 3/16
Ran slate w / Timecode. Helped build and wrap Sony PMW-F55 and ARRI Alexa XT. Cable wrangling.
10/15 – 10/15
First Assistant Camera – The Talk in the Night
Film (Short) — ZGN Productions Details
10/15 – 10/15
Focus-puller / dolly grip and B-cam operator.
3/15 – 3/15
Background – Whiskey Tango Foxtrot
Film (Feature-length) — Paramount Pictures Details
3/15 – 3/15
Background Extra.
Media
Recos
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Education
Class of '17
Santa Fe University of Art & Design
BFA
Class of '13
New York Film Academy
Digital Filmmaking 4 Week Concentration, July 2013.
My Gear
Skills
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