4/19 – 10/19
VH1 — Reality/Doc (TV) — Big Fish Entertainment
4/19 – 10/19
2/19 – 3/19
Speed — Reality/Doc (TV) — Flying Scoop Media/Entertainment
2/19 – 3/19
9/18 – 12/18
Travel — Reality/Doc (TV) — Texas Crew Productions Details
9/18 – 12/18
B Cam, lots or stylized slomo
8/18 – 9/18
VH1 — Reality/Doc (TV) — Big Fish Entertainment Details
8/18 – 9/18
A Cam
6/18 – 7/18
Reality/Doc (TV) — HD Republic
6/18 – 7/18
6/18 – 6/18
VH1 — Reality/Doc (TV) — Big Fish Entertainment Details
6/18 – 6/18
LA shoot w/ Nicki Minaj
6/18 – 6/18
HGTV — Reality/Doc (TV) — Maverick TV USA Details
6/18 – 6/18
Cross coverage, OTF's, progress, status
6/18 – 6/18
Director of Photography (DP) (Alexa Mini)
–
Shallow
Nya — Music Video — Freelance Details
6/18 – 6/18
Alexa Mini underslung on a Kessler Motion Control rig mounted to the ceiling.
4/18 – 6/18
Studio Technician (Stage 2)
–
Geek & Sundry
Internet — Live / Special Event (TV) — Legendary Film Digital Details
4/18 – 6/18
Tech all things on stage.
1/18 – 4/18
WE — Reality/Doc (TV) — Entertainment One
1/18 – 4/18
2/18 – 3/18
ISN Network — Digital — Big Top Entertainment Details
2/18 – 3/18
Set up and helped produce interviews and manage crew. Directed Photography.
1/18 – 3/18
HGTV — Reality/Doc (TV) — Leopard Films USA Details
1/18 – 3/18
B Cam cross coverage, OTFs, lighting, befores and afters
11/17 – 11/17
Sizzle Reel — Reality/Doc (TV) — Audacious Entertainment Details
11/17 – 11/17
Reality coverage, SDI setups, OTFs
9/17 – 9/17
Bravo — Reality/Doc (TV) — Purveyors of Pop
9/17 – 9/17
8/17 – 9/17
Producer/Shooter (DP)
– PetNet
Commercial/Ad — Docu Brand Productions Details
8/17 – 9/17
Ron & Caryn Testimonial - Directed talent and crew for interviews, B roll, and through completion of edit.
7/17 – 9/17
YouTube — Digital — Petnet Details
7/17 – 9/17
Helen and Michael- Directed talent and crew for interviews, B roll, and through completion of edit.
8/17 – 8/17
WE — Reality/Doc (TV) — September Films
8/17 – 8/17
7/17 – 7/17
First Assistant Camera (Focus Puller)
–
Catalyst (2018)
Film (Theatrical) — Exertion Films Details
7/17 – 7/17
Set up and pulled focus wirelessly for B Cam on vintage anamorphic 50mm with Analog Bartech. Shot on Red Helium in 8K.
6/17 – 7/17
VH1 — Reality/Doc (TV) — Purveyors of Pop Details
6/17 – 7/17
B Cam, Fs7, Detroit and LA crews
6/17 – 7/17
Producer/Shooter (DP)
– PetNet
Commercial/Ad — Docu Brand Productions Details
6/17 – 7/17
Nate & Marilyn Testimonial - Directed talent and crew for interviews, B roll, and through completion of edit.
5/17 – 6/17
Assistant Camera (Additional Camera- C300, 5D, Osmo)
–
Mary Mary (Season 6)
WE — Reality/Doc (TV) — E one Television
5/17 – 6/17
5/17 – 5/17
Producer/Shooter (DP & Editor)
– PetNet
Commercial/Ad — Docu Brand Productions Details
5/17 – 5/17
Morgen's Testimonial with Nest Integration - Directed talent and crew for interviews and B roll.
2/17 – 5/17
WE — Reality/Doc (TV) — Entertainment One
2/17 – 5/17
2/17 – 5/17
WE — Reality/Doc (TV) — E One Entertainment
2/17 – 5/17
2/17 – 2/17
Bravo — Reality/Doc (TV) — Loud Television - A Leftfield Entertainment Company Details
2/17 – 2/17
Reality coverage and interview setups.
2/17 – 2/17
Director of Photography (DP) (A7s2, CP.2 primes)
–
Love Me To Death
Qween Kwong — Music Video — Freelance Details
2/17 – 2/17
A7s2 w/CP.2 primes on Ronin with wireless follow focus
1/17 – 2/17
Director of Photography (DP) (C300)
–
Fifth Harmony Doc
Netflix — Reality/Doc (TV) — Bogner Entertainment
1/17 – 2/17
11/16 – 2/17
Director of Photography (DP) (C300, 5D)
–
Development Sizzles
Sizzle Reel — Reality/Doc (TV) — Bogner Entertainment
11/16 – 2/17
7/16 – 11/16
Director of Photography (DP) (FS7)
–
Flint Water Crisis
Corporate — TYFF Productions Details
7/16 – 11/16
3 cams, gimbal, lighting, supervised edit
10/16 – 10/16
Digital — Langdon Media Group
10/16 – 10/16
9/16 – 9/16
Grip
– Metro Transit Authority (Quicken Loans)
Commercial/Ad — Woodward Original
9/16 – 9/16
9/16 – 9/16
Film (Theatrical) — The Last Act, LLC
9/16 – 9/16
8/16 – 8/16
CMT — Reality/Doc (TV) — By The Beach Productions, Inc.
8/16 – 8/16
8/16 – 8/16
Gaffer
– Fiat (Society Agency)
Commercial/Ad — Donut Media
8/16 – 8/16
8/16 – 8/16
Director of Photography (DP) (2nd Unit DP)
– State Farm
Commercial/Ad — Scheme Engine
8/16 – 8/16
8/16 – 8/16
Grip
– Fathead (Made in Michigan)
Commercial/Ad — Flux-Cap
8/16 – 8/16
6/16 – 8/16
Director of Photography (DP) (C300)
–
True Life
MTV — Reality/Doc (TV) — Slauson Productions Details
6/16 – 8/16
Episode - "Fighting ISIS"
5/16 – 8/16
Film (Theatrical) — Motor City Pictures
5/16 – 8/16
2/16 – 8/16
Lifetime — Reality/Doc (TV) — Goodbye Pictures Details
2/16 – 8/16
Bravo Camera, Technical Supervisor, C300
7/16 – 7/16
Camera Operator (Alexa Mini / C300)
– Jack Daniels
Commercial/Ad — Scheme Engine
7/16 – 7/16
6/16 – 7/16
Animal Planet — Reality/Doc (TV) — Bright Road Productions
6/16 – 7/16
1/16 – 1/16
Investigation Discovery — Reality/Doc (TV) — Red Marble Media Details
1/16 – 1/16
-Shot second camera, Sony FS7
-tech'd FS7
10/15 – 10/15
Ring.com — Digital — Ring.com Details
10/15 – 10/15
Produced and shot OTFs in relation to brand marketing. 5D. Edited video.
vimeo.com/kennybowery/ring_detroit
8/15 – 10/15
DIY Network — Reality/Doc (TV) — Magnetic Productions
8/15 – 10/15
8/15 – 10/15
Camera Operator (Additional Cam- 5D, Drone, GoPro/ Media Manager)
–
Sight Unseen (Season 1)
DIY Network — Reality/Doc (TV) — Magnetic Productions Details
8/15 – 10/15
- Media managed
- Tech'd Phantom for flight, repairing vision system and gimbal
- Setup lights and grip
- Multiple GoPros always rolling
- PMW400, 5D
6/15 – 7/15
National Geographic — Reality/Doc (TV) — Relativity Media Details
6/15 – 7/15
- Shot 2nd camera, C300
- Supported C300s, 5D, and GoPros deep in the Idaho wilderness
- Media managed
6/15 – 6/15
BET — Reality/Doc (TV) — BET Productions Details
6/15 – 6/15
- C300
- Interview Setup
5/15 – 5/15
Food Network — Reality/Doc (TV) — Bray Entertainment Details
5/15 – 5/15
- Monroe and Detroit episodes
- Setup OTFs
- coordinated with construction for "befores" and "afters"
- F800
1/15 – 4/15
Director of Photography (DP) (2nd Unit DP)
–
Rebel Gold (Season 1)
Discovery — Reality/Doc (TV) — ITV Studios America Details
1/15 – 4/15
- Produced OTFs
- backwoods shooting
- C300
10/14 – 3/15
BET — Reality/Doc (TV) — Centric Entertainment Details
10/14 – 3/15
- C300, 5D
- Sit-down Interview lighting setup
2/15 – 2/15
BET — Reality/Doc (TV) — E One Entertainment Details
2/15 – 2/15
- PDW700
- Managed Media
- Tech'd gear
12/14 – 12/14
Investigation Discovery — Reality/Doc (TV) — Punched In The Head Productions Details
12/14 – 12/14
- C300
4/14 – 12/14
Producer/Shooter (One-man band)
–
Sizzle
HGTV — Reality/Doc (TV) — Jarrett Creative Details
4/14 – 12/14
- Developed contacts with potential cast in the field
- Operated camera and audio while producing OTFs
10/13 – 11/14
TruTV — Reality/Doc (TV) — Zodiak USA Details
10/13 – 11/14
- Seasons 8 & 9
- EX3, HDX900
- Lighting setups
7/14 – 10/14
Animal Planet — Reality/Doc (TV) — ITV Studios America Details
7/14 – 10/14
- C300, XA20, 5D, GoPro
4/14 – 5/14
Web — Digital — Glass Bottle Productions Details
4/14 – 5/14
https://vimeo.com/100411348/5cdc270af2
12/11 – 4/14
TruTV — Reality/Doc (TV) — Zodiak USA Details
12/11 – 4/14
- HDX900, EX3
- Seasons 5-7
- Lead AC
- Lighting
12/13 – 3/14
BET — Reality/Doc (TV) — E One Entertainment Details
12/13 – 3/14
- HDX 900, 5d
- lots of lighting with the DP
7/13 – 7/13
Bravo — Reality/Doc (TV) — Intuitive Entertainment Details
7/13 – 7/13
- F800
-Setup lighting and grip for scenes
7/13 – 7/13
CNN — Reality/Doc (TV) — ZPZ Productions Details
7/13 – 7/13
- F5, F700, PMW200
6/13 – 7/13
YouTube — Digital — Lunar Productions Details
6/13 – 7/13
Directed all of the technicalities for the shoot- cameras, green screen, lighting, editing
11/12 – 11/12
Second Assistant Camera (Fill in)
–
Orion
Film (Theatrical) — Traction Media
11/12 – 11/12
11/12 – 11/12
Sizzle Reel — Reality/Doc (TV) — Lighthearted Entertainment Details
11/12 – 11/12
- - Composed and lit sit-down interviews and scenes
- Sony Z7U
9/12 – 9/12
Reality/Doc (TV) — Center Stock Productions Details
9/12 – 9/12
- Sony PMW 350
- Lighting
7/12 – 8/12
National Geographic — Reality/Doc (TV) — National Geographic Studios Details
7/12 – 8/12
- Interview lighting setups
- EX3, 5D, GoPros
7/12 – 7/12
A&E — Reality/Doc (TV) — A&E Details
7/12 – 7/12
- HDX900
5/12 – 5/12
Lifetime — Reality/Doc (TV) — Lifetime Television Networks Details
5/12 – 5/12
- Z7U
3/12 – 4/12
National Geographic — Reality/Doc (TV) — National Geographic Studios
3/12 – 4/12
2/12 – 2/12
Lifetime — Reality/Doc (TV) — Lifetime Television Networks Details
2/12 – 2/12
- Z7U
1/12 – 2/12
Oxygen — Reality/Doc (TV) — Oxygn Details
1/12 – 2/12
- Sit-down interview lighting setups
- F800
1/12 – 1/12
MTV — Reality/Doc (TV) — MTV Networks (Viacom) Details
1/12 – 1/12
- EX3
11/11 – 12/11
MTV — Reality/Doc (TV) — MTV Networks (Viacom) Details
11/11 – 12/11
- F800
8/11 – 12/11
TLC — Reality/Doc (TV) — Shed Media US Details
8/11 – 12/11
- HDX900
7/08 – 7/08
TNT — Reality/Doc (TV) — TNT Details
7/08 – 7/08
- Art Department
