Pre-visualized & shot-listed with director, created equipment lists, negotiated with vendors, hired crew, scouted locations for technical and artistic considerations, participated in schedule planning, recommended blocking of actors, managed camera and lighting/grip team during principle photography, quality controlled, problem solved with directors and producers as needed, over-saw color correction
Summary
I am a cinematographer because I am: artist, visionary, collaborator, technician, creative-problem solver, manager, idealist, explorer, image-maker, listener, mind reader, cheer-leader, scientist. What else could possibly fulfill all those parts of me?
Credits
9/12 – 2/13
Director of Photography (DP) – Angel's Perch
Film (Feature-length) — Scrappy Cat Productions Details
9/12 – 2/13
1/13 – 1/13
Director of Photography (DP) (Red Epic) – Gary Clark Jr - Numb
Music Video — Dirty Robber
1/13 – 1/13
9/11 – 5/12
Director of Photography (DP) (Red ) – Future States: The 6th World (Season 2)
PBS — TV Details
9/11 – 5/12
Setups included: location shooting Monument Valley for Mars, spaceship set on a stage, multiple greenscreen/FX shots. Designed shots, operated camera, designed lighting, managed camera and lighting teams
3/12 – 4/12
Director of Photography (DP) (2nd unit & B Camera Operator) – Ghost Team One
Film (Feature-length) Details
3/12 – 4/12
Lit & operated Second camera (hand held)
9/11 – 12/11
Director of Photography (DP) (HD) – Adulthood
Film (Feature-length) — Markwoods Details
9/11 – 12/11
Camera operating, lighting, designing blocking and coverage with director
5/11 – 5/11
Director of Photography (DP) (Red Epic) – Fitz and the Tantrums - Don't Gotta Work It Out
Music Video — Dirty Robber
5/11 – 5/11
Media
Recos
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Education
Class of '10
American Film Institute
MFA Cinematography
Class of '03
University of Southern California
BA Cinema-Televsion Critical Studies
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