Dylan Bowman

I animated the hallucinations sequences in the film and helped supervise some of the color correction on this aforementioned scene.

Edited over 8 hours of footage into a music video under 5 minutes.

For this project, I was supplied with a selection of the band's music and I wrote a script from the selected works. From there, I organized a look book, a script, and then eventually a shooting schedule and a shot list. After principal photography was completed, I also tackled cleaning up the set, and then on to post production. Post production involved lots of animation, sound mixing and sound design, as well as dubbing in all the lines of dialogue as the production budget wasn't high enough to secure a quality mic on set.

For this film, I was tasked with writing a script for a short visual based upon a song sent to me by the artists. Requirements for the project dictated that the film had to have a message about the environment involved, so I decided to set the film in a post apocalyptic future where earth had become a desert wasteland after the environment is destroyed. For this project, I was the director, producer, writer, casting director, and locations booker. I found a location that was a drivable distance from the shoot and organized an entire one day long production, after which I edited and released the video.

Was tasked with redesigning an apartment to look like the interior of a pirate ship. This project had an extremely tight budget, and the set had to be able to be mobile so cameras could operate from just about any angle.

I booked locations, wrote the shooting schedule and script, booked talent, edited, animated, directed the video. I was basically in charge of making sure everything went smoothly and according to plan!

Had to edit over 8 hours of footage into a music video under 5 minutes. Also involved hours of time spent with animation.

The script for this film called for a frozen wasteland, but unfortunately our production was based out of Richmond, Virginia. So, I just decided to create a miniature frozen highway set for our wide shots, and all close up were shot in a studio I designed to look like a frozen wasteland. This involved using white blankets with thick layers of white snow to replicate the look of the snow, as well as making sure the camera had a shallow depth of focus to maintain the illusion of a snowy highway.