L J Ramos

Research and develop story, character story arcs; fact check subject information; Identify subject opposition; research and evaluate opposing story arcs; Write and revise script; evaluate subject experts; identify and negotiate content licenses for story arcs.

Research treasure hunting concepts; research and fact check key cast members; Evaluate and explore story arcs for each episode; work with executive producer re: budgets; Evaluate and explore potential season-long story arcs; identify casting needs;

Prepare call sheets; manage PAs; keep production on schedule.

Load in, load out, crafty runs, lunch runs, drive crew, drive producer, dress set, prop search and purchase, and other duties as needed by field crew.

Create budget; manage budget during production; hire key crew.

Write story beats; prepare cast on location for scene work; direct crew and cast in scene; conduct OTF interviews; review production notes; communicate with post, network on daily production progress; prepare shot list for each day; adjust shooting schedule to "hot" story line if arises during regular production day; produce all coverage and shots needed for episode.

Drive crew to location; load in, load out; manage crafty; manage other PAs; make meal runs; support field producer; support camera crew.

Wrangle talent; support director; wrangle crew.

Drive crew to location; load in, load out; manage crafty; make meal runs; support field producer; support camera crew.

Secured location clearances; prepared daily call sheets; managed PAs, load in, load out, crew transportation, meals, crafty; wrangled talent.

Managed all production logistics; managed PAs, meals, crew transportation; managed load in, load out, travel, PC, prepared reports, receipts, returns; communicated with production office, hired PAs, secured vendors, permits.

Write story beats; prepare cast on location for scene work; direct crew and cast in scene; conduct OTF interviews; review production notes; communicate with post, network on daily production progress; prepare shot list for each day; adjust shooting schedule to "hot" story line if arises during regular production day; produce all coverage and shots needed for episode.

Prepare production budget; review shooting script; confirm cost quotes from vendors, location fees, trade out agreements, product placement, cast, crew, equipment and all costs related to production.

Write story beats; prepare cast on location for scene work; direct crew and cast in scene; conduct OTF interviews; review production notes; communicate with post, network on daily production progress; prepare shot list for each day; adjust shooting schedule to "hot" story line if arises during regular production day; produce all coverage and shots needed for episode

Wrangle talent (30 school age children) and their parents; prepare call sheet; keep production and director on schedule; wrangle crew.

Prepare production budget; review shooting schedule; confirm cost quotes from vendors, location fees, trade out agreements, product placement, cast, crew, equipment and all costs related to production.

Prepare production budget; review shooting schedule; confirm cost quotes from vendors, location fees, trade out agreements, product placement, cast, crew, equipment and all costs related to production.

Prepare production budget; review shooting schedule; confirm cost quotes from vendors, location fees, trade out agreements, product placement, cast, crew, equipment and all costs related to production.

Wrangled crowds; collected screening information; supported casting director setting up call back auditions, secured releases, wrangled talent at call back auditions.

Drive to, photograph, investigate and report on locations for Pearl Harbor Last Survivors production. Report on each location included lighting, space for crew and camera set up, several pictures at each location and recommendations for options for interview production.

Drive crew, secure releases, load in, load out, support G&E, support Camera, identify gear rental houses, identify crew for hire.

Load in, load out, set runs, support G&E, support camera, meal runs, support art department.

Load in, load out, support G&E, assist camera department.

Support G&E, support Camera, load in, load out.

Secure releases, load in, load out, support G&E, support Camera.

Wrangled crowds; collected screening information; supported casting director setting up call back auditions, secured releases.

Drive crew, secure releases, load in, load out, support G&E, support Camera, meal runs, pick up gear, identify gear rental houses, identify crew for hire.

Take story notes, wrangle talent, operate DSLR support show runner

Drive EP, lead talent, load in, load out, support G&E, support Camera.

Take story notes, conduct OTFs, support showrunner. Operate DSLR as needed

Assist EP on set. Conduct "man on street" interviews. Take story notes. Operate GoPros.

Hire crew, negotiate with vendors, breakdown script, create production schedule, manage budget, prepare and distribute call sheet, wrangle talent.

Drive Producer, AP, secure releases, load in, load out, support G&E, support Camera, manage crafty, meal runs.

Take story notes in the field, prepare string out, identify and recommend pick ups and OTF questions to bridge story.

Conducted SKYPE and in person auditions. Research, vet and verify information submitted by applicants. Make casting recommendations to producers.

Take story notes, prepare hot sheets, wrangle cast, conduct OTFs and pickups.

Support camera, manage media, prepare story notes for post, build 12x12 silk/frame, clean lens, replace cam batteries, strike G&E gear, strike camera gear.

Conduct telephone, SKYPE and in person auditions. Research, vet and verify applicant information. Make casting recommendations to producers.

Script breakdown, create production schedule, wrangle talent, manage budget.

Assemble and position 12x12 silks, assemble jib, reposition camera, load and unload all G&E gear.

Reviewed over 50 hours of footage, cut story string outs for lead cast, met with producers for notes, color corrected, enabled key frame motion, picture-in-picture segments, inserted lower third text, graphics, created special effects with AE, inserted transitions and edited final version.

Reviewed 83 hours of footage, prepared rough story, met with producers for notes, edited documentary of comicon, attendees and panel discussions regarding pop culture implications for classroom education.

Review and log 9 hours of footage. Cut based on producer's notes, color corrected, synched audio and music, created and inserted graphics, text, transitions, and basic special effects.

Drive crew, cast and gear to local and remote locations, over one hundred miles from primary set. Drive camera to record vehicle-to-vehicle action sequences.

Load in, load out, make lunch runs, manage crafty.

Hire staff, schedule and coordinate local transportation, airport pick ups, hotel to venue runs for sound check and performance, and airport drop offs for 45 performers at concert.

Create two versions of fashion model demo/music video, color correct, key frame motion, basic lower third motion graphics, Adobe After effects enhancement.

Review and log 17 hours of footage. Cut based on producer's notes, color corrected, synched audio and music, created and inserted graphics, text, transitions, and basic special effects.

Directed small crew (2 cameras, sound mixer, associate producer) to film documentary of comicon, attendees and panel discussions regarding pop culture implications for classroom education. Conducted OTFs, secured location releases and directed entire field production.

Manage transportation of crew and talent, manage crafty, make runs, transport talent.

Direct scenes filmed by drone, on location with talent, for insert to pilot.

Managed all PAs; grip/supported camera; talent stand-in; load in/load out.

Grip, load in/load out, manage crafty, drive crew.

Drove camera operators for car-to-car recording in business and residential areas.

Drive crew, gear, load in/load out, make runs during shoot day, manage crafty and secure releases.

Drive crew, gear, load in/load out, secure releases.

Drive talent, crew, producers, made runs during shoot day, grip & PA while on set.

Driver 15 pass van Set PA

Train other production assistants, load in/load out, drive crew & talent, wrangle talent, secure releases.

Prepare call sheet, manage shot list, set up, keep production on track each day, manage production assistants. Direct scenes, hire crew

Wrote story notes, prepared hot sheets, wrangled talent

Wrangle talent, drive crew, equipment, talent, manage crafty, manage production vehicles.

Manage set ; keep production on schedule ; wrangle talent.

Obtained contestant and crowd releases.

Directed and story boarded commercial, managed crew, wrangled talent.

Driving production vehicle, manage craft services, support camera crew.

Drive crew, gear in 15 pass-van; crafty for 40 person crew; drive talent

Secured large amount of crowd releases in short time; drove production vehicle on airport runs shuttling talent and showrunner; worked as set PA on ranch with live animals and talent.

Hire and manage crew; track costs; prepare call sheets, production reports; manage and prevent overtime; monitor and provide safety instruction, comply with OSHA; negotiate gear rentals; manage coordinator, PAs, delegate tasks; manage petty cash.

Drive crew, producers to locations; assist grip; assist camera; obtain releases; support production coordinator.

Review and log several hours of footage, string out story, create text and graphics elements, color corrected video, prepared final edit based on producers notes.

Directed and produced documentary, consisting of field interviews, B roll, managing crew, wrangling talent and monitoring budget.

Directed and produced documentary, consisting of field interviews, B roll, managing crew, wrangling talent and monitoring budget

Hire and manage crew; track costs; negotiate with vendors; prepare call sheets, production reports; manage and prevent overtime; manage coordinator, PAs, delegate tasks; communicate with various departments, vendors and clients to produce education documentary shorts.