Summary

Experienced Production Coordinator and IATSE Local 871 APOC on premium scripted, unscripted, news/talk show programs. Columbia University Film graduate. Passionate about television, hungry for challenge, ambitious to line produce. Can work as NYC local.

Credits

10/23 – 11/23

Production Coordinator Project Phoenix

Digital — Planet C Studios Details
10/23 – 11/23

Set up entire production alongside line producer: hiring, negotiating, facilitating crew paperwork, managing petty cash, opening/closing vendor accounts, issuing COIs, delivered wrap drive.

7/23 – 9/23

Production Manager Dreamforce 2023

Salesforce+ — Live/Special Event — NOMOBO USA, LLC
7/23 – 9/23
2/23 – 5/23

Production Coordinator The Americans (wt) (Season 1)

Reshet — TV — Reshet TV Details
2/23 – 5/23

Supported foreign Israeli crew in LA, as well as staffing local crew. Created call sheets, ran production office, coordinated 3 field teams with simultaneous shooting days throughout the city, reconciled costs with budget, tracked and managed locations including insurance certificates and contacts, sent and organized agreements and files. Wore every hat.

1/23 – 2/23

Audience Coordinator (Dual Covid Safety Coordinator Role) Try Guys

YouTube — Digital — 2nd Try, LLC
1/23 – 2/23
10/22 – 1/23

COVID-19 Compliance Coordinator Winning Time (Season 2)

HBO — TV — HBO / Cooler Waters Productions
10/22 – 1/23
5/22 – 10/22

Assistant Production Coordinator Mrs. Davis (Season 1)

peacock — TV — Warner Bros. Television
5/22 – 10/22
2/21 – 5/22

Production Coordinator (Diversity Equity & Inclusion, Production & Creative)

Staff Position — NBCUniversal
2/21 – 5/22
12/19 – 11/20

Production Coordinator

Staff Position — Quibi Details
12/19 – 11/20

* Successfully assisted in the launching of the Quibi platform, working on up to 26 daily news and lifestyle programming in various stages of production, with partners such as Telemundo, BBC, NBC, The Weather Channel, E! News, Rotten Tomatoes, Hearst, Conde Nast, TMZ, Vox, ATTN, etc. * Co-wrote the studio production manual in collaboration with Content Legal, Finance, Programming and Post Production departments; trained production partners on company procedures and policies. * Analyzed pilot, series and breakage budgets to suggest cost-saving revisions to production partners. * Evaluated cost reports, variance reports and general ledgers, as well as production schedules, daily live-to-tape workflows and post production grids for potential flags. * Created and maintained internal production document hub, reviewing weekly production reports, shoot schedules, crew lists, insurance certificates, music cue sheets, graphic elements, closed captioning and metadata.

Unions

  • IATSE Local 871 (SS/C - C - A - APSG)

Orgs

  • Television Academy (ATAS)
  • Women in Media
  • Women In Film (WIF)
  • Women in Entertainment

Self ID

I identify with the following groups:

  • Gender: Woman
  • Member of the LGBTQ+ Community
  • Member of a Disability Community

Recos

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Education

Class of '11

Barnard College, Columbia University

Film Studies, Political Science

My Gear

  • Macbook Pro
  • Printer

Skills

  • Producing
  • Social Media
  • Research
  • Google Docs
  • Microsoft Excel
  • Microsoft Word
  • Google Sheets
  • Movie Magic Budgeting
  • Google Drive
  • Scenechronize
  • Microsoft PowerPoint
  • Diversity & Inclusion
  • Movie Magic Scheduling
  • Microsoft Office Suite
  • Data Analysis
  • Oracle
  • Google Cal
  • DPO
  • GRM Document Management