Matty Sumida

Assembled the 30 minute show from start to finish.

I cut the first on-location episode of the show. Created a new pace and editing style for the series. Here's a sample of my work on the series: http://www.youtube.com/watch?v=QfABC5_5Fpw&feature=share&list=UUr7ZFxNlDvb3waeoTN1_3mA

- Managing Unity system - Logging - Ingesting multiple formats and framerates - Syncing 4 cameras and 2 audio recorders - Multi-grouping clips - up-rezzing for online edit

I was 1 of 3 editors on the road with the production crew. We cut wrap-up video coverage of the days events; 8-10 minute episodes with multiple remote packages and live host wraps. We worked under a very intense timeline, sometimes turning around a final cut of an episode in 8 hours.

I cut branded videos for Ford and Samsung. I also supervised the post-production team on daily turnarounds of segments.

Lead night AE

Started day one with the director and main editor. Helped craft the story. Transcoded, logged, and organized over 200 hours of footage shot with 5 different camera systems. Cut musical performances in the final cut. Managing the online edit as well.

Was the sole editor on an independently financed half-hour comedy pilot. Shot on RED Epic.

Part of a freelance production team for Fox Sports streaming live high school sporting on foxsportswest.com. Was an integral part of the initial team, creating a whole new work flow from scratch. Operated and troubleshooted Tricaster hardware and software. Would fill in for director during games.

Was brought in for about a month to help shape the story and create a new direction for the editing style.

I produced Gadget Pr0n and other various segments.

Logged, synced, and organized dailies. Created FCP folder structure for the project. Made selects sequences for the editor.

Hired by Director/Editor sound mix, color, and deliver cut to PBS under their broadcast specs.

Came in at the tail end of the post schedule to prep cuts for sound mixer and composer. Also managed outputs and media duplication for the producers and director.

Transcoded, synced, and organized all footage in a very tight turnaround. Was able to deliver organized project to editor one day after shoot.

Transcoded, synced, and organized all footage in a very tight turnaround. Was able to deliver organized project to editor one day after shoot.

One set DIT for the production of The Thompsons. Turned around raw RED footage into synced dailes everyday for the editor off-site. Managed back up for all footage.

Turned around raw RED footage into synced dailes everyday for the editor off-site. Managed back up for all footage.

Synced all dailies in Avid and cut assembly scenes for producers to present to investors. Worked with the director/editor, grabbing selects for him and doing quick sound mixes/sound edits on his cuts.

Cut every episode of series. Quick "YouTube" style jump cuts. Cut in all the animation as well.

I was an integral part of Break.com’s original and branded production team, The Creative Lab. I wrote, produced, directed, and edited short-form content for the website. My other duties included but were not limited to: assistant editing, camera operator, camera assisting, DIT, data management, and managing our library.