Summary

DC driver's license and excellent parallel parker. Organized, efficient and enthusiastic. Production assistant and camera assistant. Motivated hard worker. Very familiar with DSLRs, particularly the Red Epic and Canon 60D.

Credits

3/16 – 3/17

Producer Mom

Film (Short)
3/16 – 3/17
4/16 – 4/16

Second Assistant Camera Phoebe

Film (Short) — DaCaSa media productions Details
4/16 – 4/16

-Slated every scene for editing and continuity purposes -Swapped camera lenses between shots of different focal lengths -Retrieved and inserted neutral density filters when necessary for scenes -Carried memory cards on hand for quick replacements between scenes, and labeled each full memory card after use -Kept track of battery power and the shooting pace in order to efficiently swap drained batteries between scenes -Removed and adjusted steadicam handle, camera microphone, and additional camera accessories as requested by the DP and 1st AC -Set up and broke down camera equipment for each scene -Loaded and carried camera gear to each scene and between indoor and outdoor locations -Raised and lower camera sticks and adjusted dolly height as required for scenes -Executed directions and requests from the DP and the 1st AC -Communicated and confirmed scene details with the DP, the Assistant Director, and the Script Supervisor for continuity -Pulled focus to fill in for first AC during certain scenes -Adjusted lighting C-stands and light intensity as requested by the DP -Moved SUV to street parking space after removing gear in loading zone -Drove Director's car to set, and then unloaded props and craft services supplies

3/16 – 4/16

Unit Production Manager Mom

Film (Short)
3/16 – 4/16
1/16 – 3/16

Producer There is a Reaper

Film (Short) Details
1/16 – 3/16

-Organized DP's completed shot list into a one day, 12 hour shooting schedule -Generated call sheet and emailed call sheet to cast and crew -Reviewed shooting schedule with the Director, DP, 1st AD, and the Script Supervisor -Communicated individual role responsibilities to crew -Informed cast and crew of set guidelines and shooting schedule ahead of production day -Scheduled pre-production meetings and video chat rehearsal for cast and crew -Created contingency plans for various situations -Designed or crafted props necessary for different scenes -Consolidated pre-production tasks and resources into documents on a shared online cloud drive -Retrieved and brought camera equipment to set, and then returned equipment after day of shoot -Emailed production release form to cast and crew to be signed -Filled vacant crew roles by sending invitations via email -Reserved location for cast auditions -Responded to cast and crew inquiries through emails, phone calls, or text messages

2/16 – 2/16

Second Assistant Camera There is a Reaper

Film (Short) Details
2/16 – 2/16

-Slated every scene for editing and continuity purposes -Swapped camera lenses between shots of different focal lengths -Retrieved and inserted neutral density filters when necessary for scenes -Carried memory cards on hand for quick replacements between scenes, and labeled each full memory card after use -Kept track of battery power and the shooting pace in order to efficiently swap drained batteries between scenes -Removed and adjusted steadicam handle, camera microphone, and additional camera accessories as requested by the DP and 1st AC -Set up and broke down camera equipment for each scene -Loaded and carried camera gear to each scene and between indoor and outdoor locations -Raised and lower camera sticks and adjusted dolly height as required for scenes -Executed directions and requests from the DP and the 1st AC -Communicated and confirmed scene details with the DP, the Assistant Director, and the Script Supervisor for continuity

1/16 – 1/16

Second Assistant Camera The Courier

Film (Short) — The Forge Studios Details
1/16 – 1/16

-Slate every scene for editing and continuity purposes -Load and carry camera gear between indoor and outdoor scenes -Raise and lower lighting stands and place sandbags for stability -Place talent "T" marks on the floor or ground before each scene for camera focusing -Measure distance between camera and talent to allow camera operator to pull focus -Keep track of battery power and the shooting pace in order to efficiently swap drained batteries between scenes -Execute directions and requests from the DP, the Director and the Camera Operator -Communicate and confirm scene details with the DP and Assistant Director for continuity

12/15 – 12/15

Camera Production Assistant The Mark

Film (Short) — The Forge Studios Details
12/15 – 12/15

-Slated every scene for editing and continuity purposes -Loaded and carried camera gear between indoor and outdoor scenes -Raised and lowered lighting stands and place sandbags for stability -Adjusted talent's wardrobe and accessories as requested -Executed directions and requests from the DP, the Director and the Camera Operator -Communicated and confirmed scene details with the DP and Script Supervisor for continuity

Recos

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Education

The Ohio State University

Coursework in Film History

National Film and Television School

Coursework in Filmmaking