This film was a thriller in both the content we we were shooting -and the production itself. For a large part of the movie, we took a skeleton crew to abandoned locations (with local government permission) and were tasked with working guerilla style. While there were many shots that required use of bounced natural light, the scenes indoors Required moody candle lighting and replicate the look of a shrinks office. This was a great shoot that allowed a lot of room for creative scenic shots and dynamic characterized shots. A real treat to make and watch!
Summary
I work as a behind a camera from anything from an AC to a DP. I’ve shot features, documentaries, music videos and commercials. I’m very open to new projects. The best part about film-making is the people you meet and the stories you share. Let’s shoot!
Credits
7/20 – 10/20
Camera Operator – Tribe
Headless Films — Film (Short) — Headless Films
7/20 – 10/20
5/19 – 8/19
Editor – In This Moment
The Naoj Company — Film (Feature-length) — The Naoj Company
5/19 – 8/19
5/19 – 8/19
Cinematographer – In This Moment
The Naoj Company — Film (Feature-length) — The Naoj Company
5/19 – 8/19
3/19 – 6/19
Camera Operator – Superstorm: A Love Story
Happy Smile Films — Film (Feature-length) — Happy Smile Films
3/19 – 6/19
3/19 – 6/19
Cinematographer – Gabriella
The Naoj Company — Film (Feature-length) — The Naoj Company
3/19 – 6/19
2/19 – 5/19
Editor – Gabriella
The Naoj Company — Film (Feature-length) — The Naoj Company
2/19 – 5/19
1/19 – 4/19
Sound Recordist – Grief (Season 1)
Facebook — TV — Facebook
1/19 – 4/19
1/19 – 4/19
Cinematographer – Grief (Season 1)
Facebook — TV — Facebook
1/19 – 4/19
Recos
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Education
Class of '13
Career and Technical Center
Digital Film and Post-Production Degree
My Gear
Skills
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