Nik Jamgocyan

Editor on the first season of a one-hour docu-reality series exploring various inspiring relationships during the pandemic. Contributed to the overall format, look, and pacing of the series.

Preditor on the second season of the two-hour docu-reality/competition series following three business titans, who are dropped into unfamiliar cities with one hundred dollars, and have ninety days to build a million dollar business. Contributed to the overall format, look, and pacing of the program. Edited multiple “previously on”/“next on” and background package segments.

Editor on the one-hour comedy-driven special series featuring unfiltered commentary of show episodes provided by former XL veterans.

Preditor on the sixth season of the popular one-hour survival-based reality series. Responsible for creating workable story lines with compelling dramatic beats from generalized outlines. Additional tasks included all sound design and finishing/fine cutting duties.

Preditor on the two-hour retrospective special edition of the popular survival-based reality series. Responsible for creating workable story lines with compelling dramatic beats from generalized outlines.

Preditor on the first season spinoff of the popular one-hour survival-based reality series. Responsible for creating workable story lines with compelling dramatic beats from generalized outlines. Edited entire episodes from stringout to polish. Additional tasks included all sound design and finishing/fine cutting duties.

Preditor/lead editor on the first season of a one-hour investigative documentary series exploring the lives of individuals, who were victims of a massive black market adoption ring in the 1950s and 1960s, in their search to uncover their true identities. Contributed to the overall format, look, and pacing of the entire series. Additional tasks included editing numerous recreation/re-enactment segments, sound design, and fine/finishing cutting duties.

Preditor on the second season of the popular one-hour docu-soap chronicling the lives of various polygamist families. Responsible for creating workable story lines with compelling dramatic beats from generalized outlines.

Preditor/lead editor on a one-hour investigative documentary series exploring the lives of individuals, who were victims of a massive black market adoption ring in the 1950s and 1960s, in their search to uncover their true identities. Contributed to the overall format, look, and pacing of the entire series.

Preditor/lead editor on a one-hour Shark Week special featuring the highly decorated MMA superstar. Contributed to the overall format, look, pacing, and sound design of the program. Created the opening main title sequence.

Finishing editor on the first season of a one-hour investigative true-crime documentary series featuring the well-known former prosecutor.

Preditor/lead editor on the first season of a highly stylized docu-follow series examining a group of aspiring artists as they collaborate on an original musical production. Contributed to the overall format, look, and pacing of the entire series. Additional tasks included fine cutting and finishing duties (including all sound design).

Preditor on the first season of an action-adventure docu-series featuring notable YouTube personalities. Responsible for creating workable story lines with compelling dramatic beats from generalized outlines.

Preditor/lead editor on the second season of the Emmy Award-winning one-hour documentary series exploring the various stories of ex-Scientology members. Key contributor on the second season title sequence. Edited multiple “previously on” and “next on” segments. Additional tasks include editing numerous recreation/re- enactment segments per episode, sound design, and fine/finishing cutting duties.

Preditor/lead editor on a two-hour documentary analyzing the case that led to O.J. Simpson’s conviction for armed robbery. Contributed to the overall format, look, and pacing of the piece. Additional tasks included editing numerous recreation/ re-enactment segments, sound design, and fine/finishing cutting duties.

Preditor/lead editor on the first season of a half-hour true crime series following the exploits of a Los Angeles-based fugitive recovery agent. Created the overall format, look, and pacing of the entire series. Additional tasks included fine cutting and finishing duties (including all sound design).

Preditor/lead editor on the first season of a one-hour docu-follow series exploring the rewilding of two domesticated grizzly bears.

Lead preditor/finishing editor on the pilot episode of a half-hour dating game show. Key contributor to the overall format, look, and pacing of the show.

Lead preditor/finishing editor on a one-hour series special examining the science behind haunted houses and Halloween-themed entertainment. Contributed to the overall format, look, and pacing of the program.

Lead preditor/finishing editor on the first season of a half-hour series examining the science behind thrill rides. Contributed to the overall format, look, and pacing of the entire series. Additional tasks included fine cutting and finishing duties (including sound design and creation of all episode-specific graphic elements).

Preditor/finishing editor on the first season of a one-hour investigative travelogue series. Responsible for creating workable story lines with compelling dramatic beats from generalized outlines. Contributed to the overall format, look, and pacing of the entire series. Additional tasks included editing numerous recreation/re-enactment segments per episode.

Preditor on the seventh season of the popular one-hour anti-whaling docu-reality series. Responsible for creating workable story lines with compelling dramatic beats from generalized outlines. 2016 ACE nomination for Best Edited Non-Scripted Series.

Preditor on a one-hour competition reality series hosted by celebrity chef Guy Fieri.

Preditor/supervising editor on the second season of a one-hour docu-reality series following a group of American prospectors on their search for riches in Greenland.

Preditor on the third season of a one-hour competition reality series featuring celebrity chef Anne Burrell. Top rated show on Food Network. Responsible for creating workable story lines with compelling dramatic beats from generalized outlines. Additional tasks included fine cutting and finishing duties.

Preditor on the first season of a one-hour docu-reality series following a group of American prospectors on their search for riches in Greenland.

Preditor on the second season of a one-hour competition reality series featuring celebrity chef Anne Burrell. Top rated show on Food Network. Responsible for creating workable story lines with compelling dramatic beats from generalized outlines. Additional tasks included fine cutting and finishing duties.

Preditor on the pilot episode of a one-hour docu-reality series following a group of professional horse racing gamblers. Responsible for creating workable story lines with compelling dramatic/comedic beats from generalized outlines. Key contributor to the overall format, look, and pacing of the show.

Preditor on the first season of a half-hour syndicated cooking and nutrition show featuring celebrity chef Rocco DiSpirito. Contributed to the overall format, look, and pacing of the entire series. Created the opening title sequence and all graphical elements used throughout the show. Researched/wrote all factoids throughout each show.

Preditor on a one-hour competition reality series featuring celebrity chef Anne Burrell. Responsible for creating workable story lines with compelling dramatic beats from generalized outlines. Edited numerous supertease segments. Contributed to the overall format, look, and pacing of the entire series. Additional tasks included fine cutting and finishing duties.

Preditor on a one-hour investigative docu-reality paranormal series. Contributed to the overall format, look, sound design, and pacing of the entire series. Additional tasks included editing numerous recreation/re-enactment segments, fine cutting, and finishing duties. Lead editor on the sixth episode of the season.

Preditor on the first season of a one-hour hidden-camera process/expose´ reality series. Editing responsibilities required the creation of compelling dramatic/comedic reality scenes from generalized multi-camera surveillance camera footage. Contributed to the overall format, look, and pacing of the entire series.

Preditor on the second season of the popular one-hour reality series documenting military family reunions. Lead b-story editor.

Preditor on a one-hour first season docu-reality series showcasing the journey of patients trying to overcome their acute fear of animals. Responsible for creating workable story lines with compelling dramatic beats from generalized outlines. Edited multiple supertease segments. Lead editor on the third episode of the series.

Editor on a half-hour reality series following the trials and tribulations of prospective U.S. Army recruits. Editing responsibilities required the creation of compelling reality scenes as well as visually engaging action montage vignettes. Additional tasks included fine cutting and finishing duties (including color correction and audio mixing).

Preditor on a one-hour documentary series chronicling reggae star Ziggy Marley’s motorcycle road trip through South Africa during the 2010 FIFA World Cup. Responsible for creating workable story lines with compelling dramatic/comedic beats from generalized outlines. Contributed to the overall format, look, and pacing of the entire series.

Preditor on the premier season of a half-hour competition reality series showcasing the search for the worlds best turntablist/DJ. Duties included creating the overall format, look, and pacing of the show. Also responsible for creating workable story lines with compelling dramatic/comedic beats from generalized outlines.

Offline editor and colorist on the third season of a one-hour gospel-themed competition reality series. Edited all multi-camera “audition” and “live” performance segments, numerous feature packages/montage vignettes, and multiple supertease/“next on”/“coming” up segments per episode. Lead editor on the “quarterfinal” episode of the series.

Half-hour daily live news/entertainment show covering the National Football League. Preditor on numerous feature pieces covering various NFL-related topics and personalities. Responsibilities also included audio sweetening and color correction on all feature pieces.

Editor on a half-hour program covering the long-running annual international breakdancing competition. Responsible for editing pre-recorded eight camera feeds of sixteen different dance battles, all OTF interview segments, and a five-minute feature piece introducing viewers to the history of the subculture. Responsibilities also included color correction and audio sweetening/mixing.

Editor on a one-hour documentary program analyzing the destruction of the 2004 Indian Ocean Tsunami mega-disaster and the ensuing relief, recovery, and rebuilding efforts that took place in its wake. Responsibilities also incorporated fine cutting and finishing duties (including color correction and reformatting).

Editor on a one-hour six-episode sports program covering the renowned international aerial acrobatic race series. Responsible for editing pre-recorded ten camera feeds of ten different races per episode and giving the show a “live event” look and feel. Created and edited between 5-7 different feature packages per episode.

Half-hour daily live news/entertainment show covering the National Football League. Preditor on numerous feature pieces covering various NFL-related topics and personalities. Responsibilities also included audio sweetening and color correction on all feature pieces.

One-hour sports-themed competition-reality series showcasing extreme fitness events held at iconic locales throughout the world. Preditor on the pilot episode of the show. Responsible for designing the overall format, graphical style, and pacing of the show.

One-hour docu-reality series dealing with archeological myths and exotic locales. Editor on the pilot/first season of the show. Responsible for designing the overall format, look, and dramatic pacing of the show.

Half-hour celeb-reality comedy series. Top rated show on E!. Preditor on the second season of the show. Responsible for creating workable story lines with compelling dramatic/comedic beats from generalized outlines. Edited numerous tease/supertease/“next on” segments.

One-hour docu-reality dating series about single moms. Preditor on the first season of the show. Responsible for crafting compelling episodes from generalized outlines. Edited numerous tease segments.

Lead editor on Doritos' "The Quest" advertising campaign series. Responsible for all graphics work (After Effects), fine cutting, and finishing duties (including color correction and audio mixing) as well.

Editor on the first season of the show. Contributed to the overall format, look, and pacing of the entire series. Helped create the opening title sequence and graphical themes used throughout the show. Responsible for all sound design. Edited all CGI segments. Nominated for an Emmy for Outstanding Editing in 2008.

Half-hour competition reality show about aspiring actors. Editor on the pilot/first season of the show. Responsible for creating the overall format, look, and pacing of the show. Edited numerous tease/supertease/“next on” segments.