Paul Lazo

- Manage social campaigns & strategy for productions such as "Man In The Ring," "Spamilton," and "The Lightning Thief: The Percy Jackson Musical." - Content creation with a platform to platform approach – keeping in mind best practices for Instagram, Twitter, and Facebook. - Research and study social media marketing plans inside and outside theatrical space to assist in ideating new and innovative approaches in the field. - Member of the 35 Below committee helping to find new ways of engaging young patrons with community initiatives.

- Created string outs live as the event was happening for LA team, uploaded to NAS. - Tight turn around between receiving content for the videographer and creating string outs.

- Worked with an all-star audience team that propelled engagement for their pages past competitors like Buzzfeed, Vice and Bustle. - Prepared deliverables for clients including high-profile influencers such as Bernie Sanders, Hannah Stocking and Alex Aliano. - Proud co-founder of the ATTN: meme team - creating wholesome content which generated on average 600k+ views on Facebook/Instagram. - Optimized content for the Instagram platform doubling average views per video in six months through cutdowns and stories.

Stood by the parking lot to ensure all cars parked properly, lock downs, etc.

Jumped in last minute to fill in for Script Supervisor upon falling ill. Typical obligations, including but not limited to timing takes, editor logs, etc.

Helped clean up and organize the office at Tolpa Media post wrap out of their show Divided. Moved some boxes, helped file + sort old documents and shreded old casting notices.

Worked as an AC for screens cam, assisted with set up and tear down of Fox booth and kepts a rocking attitude throughout it all.

- Partnered with content creators for IMG events such as NYFW, Miami Open, World’s Strongest Man and Miss Universe. - Received a behind the scenes look at how a high profile agency formulates creative strategy for a variety of different brands, events and clients.

- Partnered with content creators for IMG events such as NYFW, Miami Open, World’s Strongest Man and Miss Universe. - Worked on a premium video team that generated big returns in the paid social environment. - Received a behind the scenes look at how a high profile agency formulates a creative strategy for a variety of different brands, events, and clients.

Assisted in set up of cameras for the event, wrangled cables, helped with some minor field lighting and help strike the event.

Filled in for script supervisor on ScriptE workflow. Used ScriptE timecode feature to log shots as well as it's photo feature for additional references pictures.

Production Assistant responsibilities included organizing holding areas, making sure extras were well hydrated and the space did not get trashed, moving and assisting in breaking down village and tear down for the event/shoot.

Script Supervisor for 48 Hour film My Darling. Worked on ScriptE.

Filled in for digital script supervisor who uses excel sheets on a two camera day, shot 60 set ups, about 8 were repeated. Tasks included logging and minding continuity.

Additional Script Supervisor on the horror movie Escape Room for 2 of the 11 days of shooting. Used ScriptE, kept track of timings, continuity and blocking during an intense fight scene.

Script Supervisor for ULB short film Token of Love. Task included prepping the script, logging shots and paying attention to continuity with actors. Script was 1 scene, 4 pages.

Prepped the script for shooting (D/N, Props Breakdown, etc.), keep track of continuity and log of what was shot. Sent progress reports at the end of every day. Worked on ScriptE. Script was a family drama about drug use, 92 pages 140 scenes, 28 script days.

Script Supervised the feature film The Temple which brought me all the way to Bhutan. Prepped script (D/N, Wardrobe breakdown, etc), kept track of what was shot. Sent progress reports at the end of every day. Some Script Coordination involved too. Script was 100 pages, 200 scenes, 5 script days.

2nd AC on the feature film Sable, tasked included logging camera information, assisting with lens swaps and some minor DIT work.

Worked 3 of 15 days of shooting and used pen and paper to keep track of continuity and slate for the feature film Depraved.

Two camera pilot that calc'd in total 40 pages and included a plethora of flashbacks. My job was stay on point with the story, continuity, and making sure every shot was accounted for. Casually also slipping in the fact we also had a 6 min the stedi-cam shot with about 200 extras in there.

Production assistant on the Hollywood Christmas Parade, tasks included assisting with set up and break down of the set installation overnight, working with art team to decorate camera platforms and of course breaking down the set when the event was all said and done.

Script Supervised the short film RideXXX, script was 4 scenes and 1 script day long. Worked on ScriptE.

Script supervised seven episodes of the web series My So Called Co-Star Life. All episodes were shot in one day, so in addition to continuity challenges it was my job to stay on point with slating.

Script supervisor for zombie romantic comedy. Typical continuity challenges included blood, gore and fingers falling off.

Art PA on the shoot Maryellen & The Brightest Star. Made runs for the art department and assisted with breaking down and building up the various sets.

Worked as a script supervisor for a 11 page drama following a character coming to turns with being an adult. Non-linear narrative, film jumps between flashbacks. Responsible for making sure shots matched in and out of these sequences.

Managed continuity for a simple 6 page drama following a women struggling to coupe with the recent loss of her dad. A very simple shoot all together - one actor, three scenes. The main challenge came from a 3 page monologue, taking precise notes on coverage and any changes in dialogue.

Drove down to San Diego to assist with corporate style interviews. Took camera notes to ease communication between LA based shooters and NY editors. Also wrangled talent in and out of interviews.

Shot Cuban Dance troupe Malpaso live at Jacob's Pillow for a sizzle reel documenting the dance troupe's history and rise in the states. Shot on Panasonic GH4.

Gripped and 2nd ACed for a 3-4 song set. Basic 3 point lighting set up. Camera set up included one jib and a glidecam.

Production assistant for the short film Talons of the Chaos. Acted as a swing for the camera and lighting departments. Shot on the Red Mysterium-X.

Script Supervised a 15 min short independent television pilot to be presented to possible networks for pick up. Notes were taken on ScriptE. 2 camera shoot.

Check equipment for any damages and needed repairs. Handle deliveries to various companies and productions.

Assisted guests making sure they knew where to sign in. Also handled media coming in and out of festival making sure they too knew where to sign in and out.

Utilizing stage lights the gaffer had me set up rigs based on pipes along the ceiling to create a concert ambiance.

Wrote and Directed the short film Inside Boxes apart of in Emerson College's BFA Workshop. The first semester was spent writing the project with my best friend and co-writer Brad Cryan. Summer months were spent shooting. The second semester we cut our film with editor Zach Almeida.

Assistant Engineer for the 33rd Annual EVVY awards. Included patching cables, making sure video flowed from one place to another and making sure the projector didn't die. (It did, we fixed it.)

Live to tape multi-camera special shot in the Vin Di Bona TV Studios. Prep work included attending rehearsals, creating a marked script and calling cameras upon day of taping.

Script supervisor on Fairy Tale, an Emerson College BFA. Script supervisor duties included paying attention to continuity along all of the scenes, making sure that actors stayed on book and sending out reports to production staff at the end of shooting.

Wrote and directed The Meatball Factory, a film II. The first part of the class was spent writing the project, later creating a treatment for how to tackle the challenges we would face on set. Also created a formula for creating fake meat for kids to throw around.

Script supervisor on Synapse, an Emerson College BA. Script supervisor duties included paying attention to continuity along all of the scenes, making sure that actors stayed on book and sending out reports to production staff at the end of shooting.

Script supervisor on How to Make a Nightmare, an Emerson College BFA. Script supervisor duties included paying attention to continuity along all of the scenes, making sure that actors stayed on book and sending out reports to production staff at the end of shooting

Script supervisor on Theory of Conflict, an independent feature. Script supervisor duties included paying attention to continuity along all of the scenes, making sure that actors stayed on book and sending out reports to production staff at the end of shooting.

Associate Producer for the 32nd Annual EVVY Awards Video Marketing team. Handled logistics of making sure promos happened, handled permits, assisted with technical logistics on set and created acted as a producer for one of the promos for submissions.

Script supervisor on The Whistler, an Emerson College BFA. Script supervisor duties included paying attention to continuity along all of the scenes, making sure that actors stayed on book and sending out reports to production staff at the end of shooting.

Technical Utility on Emerson in Motion, a live special created by Emerson Independent Video. Tasks included routing, wrangling cables and being on hand during the show in the event anything went wrong during the show.

Second Assistant Camera on the Emerson BFA film Cinderblock. Job included making runs for lenes, maintaining a camera log and slating each shot. With Arri Alexa.