Rachel Goh

I built a Sony A7RII adapted for non-native lenses, changed lenses, supported camera op and first assistant camera, kept a camera log and was in charge of slating, ran cards to DIT, formatted cards, and changed batteries.

Photographed behind the scenes of the production and post processed the images.

I generated schedules according to the shot lists provided by the DP and director. Also sent out daily call sheets to the cast and crew. Managed time while on set and made scheduling changes on the fly while faced with rain delays.

Building and moving lighting equipment, including quasar science RGB LED lamps

Graded and matched footage with different codecs and bit depth, including R3D and H.264 footage. Troubleshooting and problem solving transcoding errors and round tripping project from Avid Media Composer to Davinci Resolve 16.

I was in charge of the camera department and Grip/Electric. I was also Co-Director and designed the shots, created shot lists, overheads, performed test footage and trained both assistant cameras on the equipment before production to ensure their familiarity with the gear. I was also camera op while on set. Gained experience on building and balancing a Ronin MX with a Ready Rig GS and building out the Red Dragon X.

I was in charge of the camera department and Grip/Electric. I designed the shots with the director, created shot lists, overheads, performed test footage and trained both assistant cameras on the equipment before production to ensure their familiarity with the gear. I was also camera op while on set. Gained experience on building and balancing a Ronin MX with a Ready Rig GS and building out the Red Dragon X.

I was in charge of the camera department and Grip/Electric. I designed the shots with the director, created shot lists, overheads, and performed test footage. I was also camera op while on set.