Summary

Hello! I am passionate about visual effects, storytelling, and unscripted reality TV/documentary work. Entertainment has such a massive impact on culture, and I love being part of the force that shapes our society this way. I'm also crazy about ice cream.

Credits

9/22 – 3/23

Visual Effects Production Manager 1923 (Season 1)

Paramount+ — TV — King Street Productions Details
9/22 – 3/23

Managed a VFX production & VFX Editorial team through principal photography and post-production to final delivery // Constructed a database to track all notes and necessary shot data // Facilitated full VFX pipeline from shot turnover, through external vendor versioning, through internal technical quality checks, to delivery to external DI // Worked with various directors, studio executives, and producers to acquire notes and final approvals // Delivered 6 finished episodes start-to-finish within a miraculously tight timeline // Generated progress and status reports for studio and HODs

3/22 – 9/22

Visual Effects Coordinator White Noise

Netflix — Film (Feature-length) — Netflix Productions Details
3/22 – 9/22

Joined the team after filming had wrapped to coordinate all aspects of VFX post-production (server organization, data management, database maintenance, etc) // Cleaned and created more efficient means for storing set and post-production data // Tracked progressions through various versions of all shots throughout development // Worked with VFX Editorial, Prod Editorial, Directors, Studio, and VFX vendors to communicate notes and requests as shots moved through the VFX pipeline // Managed scheduling // Hired, trained, and managed a small post-production VFX coordination team // Regularly generated detailed reports for producers and studio executives to communicate progress

6/21 – 2/22

Visual Effects Coordinator Moonshot

Warner Bros. — Film (Feature-length) — Kiki Tree Pictures Inc. Details
6/21 – 2/22

Managed a team of supervisors, wranglers, and assistants to acquire necessary various set data to send to vendors for work // Coordinated with external scanning vendors and various production departments to collect digital scans of various characters, props, set pieces, and vehicles throughout photography // Assembled and maintained gear kit for production set-up and principal photography, managed inventory of all supplies throughout the shoot, and facilitated wrap-out and shipping upon wrap of principal // Built a data management server system to house all collected on-set data // Assisted in creation of a database to track VFX progress and notes throughout post-production // Maintained database and server throughout advancing post-production versions // Scheduled and tracked vendor meetings and director/studio reviews // Tracked director & supervisor notes for all shots and versions // Managed delivery of final versions with DI house to final DCP

4/21 – 6/21

Visual Effects Coordinator Day Shift

Netflix — Film (Feature-length) — Netflix Details
4/21 – 6/21

Coordinated and facilitated cyberscanning of actors, set locations, and props between various internal production departments and external scanning vendors // Worked closely with VFX Producer to create VFX breakdowns // Ordered, sourced, and maintained office & set gear/supplies/equipment // Managed wrap-out and shipping of all equipment back to studio warehouses upon completion of ATL principal photography

2/21 – 4/21

Visual Effects Coordinator

Staff Position — PROOF Details
2/21 – 4/21

Handled improvements to the regional office // Managed IO for previs and techvis for various projects // Assisted in web page / PR duties

1/21 – 1/21

Key Production Assistant Roysten Group

Corporate — Vantage Point Productions Details
1/21 – 1/21

Supported videographer (director-shooter-producer) by anticipating needs // Handled talent // Assembled gear // Completed necessary errands & production runs

11/20 – 1/21

Health & Safety Supervisor

Staff Position — Prevention Pods Details
11/20 – 1/21

Coordinated Covid-19 testing for two productions (varying budgets) // Handled logistics, data, and production support for testing entire cast & crew // Managed a team of testers and runners to ensure accurate and timely testing // Communicated test results securely between facility and production, following all necessary guidelines of set safety and health reporting

10/20 – 10/20

Set Production Assistant Charmed To Death (Season 1)

TV — Efran Films Details
10/20 – 10/20

DAY PLAY - Provided general set support for interviews (sensitive material) // Assisted art department in gathering and placement of items for interview framing // Managed collection and scanning of evidence from interviewees // Ingested, organized, and catalogued media for post-production team // Wrapped-out location, returned gear // Offered general staff and camera assistance as necessary

Recos

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Galen Murray
Camera Operator
I had the privilege to work with Becky on the first season of Bushcraft Build Off. It was, due to the tight deadlines, challenging environment and large crew, one of the most demanding sets I've worked on and Becky handled the pressure of being a go ...MORE...

Education

Class of '16

Dixie State University

Bachelor's of Science: Theatre

Skills

  • MS Office
  • organization
  • Organized
  • Crowd Control
  • Accounting
  • Detail-Oriented
  • ENTHUSIASTIC
  • Multitasking
  • Fast Learner
  • Passionate
  • Perseverance
  • Great memory
  • People Handling
  • cyberscanning