Managed a VFX production & VFX Editorial team through principal photography and post-production to final delivery // Constructed a database to track all notes and necessary shot data // Facilitated full VFX pipeline from shot turnover, through external vendor versioning, through internal technical quality checks, to delivery to external DI // Worked with various directors, studio executives, and producers to acquire notes and final approvals // Delivered 6 finished episodes start-to-finish within a miraculously tight timeline // Generated progress and status reports for studio and HODs
Summary
Hello! I am passionate about visual effects, storytelling, and unscripted reality TV/documentary work. Entertainment has such a massive impact on culture, and I love being part of the force that shapes our society this way. I'm also crazy about ice cream.
Credits
9/22 – 3/23
Visual Effects Production Manager – 1923 (Season 1)
Paramount+ — TV — King Street Productions Details
9/22 – 3/23
3/22 – 9/22
Visual Effects Coordinator – White Noise
Netflix — Film (Feature-length) — Netflix Productions Details
3/22 – 9/22
Joined the team after filming had wrapped to coordinate all aspects of VFX post-production (server organization, data management, database maintenance, etc) // Cleaned and created more efficient means for storing set and post-production data // Tracked progressions through various versions of all shots throughout development // Worked with VFX Editorial, Prod Editorial, Directors, Studio, and VFX vendors to communicate notes and requests as shots moved through the VFX pipeline // Managed scheduling // Hired, trained, and managed a small post-production VFX coordination team // Regularly generated detailed reports for producers and studio executives to communicate progress
6/21 – 2/22
Visual Effects Coordinator – Moonshot
Warner Bros. — Film (Feature-length) — Kiki Tree Pictures Inc. Details
6/21 – 2/22
Managed a team of supervisors, wranglers, and assistants to acquire necessary various set data to send to vendors for work // Coordinated with external scanning vendors and various production departments to collect digital scans of various characters, props, set pieces, and vehicles throughout photography // Assembled and maintained gear kit for production set-up and principal photography, managed inventory of all supplies throughout the shoot, and facilitated wrap-out and shipping upon wrap of principal // Built a data management server system to house all collected on-set data // Assisted in creation of a database to track VFX progress and notes throughout post-production // Maintained database and server throughout advancing post-production versions // Scheduled and tracked vendor meetings and director/studio reviews // Tracked director & supervisor notes for all shots and versions // Managed delivery of final versions with DI house to final DCP
4/21 – 6/21
Visual Effects Coordinator – Day Shift
Netflix — Film (Feature-length) — Netflix Details
4/21 – 6/21
Coordinated and facilitated cyberscanning of actors, set locations, and props between various internal production departments and external scanning vendors // Worked closely with VFX Producer to create VFX breakdowns // Ordered, sourced, and maintained office & set gear/supplies/equipment // Managed wrap-out and shipping of all equipment back to studio warehouses upon completion of ATL principal photography
2/21 – 4/21
Visual Effects Coordinator
Staff Position — PROOF Details
2/21 – 4/21
Handled improvements to the regional office // Managed IO for previs and techvis for various projects // Assisted in web page / PR duties
1/21 – 1/21
Key Production Assistant – Roysten Group
Corporate — Vantage Point Productions Details
1/21 – 1/21
Supported videographer (director-shooter-producer) by anticipating needs // Handled talent // Assembled gear // Completed necessary errands & production runs
11/20 – 1/21
Health & Safety Supervisor
Staff Position — Prevention Pods Details
11/20 – 1/21
Coordinated Covid-19 testing for two productions (varying budgets) // Handled logistics, data, and production support for testing entire cast & crew // Managed a team of testers and runners to ensure accurate and timely testing // Communicated test results securely between facility and production, following all necessary guidelines of set safety and health reporting
10/20 – 10/20
Set Production Assistant – Charmed To Death (Season 1)
TV — Efran Films Details
10/20 – 10/20
DAY PLAY - Provided general set support for interviews (sensitive material) // Assisted art department in gathering and placement of items for interview framing // Managed collection and scanning of evidence from interviewees // Ingested, organized, and catalogued media for post-production team // Wrapped-out location, returned gear // Offered general staff and camera assistance as necessary
Recos
Camera Operator
- Galen was Camera Production Assistant and Becky was Set Production Assistant on Bushcraft Build Off
Education
Class of '16
Dixie State University
Bachelor's of Science: Theatre
Skills
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