1/19 – 1/19
Director of Photography (DP) (Sony FS5)
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MeatEater (Season 8)
Netflix — Reality/Doc (TV) — Zero Point Zero Production, Inc
1/19 – 1/19
3/17 – 1/19
Director of Photography (DP) (Red Helium)
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The Last Artifact
PBS — Reality/Doc (TV) — Abbey Gateway Productions
3/17 – 1/19
9/18 – 11/18
Netflix — Reality/Doc (TV) — Zero Point Zero Production, Inc
9/18 – 11/18
9/18 – 9/18
HHMI — Digital — Days Edge Productions
9/18 – 9/18
8/18 – 8/18
FirstLite.com — Digital — FirstLite Details
8/18 – 8/18
Producer/Shooter shooting a series of shorts for FirstLite.com about Tag Spenst's Dall sheep hunt in the Brooks Range of Alaska.
4/16 – 6/18
Cinematographer (Red Epic Dragon, Red Helium, Red Monstro)
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Epic Yellowstone (Season 1)
Smithsonian Channel — Reality/Doc (TV) — Grizzly Creek Films
4/16 – 6/18
2/16 – 6/18
Film (Short) — Rick Smith Media, LLC Details
2/16 – 6/18
Producer and director of a 60min. film about Yellowstone Photographer Tom Murphy. Responsible for all aspects of production including fundraising, social media outreach, managing an expedition across the entirety of Yellowstone National Park in the winter of 2016.
3/18 – 3/18
History — Reality/Doc (TV) — Prometheus Entertainment
3/18 – 3/18
3/18 – 3/18
Reality/Doc (TV) — Grizzly Creek Films
3/18 – 3/18
2/18 – 2/18
Director of Photography (DP) (Red Epic-W)
– Behind The Shot - BMW (NatGeo Creative)
Commercial/Ad — The Front
2/18 – 2/18
2/18 – 2/18
Director of Photography (DP) (Sony FS7, Red Epic-W)
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Wolves of Yellowstone
National Geographic — Reality/Doc (TV) — NGTV
2/18 – 2/18
2/18 – 2/18
HHMI BioInteractive — Digital — Days Edge Films
2/18 – 2/18
2/18 – 2/18
Nerdist — Digital — Legendary Entertainment
2/18 – 2/18
1/18 – 1/18
Aerial Cinematographer
– Toyota (Saatchi & Saatchi)
Commercial/Ad — Fanology Social
1/18 – 1/18
1/18 – 1/18
Corporate — Sweetgrass Productions
1/18 – 1/18
12/17 – 12/17
Netflix — Reality/Doc (TV) — Showrunner Productions
12/17 – 12/17
12/17 – 12/17
Corporate — Redbrain Media
12/17 – 12/17
11/17 – 11/17
Comedy Central — Scripted (TV) — Comedy Central Productions Details
11/17 – 11/17
Segment: "Twin Falls Refugees"
7/17 – 7/17
Director of Photography (DP) (Red Epic-W)
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Walk on Water
30 Seconds to Mars — Music Video — Paradox LLC Details
7/17 – 7/17
A Day in The Life of America - Montana DP
7/17 – 7/17
Corporate — Step1Films
7/17 – 7/17
4/17 – 4/17
Director of Photography (DP) (Sony FS7, DJI Phantom 4, DJI Inspire 1)
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How to Be An Explorer - LEGO
NATGEO KIDS — Digital — National Geographic Studios
4/17 – 4/17
4/17 – 4/17
Corporate — Grizzly Creek Films
4/17 – 4/17
2/17 – 2/17
Camera Operator (Sony FS-5, A7SII, Sony PMX-200)
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MeatEater (Season 8)
Reality/Doc (TV) — Zero Point Zero Production, Inc
2/17 – 2/17
1/17 – 1/17
Camera Operator (Red Epic-W, Sony FS7)
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Laws of the Lizard
Smithsonian Channel — Reality/Doc (TV) — Days Edge Films
1/17 – 1/17
11/16 – 1/17
PBS — Reality/Doc (TV) — RS Media Details
11/16 – 1/17
Managed the edit, online and distribution of a 30 min. film to Montana PBS and NETA for national broadcast.
12/16 – 12/16
Film (Theatrical) — Searching Pictures LLC
12/16 – 12/16
8/16 – 11/16
Camera Operator (Sony FS-5, Sony A7SII, Sony PMX-200)
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MeatEater (Season 7)
Sportsman — Reality/Doc (TV) — Zero Point Zero Production, Inc
8/16 – 11/16
7/16 – 7/16
Cinematographer (Sony FS7 + FS5, DJI Phantom 4, DJI Osmo)
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Lizards Tale
Smithsonian Channel — Reality/Doc (TV) — Day's Edge Productions
7/16 – 7/16
6/16 – 6/16
BBC — Reality/Doc (TV) — BBC Productions Details
6/16 – 6/16
Shot sync for host based program documenting seasonal changes of life in Yellowstone National Park.
4/16 – 4/16
HHMI BioInteractive — Digital — Danny Schmidt LLC
4/16 – 4/16
1/16 – 1/16
Outdoor — Reality/Doc (TV) — Zero Point Zero Production, Inc
1/16 – 1/16
12/15 – 12/15
Corporate — Vauthier/Ferguson
12/15 – 12/15
10/15 – 10/15
Camera Operator (Sony FS7)
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Charged
Film (Theatrical) — Fin and Fur
10/15 – 10/15
10/15 – 10/15
Corporate — Alucia Productions Details
10/15 – 10/15
Topside camera operator documenting shark tagging in the Sea of Cortez. Optimizing equipment and workflow for a ship based production.
10/15 – 10/15
Corporate — Grizzly Creek Films
10/15 – 10/15
9/15 – 9/15
Camera Operator (Sony A7S + MOVI M5)
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Chrome
Film (Short) — Conservation Media / Conservation Hawks Details
9/15 – 9/15
Second camera operator for a short festival piece about flyfishing & climate change.
9/15 – 9/15
Director of Photography (DP) (Sony FS7, Sony A7S, DJI Ronin, DJI Inspire, GOPRO 4 )
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Running Wild
National Geographic — Digital — ColorBurn Productions / Adventurers and Scientists for Conservation
9/15 – 9/15
9/15 – 9/15
Corporate — WildVision Films, Mercury CSC
9/15 – 9/15
8/15 – 9/15
Sportsman — Reality/Doc (TV) — Zero Point Zero Production, Inc Details
8/15 – 9/15
Developed episode content, wrote treatments, and arranged locations/on-camera experts.
7/15 – 8/15
History — Reality/Doc (TV) — Grizzly Creek Films
7/15 – 8/15
7/15 – 8/15
Director of Photography (DP) (Sony FS7, Red Epic Dragon, FLIR SC8300, Phantom v2511)
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Secret Earth: Yellowstone Supervolcano
History — Reality/Doc (TV) — Grizzly Creek Films
7/15 – 8/15
6/15 – 6/15
Camera Operator (Red EPIC Dragon)
– Montana Orthopedics (Vauthier/Ferguson)
Commercial/Ad — Vauthier/Ferguson
6/15 – 6/15
6/15 – 6/15
Corporate — WildVision Films
6/15 – 6/15
5/15 – 5/15
Camera Operator (RED EPIC Dragon)
– Sitka (Massive Studios)
Commercial/Ad — Grizzly Creek Films
5/15 – 5/15
5/15 – 5/15
Corporate — Grizzly Creek Films
5/15 – 5/15
2/15 – 3/15
NBC — Reality/Doc (TV) — Shine America Details
2/15 – 3/15
Embedded cast member for a 4-week test of survival.
1/15 – 1/15
PBS — Reality/Doc (TV) — Grizzly Creek Films
1/15 – 1/15
11/14 – 12/14
Sportsman — Reality/Doc (TV) — Zero Point Zero Production, Inc Details
11/14 – 12/14
Director, Producer, and Camera-Op.
11/14 – 12/14
Sportsman — Reality/Doc (TV) — Zero Point Zero Production, Inc Details
11/14 – 12/14
Director, Producer, and Camera-Op.
11/14 – 11/14
Camera Operator (Panasonic HPX-600, Red EPIC, Sony FS-700)
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Development
Science Channel — Reality/Doc (TV) — Grizzly Creek Films
11/14 – 11/14
10/14 – 10/14
HGTV — Reality/Doc (TV) — Orion Entertainment Details
10/14 – 10/14
Specialty camera operator shooting scenics and 1-axis motion controlled timelapses.
9/14 – 10/14
Film (Theatrical) — Grizzly Creek Films / Step1Films
9/14 – 10/14
9/14 – 9/14
Director of Photography (DP) (Canon C100)
–
Development Project
Sizzle Reel — Reality/Doc (TV) — Rogue Atlas Productions
9/14 – 9/14
8/14 – 8/14
Director of Photography (DP) (Nikon DSLR / Odyssey7Q Recorder)
–
Development Project
Sizzle Reel — Reality/Doc (TV) — Rogue Atlas Productions
8/14 – 8/14
6/14 – 8/14
Camera Operator (Sony F55, Canon 5DMKIII)
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Yellowstone Puzzle
Smithsonian Channel — Reality/Doc (TV) — Taglicht Media Details
6/14 – 8/14
Camera Operator, DIT, Timelapse Photographer and Wildlife guide. Shot using F55 & 5MKIII RAW with Magic Lantern Hack.
6/14 – 7/14
Director of Photography (DP) (Canon C100)
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Never too Late
Sizzle Reel — Reality/Doc (TV) — ColorBURN Productions Details
6/14 – 7/14
Shot interviews, vérité coverage & recorded audio.
6/14 – 6/14
Fox — Reality/Doc (TV) — Towers Productions Details
6/14 – 6/14
Responsible for shooting b-roll and working as second camera during informal interviews between host and subjects.
5/14 – 5/14
Camera Operator (RED EPIC / Panasonic AF100)
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Loose Horses
PBS — Reality/Doc (TV) — Metamorph Films Details
5/14 – 5/14
Shot verité footage of primary character as well as responsible for long lens work of horses.
3/14 – 3/14
Director of Photography (DP) (Red Epic, DSLR)
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Earth a New Wild
PBS — Reality/Doc (TV) — Passion Pictures Details
3/14 – 3/14
Pickup scene of host M. Sanjayan viewing the spectacle of a million snow geese passing through Squaw Creek National Wildlife Refuge.
2/14 – 3/14
Editor (FCPX)
– Cycle Greater Yellowstone
Commercial/Ad — Greater Yellowstone Coalition Details
2/14 – 3/14
Edited 30 sec. marketing piece with footage from a 1 day commercial shoot on a Red Epic & documentary coverage from years previous ride.
1/12 – 3/14
Co-Producer (Camera Operator / Sizzle Reel Director)
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Finding Traction
Film (Theatrical) — Montana PBS Details
1/12 – 3/14
Responsible for project conception and was the director/DP of the initial sizzle reel that helped launch the project. Airing Spring 2014 on Montana & National PBS.
http://vimeo.com/51246049
10/13 – 10/13
Camera Operator (Canon C300)
– Steve Daines (FP1 Strategies)
Commercial/Ad — FP1 Strategies Details
10/13 – 10/13
Filmed announcement speech for Steve Daines U.S. Senate bid as well as "man-on-the-street" interviews of supporters. Shot using C300. Footage will be used for political ad.
10/13 – 10/13
Director of Photography (DP) (Red Epic, Phantom Miro, Panasonic HPX-600)
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Skill Bill: Sizzle
Animal Planet — Reality/Doc (TV) — Grizzly Creek Films
10/13 – 10/13
6/12 – 9/13
Director of Photography (DP) (Panasonic HPX-600, RED EPIC, others)
–
America the Wild (Season 2)
Nat Geo Wild — Reality/Doc (TV) — Grizzly Creek Films Details
6/12 – 9/13
I worked as the staff DP for Grizzly Creek Films and managed all aspects of principal photography for the America the Wild series. I also supervised field data management and worked closely with the host and director to develop/utilize innovative technologies to accomplish the story goals of each episode.
7/13 – 7/13
Director of Photography (DP) (Panasonic HPX-600)
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Diggers (Season 2)
National Geographic — Reality/Doc (TV) — Half Yard Productions Details
7/13 – 7/13
Responsible for a one day re-shoot of the seasons main interviews to match with the previously shot master interviews.
5/13 – 6/13
Nat Geo Wild — Reality/Doc (TV) — Grizzly Creek Films Details
5/13 – 6/13
Responsible for filming both blue-chip natural history and host based wildlife sequences. Used multiple imaging technologies (IR, FLIR, and high-speed) to capture the drama of exploring the Yellowstone ecosystem at night.
2/13 – 3/13
Nat Geo Wild — Reality/Doc (TV) — Grizzly Creek Films Details
2/13 – 3/13
Combined specialty night imaging technology (FLIR and IR) with traditional camera technology to investigate bat behavior in both the lab and the wilds of Texas and southern Mexico.
9/12 – 11/12
Director of Photography (DP) (RED EPIC, Panasonic HPX-600, Panasonic HPX-250, FLIR P660)
–
America The Wild: Monster Wolf (Season 2)
Nat Geo Wild — Reality/Doc (TV) — Grizzly Creek Films Details
9/12 – 11/12
Documented wild wolf behavior in Tofino, BC and the Great Bear Rainforest as well as shooting dramatic attack recreations with captive wolves.
9/12 – 10/12
Nat Geo Wild — Reality/Doc (TV) — Grizzly Creek Films Details
9/12 – 10/12
Shot long lens, thermal, and motion time-lapse footage in Denali National Park.
5/12 – 10/12
Film (Theatrical) — Rick Smith Media, LLC Details
5/12 – 10/12
Produced, edited and shot a short non-broadcast film promoting the research efforts of the Wildlife Conservation Society.
5/11 – 9/12
Nat Geo Wild — Reality/Doc (TV) — Grizzly Creek Films Details
5/11 – 9/12
Worked as the second unit director for various scenes through the season when crew was paired down to single camera operator and host.
8/12 – 8/12
Second Unit Director (Director of Photography)
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Dead Or Alive
Nat Geo Wild — Reality/Doc (TV) — Darlow Smithson Productions Details
8/12 – 8/12
Shot a recreation attack sequence with a trained Grizzly Bear to be inserted with recreation footage already shot. For the episode with Deb Freele.
5/12 – 5/12
Camera Operator (Phantom v351)
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Pony Girls
Sizzle Reel — Reality/Doc (TV) — Texas Crew, Inc. Details
5/12 – 5/12
I worked as a specialty camera operator.
2/12 – 3/12
Director of Photography (DP) (Sony F3 and Panasonic HPX3000)
–
The Violin Alone
PBS — Reality/Doc (TV) — Montana PBS
2/12 – 3/12
9/11 – 3/12
Grizzly Creek Films
9/11 – 3/12
8/10 – 9/11
Camera Operator (Panasonic HPX-3700, Panasonic AF-100)
–
America the Wild (Season 1)
Nat Geo Wild — Reality/Doc (TV) — Grizzly Creek Films Details
8/10 – 9/11
I worked as the primary cinematographer of the series and managed all technical and logistical aspects related to the photography of each episode in a variety of harsh conditions and climates (Yellowstone, Kaktovik, AK, Yukon Canada). I also was the data wrangler in the field and the primary sound recordist.
6/10 – 9/10
Director of Photography (DP) (Panasonic HPX-170, Nikon DSLRs)
–
Before There Were Parks
PBS — Reality/Doc (TV) — Dye Works, LLC
6/10 – 9/10
5/10 – 8/10
PBS — Reality/Doc (TV) — Dye Works, LLC
5/10 – 8/10
1/10 – 7/10
Camera Operator (Panasonic HPX-3700, Panasonic HPX-200)
–
Expedition Wild (Season 2)
Nat Geo Wild — Reality/Doc (TV) — Grizzly Creek Films
1/10 – 7/10
9/08 – 1/10
Producer (Director of Photography)
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Out of Yellowstone
Film (Short) — The Nature Conservancy
9/08 – 1/10
11/09 – 11/09
Nat Geo Wild — Reality/Doc (TV) — Grizzly Creek Films Details
11/09 – 11/09
Responsible for documenting 9 day expedition across a northern section of Yellowstone National Park with host Casey Anderson. Responsible for both producing the story in the field as well all technical aspects of filming.
7/09 – 11/09
Nat Geo Wild — Reality/Doc (TV) — Grizzly Creek Films
7/09 – 11/09
7/08 – 7/08
Animal Planet — Reality/Doc (TV) — Next Films
7/08 – 7/08
