Rio McDowell

Drone Runner (Retrieve live or damaged drones from course).

Assist with duties on set. Make runs.

Assist with duties on set. Make runs.

Production Assistant and G&E Swing.

Union Stagehand for Disney’s Aladdin Load-In and Load-Out - Props.

Union Stagehand for Hello Dolly Broadway Musical - Carpenter.

• Assist with duties on set • Assist G&E Department

• Assist with duties on set • Assist Camera Department

General assistant to production. Fill in Camera Assistant and JIB technician.

• Assist with duties on set • Make runs • Lockdowns • Releases

Driver - Cargo Van | Camera and Electric gear. Production Runner. Assisted with duties on set.

Screenwriter and Camera Operator for 'Winner Winner Chicken Dinner' 48 IFP Beat the Clock Film Challenge.

Following musical artists, orchestral arrangements, composers, and DJ's through their journey of scoring, writing, and composing music and sound, to recording 'Behind The Glass' in the booth, mixed and finished for distribution.

Production Assistant Floater and Runner. • Ran errands for Production Office including catering and craft services. • Set up Holding Room Banners, AGT letters, flags and tables. • Directed crowds of 50-100 people through convention center West Building to North Building. • Assisted with Registration, Line and Access. * Featured in three scenes with lavaliere mic (Dialogue).

• Providing general support to other members of the Art Department in bringing the designs to reality on the screen • Monitoring and ordering art supplies

• Providing general support to other members of the Art Department in bringing the designs to reality on the screen • Monitoring and ordering art supplies

• Weathering and Care of all costumed pieces for Ryan Tree's character Kale. • Wardrobe Consultant for Allen Amis Creations and Kyle Williams. • Stunt Actor (Scaler) IMDb credited.

Stunt Actor.

Rigging and Gaffing.

Rigging and Gaffing.

Worked on the set of Syfy's Original Series, Paranormal Witness, as a Set Intern. My duties included: • Keeping set clean and free on obstacles, trash and debris, or safety hazards. • Keeping actors cool, hydrated, and fed. • Help with different departments in simple to complex tasks, involving Grip and Electric work. • Call Roll/Cut for production crew not on the "hot" set. • Maintain craft services. • Tear down of each set, ensure each department has all their equipment back.

• Reading scripts to identify factors indicating a particular visual style • Considering the production brief, which may be written or given orally • Meeting the producer and director to discuss concepts and production requirements • Researching art history, background politics, historical information and producing design ideas • Pllanning and monitoring the design budget • Providing scale drawings or models for studio or theatre sets producing design ideas for costumes, wigs, props, special effects, make-up and graphics • Identifying and assessing potential studios and locations • Sourcing appropriate materials and researching effects • Presenting ideas to others involved in the production, such as actors and camera operators • Researching, estimating and preparing a property list • Hiring and managing an art department team or teams (depending on the size of the production) • Instructing the set construction company, scenic artists and special effects specialists and monitoring their work • Liaising with the costume designer and the director of photography, as well as the props, lighting and sound directors • Attending progress meetings, rehearsals and filming to advise on visual presentation • Checking sets and locations during filming to make sure requirements are met and to deal with any queries.