Summary

Throughout my career I have had the opportunity to be involved in the productions and learn from several Emmy and Peabody Award winning film makers and production companies. In my free time I am a dedicated writer, filmmaker, cyclist, & martial artist.

Credits

3/21 – 12/22

Segment Producer The Motley Fool Live

Corporate — The Motley Fool Details
3/21 – 12/22

• Produced daily video compilations for a financial strategy company. • Wrote creative and compelling copy and headlines for roughly 100 subscription-based videos per day.

9/19 – 9/20

Post Production Assistant The Martha Stewart Show

Marquee Brands — TV — Sequential Brands Group Details
9/19 – 9/20

Create timing and music cue sheets for editors and producers to be delivered to network.

3/16 – 4/19

Script Coorinator Left/Right Inc.

The New York Times, A&E, FX, et. al. — TV — Left/Right Inc. Details
3/16 – 4/19

- Examine raw footage and assign tasks to company transcribers and/or decide which tasks are to be outsourced. - Problem solve any issues for company transcribers. - Review all completed work from transcribers and forward to Executive Producers. - Prioritize all raw footage for transcription based on individual deadlines.

8/16 – 8/16

Researcher (Archival) Through The Fire: The Legacy of Barack Obama

BET — TV — Firelight Films Details
8/16 – 8/16

-Extensive research of relevant photos, video, and audio footage for major network documentary. -Gathering the necessary information in order to license any photos, video, or audio footage. -Created the outline/timeline to be used as the template for a major network documentary. -Various office duties such as organizing, errands, etc.

7/16 – 7/16

Set Production Assistant Americas Promise Alliance

Corporate — Dangerworks, LLC Details
7/16 – 7/16

-Served as communication facilitator between the various elements involved in the production on set. -Performed all tasks, on and off set, as required by directors and producers to their complete satisfaction. -Setting up and breaking down of necessary equipment. -Driving crew and equipment to and from set.

2/16 – 2/16

Set Production Assistant (Assistant Camera) American Liver Foundation

Corporate — Hugh Siegel Details
2/16 – 2/16

-Served as communication facilitator between the various elements involved in the production on set. -Performed all tasks, on and off set, as required by directors and producers to their complete satisfaction. -Assisted with operation of cameras. -Setting up and breaking down of necessary equipment.

9/15 – 1/16

Set Production Assistant Untitled Project

Film (Feature-length) — Sam Pollard Details
9/15 – 1/16

-Served as communication facilitator between the various elements involved in the production on set. -Performed all tasks, on and off set, as required by directors and producers to their complete satisfaction. -Setting up and breaking down of necessary equipment. -Driving crew and equipment to and from set.

4/15 – 1/16

Producers Assistant & Archival Researcher National Museum of African American History and Culture

Smithsonian Channel — TV — Firelight Films Details
4/15 – 1/16

- Assisted in the daily functioning of various office, administrative, and travel needs, answered directly to the AP and Line Producer. - Researched and collected archival photos, audio, and video footage for the National Museum of History and Culture and maintained relationships between the company and archival footage houses. - Created edit decision lists to be used by producers and editors. - Gave creative input as requested by the director, producers, and editors on various films throughout the production process, script coverage.

Orgs

  • Dangerworks
  • Firelight Films
  • Left/Right Inc.

Media

Recos

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Education

Class of '12

San Francisco State University

Liberal Arts

Skills

  • Pre-production
  • Writing
  • Documentary
  • Research
  • organization
  • Communication
  • Archival
  • Transcribing
  • Fast Learner
  • Office work
  • On Set Experience