• Produced daily video compilations for a financial strategy company. • Wrote creative and compelling copy and headlines for roughly 100 subscription-based videos per day.
Summary
Throughout my career I have had the opportunity to be involved in the productions and learn from several Emmy and Peabody Award winning film makers and production companies. In my free time I am a dedicated writer, filmmaker, cyclist, & martial artist.
Credits
3/21 – 12/22
Segment Producer – The Motley Fool Live
Corporate — The Motley Fool Details
3/21 – 12/22
9/19 – 9/20
Post Production Assistant – The Martha Stewart Show
Marquee Brands — TV — Sequential Brands Group Details
9/19 – 9/20
Create timing and music cue sheets for editors and producers to be delivered to network.
3/16 – 4/19
Script Coorinator – Left/Right Inc.
The New York Times, A&E, FX, et. al. — TV — Left/Right Inc. Details
3/16 – 4/19
- Examine raw footage and assign tasks to company transcribers and/or decide which tasks are to be outsourced. - Problem solve any issues for company transcribers. - Review all completed work from transcribers and forward to Executive Producers. - Prioritize all raw footage for transcription based on individual deadlines.
8/16 – 8/16
Researcher (Archival) – Through The Fire: The Legacy of Barack Obama
BET — TV — Firelight Films Details
8/16 – 8/16
-Extensive research of relevant photos, video, and audio footage for major network documentary. -Gathering the necessary information in order to license any photos, video, or audio footage. -Created the outline/timeline to be used as the template for a major network documentary. -Various office duties such as organizing, errands, etc.
7/16 – 7/16
Set Production Assistant – Americas Promise Alliance
Corporate — Dangerworks, LLC Details
7/16 – 7/16
-Served as communication facilitator between the various elements involved in the production on set. -Performed all tasks, on and off set, as required by directors and producers to their complete satisfaction. -Setting up and breaking down of necessary equipment. -Driving crew and equipment to and from set.
2/16 – 2/16
Set Production Assistant (Assistant Camera) – American Liver Foundation
Corporate — Hugh Siegel Details
2/16 – 2/16
-Served as communication facilitator between the various elements involved in the production on set. -Performed all tasks, on and off set, as required by directors and producers to their complete satisfaction. -Assisted with operation of cameras. -Setting up and breaking down of necessary equipment.
9/15 – 1/16
Set Production Assistant – Untitled Project
Film (Feature-length) — Sam Pollard Details
9/15 – 1/16
-Served as communication facilitator between the various elements involved in the production on set. -Performed all tasks, on and off set, as required by directors and producers to their complete satisfaction. -Setting up and breaking down of necessary equipment. -Driving crew and equipment to and from set.
4/15 – 1/16
Producers Assistant & Archival Researcher – National Museum of African American History and Culture
Smithsonian Channel — TV — Firelight Films Details
4/15 – 1/16
- Assisted in the daily functioning of various office, administrative, and travel needs, answered directly to the AP and Line Producer. - Researched and collected archival photos, audio, and video footage for the National Museum of History and Culture and maintained relationships between the company and archival footage houses. - Created edit decision lists to be used by producers and editors. - Gave creative input as requested by the director, producers, and editors on various films throughout the production process, script coverage.
Orgs
Media
Recos
Education
Class of '12
San Francisco State University
Liberal Arts
Skills
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