12/18 – 3/19
Film (Feature-length) — Foster Solomon Productions
12/18 – 3/19
3/18 – 3/19
Editor (Adobe CC)
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Last Call
Film (Feature-length) — Aisthesis Productions
3/18 – 3/19
12/18 – 2/19
Grip (Electric)
Advertising — BES Studios
12/18 – 2/19
3/18 – 2/19
Director of Photography (DP) (RED, Blackmagic)
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Super Squad (Pilot)
TV — Aisthesis Productions
3/18 – 2/19
11/18 – 11/18
PBS — Film (Short) — Aisthesis Productions
11/18 – 11/18
9/18 – 9/18
Grip
Advertising — BES Studios
9/18 – 9/18
9/18 – 9/18
Camera Operator (Red Scarlett)
Advertising — BES Studios
9/18 – 9/18
9/18 – 9/18
Gaffer
Advertising — Curtis Boggs Production
9/18 – 9/18
9/18 – 9/18
Music Video — BES Studios
9/18 – 9/18
8/18 – 8/18
Grip
Advertising — BES Studios
8/18 – 8/18
8/18 – 8/18
Grip
Advertising — BES Studios
8/18 – 8/18
8/18 – 8/18
Grip
Advertising — BES Studios
8/18 – 8/18
7/18 – 7/18
Grip
Advertising — BES Studios
7/18 – 7/18
7/18 – 7/18
Grip
Priority Auto — Advertising — BES Studios
7/18 – 7/18
4/18 – 4/18
Camera Operator (Blackmagic Ursa)
Advertising — Aisthesis Productions
4/18 – 4/18
4/18 – 4/18
Film (Short) — Out of Sight Creative LLC
4/18 – 4/18
4/18 – 4/18
Live/Special Event — Studio Center
4/18 – 4/18
4/18 – 4/18
Film (Short) — Angelo Reyas Films
4/18 – 4/18
3/18 – 3/18
Film (Short) — Curtis Boggs Production
3/18 – 3/18
3/18 – 3/18
Live/Special Event — Aisthesis Productions
3/18 – 3/18
3/18 – 3/18
Music Video Details
3/18 – 3/18
Coordinate with the location (Luray Caverns) to make sure lighting equipment was functional for the shoot while not overdrawing their system. Set lighting to the DPs standard.
3/18 – 3/18
Music Video — Visually Inklined
3/18 – 3/18
2/18 – 2/18
Grip
Advertising — Studio Center
2/18 – 2/18
1/18 – 2/18
Music Video — Aisthesis Productions
1/18 – 2/18
1/18 – 1/18
Film (Short) — Cerberus Productions Details
1/18 – 1/18
Manage and coordinate all grip responsibilities. Oversaw the rigging of the carmount and the jib to be safely operated while the vehicle was moving.
1/18 – 1/18
Director of Photography (DP) (Blackmagic Ursa)
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Red Reign - Red Reign
Music Video — Aisthesis Productions
1/18 – 1/18
3/16 – 11/17
Producer
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Torn
Film (Short) — A Fresh Perspective
3/16 – 11/17
8/16 – 9/17
Film (Feature-length) — A Fresh Perspective
8/16 – 9/17
8/16 – 9/17
Lead Editor (Colourist)
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Utopless
Film (Feature-length) — A Fresh Perspective Details
8/16 – 9/17
Coordinate all aspects of post production, and handle the color grade for the final edit.
3/17 – 7/17
Director of Photography (DP)
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Super Squad
TV — Aisthesis Productions
3/17 – 7/17
6/17 – 6/17
Grip
Advertising — Studio Center
6/17 – 6/17
6/17 – 6/17
Film (Short) — 2ronin Films
6/17 – 6/17
6/17 – 6/17
Corporate — Studio Center
6/17 – 6/17
5/17 – 5/17
Live/Special Event — Sendit Productions
5/17 – 5/17
4/17 – 4/17
Film (Feature-length) — Homegrown Pictures
4/17 – 4/17
6/16 – 3/17
Film (Feature-length) — Aisthesis Productions Details
6/16 – 3/17
Work with the director of photography to set lighting. Handle and manage all the lights and electrical gear.
11/16 – 11/16
Corporate — Studio Center
11/16 – 11/16
11/16 – 11/16
Corporate — Studio Center
11/16 – 11/16
10/16 – 10/16
Camera Operator (Canon C100)
Advertising — Wit Media
10/16 – 10/16
10/16 – 10/16
Film (Short) — Fraga Studios
10/16 – 10/16
10/16 – 10/16
Live/Special Event — U.S. Figure Skating Details
10/16 – 10/16
Operate camera during events. Manage computer recording and file organization.
10/16 – 10/16
Director of Photography (DP) (Canon C300 MkII)
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Shadow Valley
Film (Short) — Pogi Boi Productions
10/16 – 10/16
9/16 – 10/16
Music Video — Shot by Shomi/Illusive Media Details
9/16 – 10/16
Work with the gaffer to set the lighting, organize and manage all electrical gear.
9/16 – 9/16
Swing
Mosquito Joes — Advertising — Studio Center Details
9/16 – 9/16
Work to set up the lighting set ups / equipment under the direction of the Gaffer.
9/16 – 9/16
Music Video — Studio Center Details
9/16 – 9/16
Work with the director of photography to set lighting. Handle and manage all the lights and electrical gear.
9/16 – 9/16
Music Video — Pro Look Media Details
9/16 – 9/16
Work with the director of photography to set lighting. Handle and manage all the lights and electrical gear.
8/16 – 9/16
Director of Photography (DP) (Blackmagic Ursa)
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Bridges
Film (Short) — A Fresh Perspective Details
8/16 – 9/16
Work with the director to establish the look of the film. Oversee and design the lighting. Manage and supervise camera department.
8/16 – 8/16
Grip (Day Player)
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Permanent
Film (Feature-length) — Permanent Productions
8/16 – 8/16
8/16 – 8/16
Live/Special Event — Aisthesis Productions
8/16 – 8/16
8/16 – 8/16
Music Video — Big Dog Video Productions Details
8/16 – 8/16
Operate B camera and Steadicam for the duration of the production.
3/16 – 8/16
Steadicam Op (Red One MX)
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Dear Humans
Film (Short) Details
3/16 – 8/16
Operate Steadicam through the duration of the shoot.
11/15 – 8/16
Film (Short) Details
11/15 – 8/16
Work with the director of photography to set lighting. Handle and manage all the lights and electrical gear.
7/16 – 7/16
Director of Photography (DP) (Black Magic Ursa)
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Torn
Film (Short) — A Fresh Perspective Details
7/16 – 7/16
Work with the director to establish the look of the film. Oversee and design the lighting. Manage and supervise camera department.
6/16 – 7/16
Corporate — Studio Center Details
6/16 – 7/16
Set up lighting during medical interviews and reenactments.
5/16 – 6/16
Film (Short) — Life Journey Films LLC Details
5/16 – 6/16
Work with the director of photography to set lighting. Handle and manage all the lights and electrical gear.
4/16 – 6/16
PBS — TV — Alone Wolf Pictures Details
4/16 – 6/16
Work to set up the lighting set ups / equipment under the direction of the Key Grip and Best Boy.
11/15 – 2/16
AMC — TV Details
11/15 – 2/16
Work to set up the lighting set ups / equipment under the direction of the Key Grip and Best Boy.
1/16 – 1/16
Corporate — BeverlyBoys Productions Details
1/16 – 1/16
Handle all lighting set ups. Work with the director of Photography to create the look of the interview.
8/15 – 1/16
Film (Feature-length) — Light Age Films Details
8/15 – 1/16
Supervise lighting set up for feature pickups. work with the director of photography to establish the look of the film.
12/15 – 12/15
Film (Feature-length) — Jamar Hill Productions Details
12/15 – 12/15
Supervise Grips and work with the Gaffer and Director of Photography to set the look of the film.
12/15 – 12/15
Film (Short) — Alexander Roman Rilms Details
12/15 – 12/15
Handle all lighting set ups. Work with the director of Photography to create the look of the film.
11/15 – 11/15
Film (Feature-length) — Derya Taskin productions Details
11/15 – 11/15
Manage all electrical gear, handle all paperwork. Assist Gaffer in supervising lighting techs and lighting set ups during production.
10/15 – 10/15
Grip (Day Player)
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Imperium
Film (Feature-length) — TDSD LLC Details
10/15 – 10/15
Work to set up the lighting set ups / equipment under the direction of the Key Grip and Best Boy.
10/15 – 10/15
Digital — Direct by Design Details
10/15 – 10/15
Handle all editing/animation according to the directors standards.
10/15 – 10/15
Film (Short) Details
10/15 – 10/15
Do a full color grade on the final edit.
9/15 – 9/15
Film (Short) Details
9/15 – 9/15
Supervise lighting set up for feature pickups. work with the director of photography to establish the look of the film.
9/15 – 9/15
Film (Short) — Below the Knee Films Details
9/15 – 9/15
Supervise lighting set up for feature pickups. work with the director of photography to establish the look of the film.
9/15 – 9/15
Film (Short) — Monarch Productions
9/15 – 9/15
8/15 – 8/15
DIY Network — TV — Tricon Films and Television Details
8/15 – 8/15
Aided the Camera Operator in setting up steadycam system. Pulled focus when necessary. Kept camera logs of shots and notes.
8/15 – 8/15
Corporate — LMTD Details
8/15 – 8/15
Assisted gaffer in lighting setups, and equipment. Supervised grips and lighting techs. Managed and supervised electrical aspects of the project.
8/15 – 8/15
NBC — TV — Emkron Studio Productions Details
8/15 – 8/15
Operated camera throughout filming. Ensured professional image fitting to the director and director of photography's standards.
8/15 – 8/15
Corporate — Kickstart Productions Details
8/15 – 8/15
Operated camera throughout filming. Ensured professional image fitting to the director and director of photography's standards.
8/15 – 8/15
Key Grip
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BIRR
Sizzle Reel — TV — Indipendent Details
8/15 – 8/15
Assisted gaffer in lighting setups, and equipment. Supervised grips and lighting techs. Managed and supervised electrical aspects of the project.
7/15 – 7/15
Corporate — A Quiet Passion Details
7/15 – 7/15
Assisted gaffer in lighting setups, and equipment. Supervised grips and lighting techs. Managed and supervised electrical aspects of the project.
7/15 – 7/15
Corporate — CGI Communications Details
7/15 – 7/15
Operated camera throughout filming. Ensured professional image fitting to the director and director of photography's standards.
7/15 – 7/15
Key Grip
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PACE
Verizon — Advertising — Storytellers Anonymous Details
7/15 – 7/15
Assisted gaffer in lighting setups, and equipment. Supervised grips and lighting techs. Managed and supervised electrical aspects of the project.
6/15 – 6/15
Key Grip
XOOM — Advertising — Broadcast Productions Details
6/15 – 6/15
Assisted gaffer in lighting setups, and equipment. Supervise grips and lighting techs. Managed and supervised electrical aspects of the project.
6/15 – 6/15
Camera Operator (Canon 7D/Canon EOS C100)
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AT&T Futurecast D.C
Digital — Sawhorse Productions Details
6/15 – 6/15
Operated camera throughout filming. Ensured professional image fitting to the director and director of photography's standards.
5/15 – 6/15
Film (Feature-length) — Light Age Films Details
5/15 – 6/15
Worked with the gaffer to handle all electric and lighting aspects of filming. Responsible for organizing and maintaining the grip truck.
5/15 – 5/15
Live/Special Event — Sendit Productions Details
5/15 – 5/15
Operated camera throughout filming. Ensured professional image fitting to the director and director of photography's standards.
5/15 – 5/15
Music Video Details
5/15 – 5/15
Managed all lighting setups, and equipment. Supervised grips and lighting techs. Managed and supervised electrical aspects of the project.
5/15 – 5/15
Director of Photography (DP) (Sony EX3R, GoPro Hero 3+)
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Hunt
Film (Short) — A Fresh Perspective Details
5/15 – 5/15
Supervised and directed the image of the film. Worked with the director to accurately portray his image. Managed Camera equipment and managed Grip and Electric Department to establish a lighting scheme for each scene.
4/15 – 4/15
Film (Feature-length) — Chheda Films Details
4/15 – 4/15
Managed all lighting setups, and equipment. Supervised grips and lighting techs. Managed and supervised electrical aspects of the project.
3/15 – 3/15
Film (Short) — Old Dominion University Film Department Details
3/15 – 3/15
Managed all lighting setups, and equipment. Supervised grips and lighting techs. Managed and supervised electrical aspects of the project. Educated students on grip and electric aspects of film making.
2/15 – 2/15
Spike TV — Live/Special Event — Glory World Series Details
2/15 – 2/15
Wrangled cables during event to ensure camera mobility. Assisted with set up and break down of cameras.
2/15 – 2/15
Film (Short) — Fraga Studios Details
2/15 – 2/15
Managed all lighting setups, and equipment. Supervised grips and lighting techs. Managed and supervised electrical aspects of the project.
1/15 – 1/15
Corporate — Live Star Entertainment Details
1/15 – 1/15
Operated camera throughout filming. Ensured professional image fitting to the director and director of photography's standards.
12/14 – 1/15
Director of Photography (DP) (Canon 5D MkIII / Panasonic GH4)
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Master Plan
Film (Feature-length) — Bluelight Studio LLC Details
12/14 – 1/15
Supervised and directed the image of the film. Worked with the director to accurately portray his image. Managed Camera equipment and managed Grip and Electric Department to establish a lighting scheme for each scene.
12/14 – 12/14
ESPN — Live/Special Event — Novel Media Details
12/14 – 12/14
Operated Camera during interview. Assisted DP in any other way possible.
12/14 – 12/14
Film (Feature-length) — A SHARDi FILM PRODUCTION Details
12/14 – 12/14
Managed all lighting setups, and equipment. Set and operated dolly. Supervised grips and lighting techs. Managed and supervised electrical aspects of the project.
12/14 – 12/14
Film (Short) — A Fresh Perspective Details
12/14 – 12/14
Managed all lighting setups, and equipment. Supervised grips and lighting techs. Managed and supervised electrical aspects of the project.
11/14 – 11/14
speed-rac — Digital — Le Jit Productions Details
11/14 – 11/14
Operated camera throughout filming. Ensured professional image fitting to the director and director of photography's standards.
10/14 – 11/14
Film (Short) — independent short Details
10/14 – 11/14
Managed all lighting setups, and equipment. Set and operated dolly. Supervised grips and lighting techs. Managed and supervised electrical aspects of the project.
10/14 – 10/14
TV — Fulcamp Productions Details
10/14 – 10/14
Operated BlackMagic Pocket Cinema camera throughout filming. Ensured professional image fitting to the director and director of photography's standards.
10/14 – 10/14
Film (Short) — independent short Details
10/14 – 10/14
Managed all lighting setups, and equipment. Supervised grips and lighting techs. Managed and supervised electrical aspects of the project.
9/14 – 9/14
FYI — TV — Joke Productions Details
9/14 – 9/14
Aided Producer in whatever way possible. Completed any tasks necessary to help the production run smoother. Assisted director of photography with lighting, and camera equipment. Due to small crew size covered both AC and Grip responsibilities.
9/14 – 9/14
Camera Operator (Sony NX5U)
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AMA Pro Racing
Speed — Live/Special Event — AMA Pro Details
9/14 – 9/14
Operated Sony NX5U leading up to and during the race. Collaborated with director and other camera operators to provide professional live filming for the race.
9/14 – 9/14
Camera Operator (Audio Tech)
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NCSU Coach Camp
Live/Special Event — Off The Wire Studios Details
9/14 – 9/14
Operated Sony EX1R Camera during duration of event. Ensured professional audio and video.
8/14 – 8/14
OWN — TV — Harpo Studios Details
8/14 – 8/14
Aided assistant director in whatever way possible. Completed any tasks necessary to help the production run smoother. Assisted director of photography with lighting, and camera equipment. Due to small crew size cover both AC and Grip responsibilities.
8/14 – 8/14
ESPN — Live/Special Event — ESPN Details
8/14 – 8/14
Operated Param during football game.
8/14 – 8/14
Film (Short) — No Second Meal Productions Details
8/14 – 8/14
Handled and managed Grip and Electric department. Kept track of equipment. Light the scene based on the director of photography's design.
7/14 – 8/14
Film (Short) — Pogi Boi Productions Details
7/14 – 8/14
Oversaw other grips/electricians on the project. Implemented the lighting setup designed by the gaffer. Set and operated the dolly. Rigged lights from rafters.
7/14 – 7/14
Destination America — TV — New Dominion Pictures Details
7/14 – 7/14
Aided assistant director in whatever way possible. Completed any tasks necessary to help the production run smoother. Escorted actors to holding, makeup, and wardrobe to set. Assisted B cam operator, Blocked off areas while shooting.
7/14 – 7/14
Music Video — Undefined Media Details
7/14 – 7/14
Planned and directed the music video through collaboration with the artist. Oversaw crews work/performance. Responsible for working with the editor and effects artist to see video through post production.
6/14 – 7/14
Film (Feature-length) Details
6/14 – 7/14
Operated the camera during all principal filming. Ensured image met director and director of photography's standards. Ensured equipment was maintained.
6/14 – 7/14
Music Video — Undefined Media Details
6/14 – 7/14
Collaborated with artist to plan and execute music video production. Shot video and responsible for seeing it through post production.
5/14 – 7/14
Destination America — TV — New Dominion Pictures Details
5/14 – 7/14
Aided assistant director in whatever way possible. Completed any tasks necessary to help the production run smoother. Escorted actors holding, makeup, and wardrobe to set. Assisted B cam operator, Blocked off areas while shooting.
3/14 – 5/14
Key Grip (Dolly Grip, Lighting Tech)
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The Ballerina
Film (Feature-length) — Old Dominion University, The Ballerina LLC Details
3/14 – 5/14
Responsible as 2nd dolly grip during first 4 weeks of principal filming. Assumed KeyGrip and electric responsibilities during second 2 weeks. Managed and set lighting, operated Fisher 11 dolly, leveled dolly track through variable terrain, managed power and electric, bested grip truck, and operated Jib.
4/14 – 4/14
Music Video — Undefined Media Details
4/14 – 4/14
Planned and directed the music video to the artists requests. Oversaw crew during production, and supervised post production. Operated camera and oversaw lighting. Worked as producer, grip, electrician, and assisted in editing as needed.
3/14 – 3/14
Music Video — Undefined Media Details
3/14 – 3/14
Designed and shot the video after analysis of the artists request. Oversaw crew during production. Operated camera and oversaw lighting.
5/13 – 8/13
Internet — Visually Inklined Details
5/13 – 8/13
Responsible for operating B camera on commercial and event shoots. Responsible for prepping footage for editors to work with.
Worked with lighting and grip equipment as well as 15' jib, and dolly.
6/13 – 6/13
Camera Production Assistant
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Get Off This
Film (Feature-length) — Stellarhead Digital Storytelling Details
6/13 – 6/13
Responsible for filming behind the scenes footage. Operated a Sony EX1. Operated handheld camera during band performances, and during on camera interviews.
Responsible for any other job to ensure production ran smoother.
5/13 – 5/13
Boom Operator
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Verona
Film (Feature-length) — Motion Art Collective Details
5/13 – 5/13
Operated boom pole and worked with sound designer. Helped setup new sets/lights in between shots. Aided in any other way I could to ensure the production ran smoothly.