Santiago Cerón

Direct all phases of creative multimedia projects from concept development through production. Create and actively manage a consistent, cohesive, production calendar and budget with appropriate lead times and points of involvement with critical decision making members of the organization. Design and execute visual presentations and pitch materials. Strong strategic and business sense, with an ability to balance creative orientation with practical business needs. Organize, motivate and develop teams to meet business goals.

Coordinated and ensured the proper following of activities for all of the Lab's guests, which led to develop a strong connection with all of them. Assisted the Operations Staff with its various processes and throughout all of its workshops, conferences, and events, so the Lab would run on time and in the best way possible. Greeted and transported participants to the Resort and back.

Supported the crew during the shoot in any ways possible. Would often work as a 2nd Camera Assistant, marking the clapboard, swapping lenses, holding cables, passing to the 1st Camera Assistant anything they would need, including camera equipment. Assisted the Art Directors on dressing the sets, and building set walls. Would often work as a Boom Pole Operator, and wrangling cables for the Sound Mixer. Helped the Grips and Gaffers in the setting of lights, and diffusion stands. Drove production vans and trucks to run errands and transport equipment and crew to location and back. Kept the set and its surroundings silent when the shooting was on. Wrapped the sets, and stored the equipment when the shooting was over. Worked efficiently with the team, and independently as well.

Supported the crew during the shoot in any ways possible. Would often work as a 2nd Camera Assistant, marking the clapboard, swapping lenses, holding cables, passing to the 1st Camera Assistant anything they would need, including camera equipment. Assisted the Art Directors on dressing the sets, and building set walls. Would often work as a Boom Pole Operator, and wrangling cables for the Sound Mixer. Helped the Grips and Gaffers in the setting of lights, and diffusion stands. Drove production vans and trucks to run errands and transport equipment and crew to location and back. Kept the set and its surroundings silent when the shooting was on. Wrapped the sets, and stored the equipment when the shooting was over. Worked efficiently with the team, and independently as well.

Supported the crew during the shoot in any ways possible. Would often work as a 2nd Camera Assistant, marking the clapboard, swapping lenses, holding cables, passing to the 1st Camera Assistant anything they would need, including camera equipment. Assisted the Art Directors on dressing the sets, and building set walls. Would often work as a Boom Pole Operator, and wrangling cables for the Sound Mixer. Helped the Grips and Gaffers in the setting of lights, and diffusion stands. Drove production vans and trucks to run errands and transport equipment and crew to location and back. Kept the set and its surroundings silent when the shooting was on. Wrapped the sets, and stored the equipment when the shooting was over. Worked efficiently with the team, and independently as well.

Supported the crew during the shoot in any ways possible. Would often work as a 2nd Camera Assistant, marking the clapboard, swapping lenses, holding cables, passing to the 1st Camera Assistant anything they would need, including camera equipment. Assisted the Art Directors on dressing the sets, and building set walls. Would often work as a Boom Pole Operator, and wrangling cables for the Sound Mixer. Helped the Grips and Gaffers in the setting of lights, and diffusion stands. Drove production vans and trucks to run errands and transport equipment and crew to location and back. Kept the set and its surroundings silent when the shooting was on. Wrapped the sets, and stored the equipment when the shooting was over. Worked efficiently with the team, and independently as well.

Supported the crew during the shoot in any ways possible. Would often work as a 2nd Camera Assistant, marking the clapboard, swapping lenses, holding cables, passing to the 1st Camera Assistant anything they would need, including camera equipment. Assisted the Art Directors on dressing the sets, and building set walls. Would often work as a Boom Pole Operator, and wrangling cables for the Sound Mixer. Helped the Grips and Gaffers in the setting of lights, and diffusion stands. Drove production vans and trucks to run errands and transport equipment and crew to location and back. Kept the set and its surroundings silent when the shooting was on. Wrapped the sets, and stored the equipment when the shooting was over. Worked efficiently with the team, and independently as well.

Supported the crew during the shoot in any ways possible. Would often work as a 2nd Camera Assistant, marking the clapboard, swapping lenses, holding cables, passing to the 1st Camera Assistant anything they would need, including camera equipment. Assisted the Art Directors on dressing the sets, and building set walls. Would often work as a Boom Pole Operator, and wrangling cables for the Sound Mixer. Helped the Grips and Gaffers in the setting of lights, and diffusion stands. Drove production vans and trucks to run errands and transport equipment and crew to location and back. Kept the set and its surroundings silent when the shooting was on. Wrapped the sets, and stored the equipment when the shooting was over. Worked efficiently with the team, and independently as well.