Summary

I am a passionate and forward thinking multimedia creator, very interested in the development and establishment of engaging, innovative, and challenging Film and TV projects, and providing them with the highest quality production and creative services.

Credits

8/16 – Current

Director – Tru North Films

Details
8/16 – Current

Direct all phases of creative multimedia projects from concept development through production. Create and actively manage a consistent, cohesive, production calendar and budget with appropriate lead times and points of involvement with critical decision making members of the organization. Design and execute visual presentations and pitch materials. Strong strategic and business sense, with an ability to balance creative orientation with practical business needs. Organize, motivate and develop teams to meet business goals.

7/16 – 8/16

Production Assistant ((Sundance Producer's Lab)) – Sundance Institute Feature Film Program

Details
7/16 – 8/16

Coordinated and ensured the proper following of activities for all of the Lab's guests, which led to develop a strong connection with all of them. Assisted the Operations Staff with its various processes and throughout all of its workshops, conferences, and events, so the Lab would run on time and in the best way possible. Greeted and transported participants to the Resort and back.

5/16 – 6/16

Production Assistant (Sundance Director's Lab) Nina

Film (Theatrical) — Sundance Institute Feature Film Program Details
5/16 – 6/16

Supported the crew during the shoot in any ways possible. Would often work as a 2nd Camera Assistant, marking the clapboard, swapping lenses, holding cables, passing to the 1st Camera Assistant anything they would need, including camera equipment. Assisted the Art Directors on dressing the sets, and building set walls. Would often work as a Boom Pole Operator, and wrangling cables for the Sound Mixer. Helped the Grips and Gaffers in the setting of lights, and diffusion stands. Drove production vans and trucks to run errands and transport equipment and crew to location and back. Kept the set and its surroundings silent when the shooting was on. Wrapped the sets, and stored the equipment when the shooting was over. Worked efficiently with the team, and independently as well.

5/16 – 6/16

Production Assistant (Sundance Director's Lab) The Kitchen

Film (Theatrical) — Sundance Institute Feature Film Program Details
5/16 – 6/16

Supported the crew during the shoot in any ways possible. Would often work as a 2nd Camera Assistant, marking the clapboard, swapping lenses, holding cables, passing to the 1st Camera Assistant anything they would need, including camera equipment. Assisted the Art Directors on dressing the sets, and building set walls. Would often work as a Boom Pole Operator, and wrangling cables for the Sound Mixer. Helped the Grips and Gaffers in the setting of lights, and diffusion stands. Drove production vans and trucks to run errands and transport equipment and crew to location and back. Kept the set and its surroundings silent when the shooting was on. Wrapped the sets, and stored the equipment when the shooting was over. Worked efficiently with the team, and independently as well.

5/16 – 6/16

Production Assistant (Sundance Director's Lab) Share

Film (Theatrical) — Sundance Institute Feature Film Program Details
5/16 – 6/16

Supported the crew during the shoot in any ways possible. Would often work as a 2nd Camera Assistant, marking the clapboard, swapping lenses, holding cables, passing to the 1st Camera Assistant anything they would need, including camera equipment. Assisted the Art Directors on dressing the sets, and building set walls. Would often work as a Boom Pole Operator, and wrangling cables for the Sound Mixer. Helped the Grips and Gaffers in the setting of lights, and diffusion stands. Drove production vans and trucks to run errands and transport equipment and crew to location and back. Kept the set and its surroundings silent when the shooting was on. Wrapped the sets, and stored the equipment when the shooting was over. Worked efficiently with the team, and independently as well.

5/16 – 6/16

Production Assistant (Sundance Director's Lab) Sorry to Bother You

Film (Theatrical) — Sundance Institute Feature Film Program Details
5/16 – 6/16

Supported the crew during the shoot in any ways possible. Would often work as a 2nd Camera Assistant, marking the clapboard, swapping lenses, holding cables, passing to the 1st Camera Assistant anything they would need, including camera equipment. Assisted the Art Directors on dressing the sets, and building set walls. Would often work as a Boom Pole Operator, and wrangling cables for the Sound Mixer. Helped the Grips and Gaffers in the setting of lights, and diffusion stands. Drove production vans and trucks to run errands and transport equipment and crew to location and back. Kept the set and its surroundings silent when the shooting was on. Wrapped the sets, and stored the equipment when the shooting was over. Worked efficiently with the team, and independently as well.

5/16 – 6/16

Production Assistant (Sundance Director's Lab) Afronauts

Film (Theatrical) — Sundance Institute Feature Film Program Details
5/16 – 6/16

Supported the crew during the shoot in any ways possible. Would often work as a 2nd Camera Assistant, marking the clapboard, swapping lenses, holding cables, passing to the 1st Camera Assistant anything they would need, including camera equipment. Assisted the Art Directors on dressing the sets, and building set walls. Would often work as a Boom Pole Operator, and wrangling cables for the Sound Mixer. Helped the Grips and Gaffers in the setting of lights, and diffusion stands. Drove production vans and trucks to run errands and transport equipment and crew to location and back. Kept the set and its surroundings silent when the shooting was on. Wrapped the sets, and stored the equipment when the shooting was over. Worked efficiently with the team, and independently as well.

5/16 – 6/16

Production Assistant (Sundance Director's Lab) Hot Clip

Film (Theatrical) — Sundance Institute Feature Film Program Details
5/16 – 6/16

Supported the crew during the shoot in any ways possible. Would often work as a 2nd Camera Assistant, marking the clapboard, swapping lenses, holding cables, passing to the 1st Camera Assistant anything they would need, including camera equipment. Assisted the Art Directors on dressing the sets, and building set walls. Would often work as a Boom Pole Operator, and wrangling cables for the Sound Mixer. Helped the Grips and Gaffers in the setting of lights, and diffusion stands. Drove production vans and trucks to run errands and transport equipment and crew to location and back. Kept the set and its surroundings silent when the shooting was on. Wrapped the sets, and stored the equipment when the shooting was over. Worked efficiently with the team, and independently as well.

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Education

Class of '16

Santa Fe University of Art and Design

BFA Film Production

My Gear

  • Blackmagic Pocket Cinema Camera
  • Canon 18 - 55 mm Lens
  • Canon EOS Rebel T6i
  • Tripod

Skills

  • Adobe Creative Cloud
  • Adobe Photoshop
  • Adobe Premiere
  • Avid Pro Tools 12
  • Blackmagic URSA 4.6K
  • Celtx
  • DaVinci Resolve 12
  • Final Cut Pro 7
  • Microsoft Office Suite 2013
  • Red Dragon Camera
  • Red Scarlet Camera
  • RedCine-X Pro
  • Sony F3
  • Sony F55