This was a creative role, not technical and was direct support for the lead editor.
Summary
I love what we do and do it front to back, field to post, pre-production to delivery. I love crafting story, directing on set, doing interviews, working in the bay, and making the magic happen.
Credits
4/23 – 5/23
Story Producer – Life Below Zero: Next Generation (Season 4)
National Geographic — TV — BBC Studios
4/23 – 5/23
10/22 – 11/22
Assistant Editor (Premiere) – Nature
PBS — TV — Thirteen/WNET Details
10/22 – 11/22
7/22 – 9/22
Supervising Producer – Naked & Afraid: Solo (Season 2)
Discovery — TV — Renegade 83 Details
7/22 – 9/22
Break down 800 hours of footage, oversee multiple edit bays, put together and track story, hand off completed scenes to editors, address internal notes, address network notes
5/22 – 7/22
Story Producer – Business Court (Season 2)
CNBC — TV — Anvil 1893 Entertainment Details
5/22 – 7/22
Produce 10 episodes from raw to finished, work with editors, address internal and network notes, deliver completed to network/client
2/22 – 4/22
Story Producer – Commit or Quit (Season 1)
WE tv — TV — ITV Studios America
2/22 – 4/22
12/21 – 2/22
Story Producer – Best House on the Block (Pilot)
HGTV — TV — Conveyor Media Details
12/21 – 2/22
Break down a tangle of footage and work remotely with my editor 10 time zones away. Establish the backbone of the story, pick and choose what works and what doesn't, and take the bites from basic to elevated.
10/21 – 12/21
Supervising Producer – Naked & Afraid (Season 8)
Discovery — TV — Renegade 83 Details
10/21 – 12/21
Break down 300 hours of footage and work with five editors to produce a compelling and empathetic story about extreme survivalists staying alive in the African wilderness.
9/21 – 10/21
Story Producer – A Stranger's Guide to Earth (Season 1)
National Geographic — TV — Westbrook Media
9/21 – 10/21
Recos
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Education
Northwestern University, Medill School of Journalism
MS Journalism
Humboldt State University
BS History
Skills
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