Summary

I’m an experienced post-production producer with a 20-year history within the television and entertainment industry. I am a highly collaborative leader and team member who is dedicated to creating excellent content for television and social media.

Credits

7/23 – Current

Post Production Supervisor Eyes On The Prize

HBO — TV — Trilogy Films Details
7/23 – Current

Coordinated the creation of network deliverables, collaborating closely with assistant editor and producers to ensure on-time project completion. Resolved media-related issues by working alongside assistant Editor and production personnel during on-set operations. Oversaw project timelines, providing timely updates to various stakeholders, and conducted quality control checks on all assets to guarantee they meet the required specifications and standards. Maintained clarity in information and streamlined communication channels among Executive Producers, network contacts, archival personnel, and assistant editor and post coordinator, as well as with external vendors such as color and sound labs for finalizing each project and uploading it to client-specific cloud-based platforms--

7/23 – Current

Post Production Supervisor Luther : Never Too Much

Sony Pictures — Film (Feature-length) Details
7/23 – Current

Coordinated the creation of network deliverables, collaborating closely with assistant editor and producers to ensure on-time project completion. Resolved media-related issues by working alongside assistant Editor and production personnel during on-set operations. Oversaw project timelines, providing timely updates to various stakeholders, and conducted quality control checks on all assets to guarantee they meet the required specifications and standards. Maintained clarity in information and streamlined communication channels among Executive Producers, network contacts, archival personnel, and assistant editor and post coordinator, as well as with external vendors such as color and sound labs for finalizing each project and uploading it to client-specific cloud-based platforms--

9/22 – 4/23

Motion Graphics

Staff Position — Haus Details
9/22 – 4/23

Responsible for monitoring the accuracy and completion of any phase of the creative process assigned by the Creative Director/Producer, such as asset gathering, graphic creation and approvals, writing, music, offline/online editorial, and final deliverables. Work hand in hand with the Creative Director/Producer in reviewing and quality checking deliverables before sending to client. Collaborate with the Creative Director/Producer and other Leads to provide motivation, develop creativity, and build team cohesion. Troubleshoot with the Creative Director/Producer to solve creative or workflow issues. Assist the Creative Director/Producer in all areas and phases of an audio visual campaign – from big picture thinking to the smallest housekeeping detail, and everything in between. Participate in client calls, write detailed notes of feedback / direction and delegate that information in a clear and efficient manner. Be the point of contact with the client when the Creative Director/Producer is unavailable. Participate in concept development and pitch processes. Facilitate communication with all internal departments (music, graphics, editors, AEs, etc.) Monitor individual and team progress and report project status to the Creative Director/Producer on a regular basis. Independently and proactively work to ensure projects are moving forward as efficiently as possible by doling out revisions to editors, giving feedback to stakeholders, or sending deliverables upon Creative Director/Producers request.

10/19 – 10/20

Associate Producer (GFX Coordinator) Creative Studio

Netflix — Advertising — Netflix Details
10/19 – 10/20

Provide quality control for Netflix Creative Studio’s Editorial / GFX social media projects. • Schedule, track and communicate internal / external editor and graphic artist availability a workload. • Update and mange editorial workflow for maximum efficiency. • Facilitate project onboarding for incoming editors and graphic artists, including internal / external tools registration, document access and workflow utilization. • Support GFX artist and Editorial staff in identifying and prioritizing their tasks on a daily basis. • Provide progress updates and assess editorial and GFX assets needs and requested. • Coordinate communication between Managers, Producers and Stakeholders to ensure accurate and timely project completion. • Purchase and track license for editorial and GFX department use. • Collect necessary accounting information for contractor / vendor setup and payment.

10/18 – 10/19

Visual Effects Coordinator (Light & Render / Hard Surface Modelers) SuperGirl (Season 5)

The CW — TV — Berlanti Productions Details
10/18 – 10/19

Scheduled and managed the Hard Surface Modeling and Lighting departments to meet production milestones & deadlines. • Scheduled meetings, dailies, and review sessions. • Primary point of contact for producers and internal production personnel for status, staffing and inter-departmental production task coordination.

5/17 – 2/18

Post Production Supervisor

Staff Position — Studio71 / CDS - Collective Digital Studios Details
5/17 – 2/18

Saving Zoe (Feature) Girl Got Game The CW 1 Hr. Special Get Lost TruTv Season 1 What Just Happened? Facebook Season 2 The Kloons – Late Night Snack TruTv Season 2 Logan Paul Vs Watchable/(Comcast) Season 2 (Eps + BTS) False Advertising TruTV Pilot Text Committee Facebook The Four - Music Vids & Featurettes Twitter/YouTube/FB/IG (FOX & T-Mobile Co-branded) Staples Promo YouTube/FB UPS Promo YouTube/FB Cinnamon Toast Crunch Promo YouTube/FB Cotton YouTube/FB NBCU Noise Cut Downs YouTube/FB NBC Universal Kids Promo YouTube/FB Logan Paul Vs YouTube/FB Season 2 Promos Guava Juice Promo YouTube/FB Studio71 Company Vid Promo S71 Entertainment Sizzle

3/16 – 8/16

Post Resource Planner Staff Position

Corporate — OWN: Oprah Winfrey Network Details
3/16 – 8/16

Scheduling of Editors, Colorists, Sound Mixers, Motion Graphics Artists, Transcribers, VO artists, Assistant Editors and other positions as requested by the Post Supervisor Ensure the correct times and resources (i.e. Operators, Rooms, equipment, etc.) are available and reserved for a deadline intensive, high volume post production facility •Generate bay utilization reports for accounting •Check in all incoming media and maintain updated library •Track all tapes, digital media both on and offsite

1/15 – 3/16

Post Production Coordinator Monopoly Millionaires Club (Season 1)

Game Show Network — TV — Scientific Games Productions, LLC. Details
1/15 – 3/16

Preparing deliverables • Managing the post calendar with the, editors and producers • coordinating show elements with GFX artists/vendors (transcriptions, V.O scripts, CGIs, • Managing AEs, keeping them properly prioritized • Watch and distribute offline cuts• Tracking episode completion • Post paperwork organization and maintenance • Payroll assistance • QC’ing master DVDs and tapes •

Recos

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Education

Class of '99

Los Angeles Recording Workshop

Audio

Skills

  • Avid
  • Producing
  • Social Media
  • Google Docs
  • scheduling
  • Calendar
  • slack
  • Movie Magic Budgeting
  • Dropbox
  • Adobe Creative Cloud
  • FileMaker
  • Hightail
  • deal memos
  • ScheduALL
  • Motion GFX
  • VIMEO
  • Windows Operating System
  • timesheets
  • • Microsoft Windows & Apple Operating Systems • Pro-Tools
  • Apple Operating System
  • Sony Ci
  • unscripted series
  • Remote Edit Workflow