Summary

I enjoy working hard and HD/Film Production have been my field of focus for more than 18+ years now. I've worked with veterans and students and continue to updated my skills in terms of dealing with new styles and approaches to the production environment

Credits

3/15 – 11/15

Camera Utility (Lead) Nicky Ricky Dicky and Dawn 2

NICK/NOGGIN — Scripted (TV) — Rocart Inc./Nickelodeon Details
3/15 – 11/15

Set up and maintain Panasonic Varicam Cameras for Sitcom Production. on Set. Reposition Cameras for Scenes. Adjust Fibre connections and Controls for Camera Operators. Set up Specialty rigs for SFX shots and GoPro rigs.

10/15 – 10/15

Camera Utility Crowded 1

NBC — Scripted (TV) — Hazy Mills Productions, Universal Television Details
10/15 – 10/15

Set up and maintain Panasonic Varicam Cameras for Sitcom Production. on Set. Reposition Cameras for Scenes. Adjust Fibre connections and Controls for Camera Operators. Set up Specialty rigs for SFX shots and GoPro rigs.

10/15 – 10/15

Camera Utility Fuller House 1

NETFLIX — Scripted (TV) — Strong Management Details
10/15 – 10/15

Set up and maintain Panasonic Varicam Cameras for Sitcom Production. on Set. Reposition Cameras for Scenes. Adjust Fibre connections and Controls for Camera Operators. Set up Specialty rigs for SFX shots and GoPro rigs.

9/15 – 9/15

Director (DOP & Editor) SOUL

C Mack aka Kraig E. — Music Video — PEELHEAD ENTERTAINMENT LLC. Details
9/15 – 9/15

Produced and Directed indy music video for new artist C Mack aka Kraig E. on his Sophmore music project on UMMAH Records. All the post and editing EFX was done in house PDP Digital.

6/15 – 6/15

Editor (FCP) The Bricks Pilot

Sizzle Reel — Scripted (TV) — BWE Network Details
6/15 – 6/15

Transcoded camera footage to ProRes and Edited Offline draft with Director. Posted on my FCP enabled MacPro. Compiled footage for Sound design and Sweetning. Coordinated between GRFX editor to apply effects and edit in approved GRFX shots.

9/14 – 3/15

Camera Utility (Lead) Nicky Ricky Ducky and Dawn 1

NICK/NOGGIN — Scripted (TV) — Rocart Inc./Nickelodeon Details
9/14 – 3/15

Set up and maintain Panasonic Varicam Cameras for Sitcom Production. on Set. Reposition Cameras for Scenes. Adjust Fibre connections and Controls for Camera Operators. Set up Specialty rigs for SFX shots and GoPro rigs.

5/14 – 5/14

Production Coordinator Bar Rescue

SPIKE — Reality/Doc (TV) — Eyeworks USA Details
5/14 – 5/14

Budgeted, Scheduled Shoot and Coordinated crew and vendor hires with Line Producer, Location Scout with Production Team, Secured Film Permits & Parking Permits, Staged Pre-Production and Wrap with Crew, Hired Catering Company and Supplied Craft Service Team.

9/13 – 9/13

Line Producer (UPM) Brooklyn Knights

Scripted (TV) — Major Independents Details
9/13 – 9/13

Created budget and scheduled Directors vision of making indy film. Coordinated cast and crew on set and during Pre-Production and Principal Photography. Handled the day to day on set paperwork, release forms and location planning with Director. Coordinated legal portfolio for all the local Unions and Artist's Management.

Media

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Education

Class of '93

Pasadena City College

Communication, Photography, Film, Radio Broadcasting

My Gear

  • Arri Light Kit 600F 300F 150F w/Softbox
  • Cannon 5D MKII
  • Cannon 7D MKII
  • Cannon Lens 18-50mm F2.8
  • Cannon Lens 75-300MM F1.9
  • Digital H4 ZOOM
  • F&V Panel Lite K4000 Kit
  • Sennheiser T100 Wireless Mic w/Butt Plug
  • Sony Handheld Mic

Affiliations

  • Cinematographers Guild - Local 600
  • NABET - Camera
  • PGA member since 2008

Skills

  • APPLE FCP 7.0.3 & ADOBE PREMIERE PRO CC
  • Avid Media Composer
  • DIGITAL INTERMEDIATE TECHNICIAN
  • FIBRE CAMERA PREP & BUILD
  • MMB Budgeting & Scheduling
  • RED EPIC & ARRI ALEXA cameras
  • REDCINE
  • TECHNICAL DIRECTOR