Shannan Leigh Reeve (She/Her)

Assemble producer and client cuts for in house educational/informational series. Generate lower thirds, MOGRTs, title cards, animation slides, png and alpha files. Had to meet company PR guidelines pertaining to color, font, and content.

Support single camera commercial shoot, Sony Venice 2, with VTR and video village, easy rig on segway set ups

DP for L.A. segments. 2 camera interview with remote viewing for EPs.

DP for L.A. segments. 2 camera interview with remote viewing for EPs.

DP for L.A. segments of Brittany Murphy stand alone doc. 2 camera interview with remote viewing for EPs, and B-roll of L.A.

Background PA, responsible for wrangling 150 extras. Expedited checkin on days 2 & 3 by knowing majority of background on a first name basis.

Support 3 camera shoot with client video village as AC and manage media for shoot, including cloud based footage tracker.

3 Camera Shoot for two talking head interview setup, with teleprompter on C cam. 1 Sony Fs7, Two Sony A7sIII

SAG Modified ULB production. 15 days on location in Suffolk County, NY. Responsible for scheduling, overseeing call sheets, detailing transportation needs, and working with CCO to schedule necessary SAG-required covid tests (PCR weekly, rapid every 48 hours). Oversee portal to portal schedules with local hires mixed in; 28 Principle Cast, 35 Crew, and 36 Background. Organize multiple company moves to work within Location Conflicts and availability for 9 locations.

MainStage camera operator, 3-5 camera's depending on presenter. Running multiple video and power lines. Set up two cameras on platforms, and one overhead for demonstrations.

On set 1st responsible for maintaining shooting schedule and safety for onset cast, crew, and animal actors. Reported to director Gaelle Harvey and EP Nick Schlyer.

Oversee offload from 3 Sony Fx6 to Main drive and 2 redundancy drives. Generate proxy files to spec. Upload audio to cloud server to send for transcription.

Editor for pilot series. Sync multi-cam coverage and audio. Generate footage log/tracker. Deliver rough cut, fine cut, and final cut. Implement animated footage with live action, as well as generate text message graphics.

Camera Op - responsible for B Cam for 2 cam interview setups & b-roll. Sony FX9 w/ Cooke S4 and Fujinon zoom. Location shoot, multiple set ups and tear downs, travel, and field captures

Reported to Director/DP Clay Westervelt, providing VO work for animatics, as well as testing OBS/Zoom feed for remote client viewing. • Rigged/operated Canon C300mkII flipped horizontally to capture 9:16 frame in full UHD resolution for VFX post work. • Maintained active Zoom 9:16 frame via OBS virtual camera, as well as two separate video villages.

• Responsible for assisting DP/1st AC with Arri Mini on DJI Ronin 2 in the field and on set, while working quickly as required with animal actors. • Facilitated video village, as well as the remote viewing for East-Coast client via Zoom feed, and properly offloading media.

Director, DP, Editor during Covid as single crew. Premiered on Canon Pro USA virtual event.

On the day I am responsible for setting up all aspects of production from lighting for interview, 2 cameras, slider, scouting B-roll locations, Lav and boom mic placement, and sound recording. After shooting, then I am responsible for all editing, from splicing footage, lower-thirds and all graphics, securing cleared music for videos, and any color correction, and sound editing that is necessary. http://bigvoicevideo.com/

14-camera production, as only AC for 3 operators and up to 7 cameras playing at one time. Responsible for maintaining camera log, lens swaps, media, as well as operating C70 and Sony Rx10 as needed.

Single camera shoot, C500mkII, preston wireless follow focus w/ remote record. Multiple camera rig setups within tight aerospace mock-up location.

Focus puller (preston)|stop/start Maintain client video village and directors' village

B Cam Op (C500mkII) easy rig/sticks Manage media Assist w/ lighting

Director for on camera shoot, speakers on greenscreen w/ teleprompter, tracking the content/performance for the edit Editor for 4 video modules requiring Keying & extensive MOGRT work

Director for on camera shoot, speakers on greenscreen w/ teleprompter, tracking the content/performance for the edit Editor for 4 video modules requiring Keying & extensive MOGRT work

2nd AC/DIT Manage lens swaps, battery swaps, marks for talent, slate Manage data transfer via shot pit pro to two drives for redundancy, maintain camera log via Zoe Log for 6 cameras

1st AC - focus puller/assistant camera

Deliver 90 second trailer for season 2 of Culture Shakers, required tracking and overlays for branding, as well as plate shots to mask out unwanted bogies in the shot. Worked directly with director Terrisha Kearse.

Responsible for generating shooting schedule based on DP/Director's notes. Implementing Actor's availability, company moves, and turn arounds. Generate call sheets and minis for each shooting day. Used Movie Magic Scheduler, Final Draft, Adobe Acrobat, Google Sheets, & Excel

• Camera AC/DIT/Op • Prep and pack (2) Alexa Amira’s with full video village, Cooke S4 Primes and Fujinon Cabrio, and sound package for location travel • Responsible for logging footage from up to 4 cameras, generating proxies to send back to LA daily, and managing redundancy for drives • Also provided rental gear from own Beleeve Entertainment production company, for sound, lighting, and grip package

Director and editor for the Montebello High School Community School Model community outreach initiative segment.

Communicate with Camera operator to capture specific moments important to story Interview Educators, Superintendent, and staff to full explore the story beats & arc Track story points to ensure b-roll footage matches the interview talking points for the edit

1st AD responsible for scheduling and aiding first time director making her day. Generate a cast and crew online cloud directory with DOOD's and contact information. Ran a green set to be covid compliant, emailing mini sides and call sheets nightly. Scheduling done in Movie Magic Scheduler, Script updates in final draft, call sheets generated in Excel.

- Sync 2-3 camera angles and edit based on best instructional angle - delivered final edits of each instructional and fitness video, as well as trailers for each video for online site and social media platforms - cut trailer for individual workouts for UScreen and Social media platforms

- As a solo production team, was responsible for 2 to 3-camera set ups, lighting, and audio for fitness videos and live streaming with switcher for fitness lives. Integrated ‘light therapy’ into the lighting design per owners request - DP for WELL & GOOD’s Trainer of the Month for Marnie & M/Body. 4 fitness videos, multi-cam and audio, captured in 1 day as a single person crew. - EDITOR: delivered final edits of each instructional and fitness video, as well as trailers for each video for online site and social media platforms

Brought on as finishing editor to cut out entire b storyline for pacing and performance out of feature film. Successfully cut down film and replaced clips to meet director’s needs.

As a micro-production team for Paranormal Darkness, was responsible for 2-camera interview set up, lighting, b-roll, and recreation segments, as well as timecode sync for all cameras with sound mixer; reported directly to director/producer Matthew Hobin.

As a solo production team, was responsible for 3-camera set up, lighting, and audio for 2-person interview with Dr. Drew and cast member; reported directly to director (who operated second camera) and producers, Tiffany Reis, Drew Tappon, & SallyAnn Salsano. https://www.mtv.com/video-clips/v6srmj/mtv-floribama-shore-kortni-hopes-sharing-her-experience-helps-other-survivors

As a solo production team, was responsible for 2-camera shoot, set up, lighting, audio for single talking head interview for Sizzle Pitch video; reported directly to Tiffany Reis, Drew Tappon, & SallyAnn Salsano .

Editor/colorist for musical parody including green screen work.

Last minute replacement editor. Sync multiple cameras and frame rates, as well as masking for SFX shots.

Responsible for scheduling, communicating with talent and crew, and safety. Maintained a tight schedule especially when shooting in multiple locations in and around picture vehicles. Successfully made all our days without injury.

Manage schedule via movie magic scheduler. Create daily callsheets. Maintain a safe and effective work environment so production could make its day without injuries. Make sure director's voice and requests were heard and fulfilled.

Assist DP with Canon c300 including but not limited to, lens swaps, cleaning, battery swaps, formatting cards, DIT, adjusting lighting gear, running slate. Additionally read dialogue for director as needed.

Ordering Equipment from rental house, coordinating with AC and G&E to make sure we had equipment necessary for successful shoot. Light and frame shots per directors vision, offering up suggestions when appropriate. Successfully made our day despite technical difficulties when camera crashed and had to find emergency replacement.

Capture audio and video while shooting documentary style at SDCC2018. Shooting branded content for youtube personality Trisha Hershberger in cooperation with DC Comics Super Hero Ice Cream. Shooting required capturing INT./EXT. audio and video. https://www.youtube.com/watch?v=TrqJ01l-1cs

Camera operator for multi cam live taping event.

Multicamera shoot to capture talent, and all game play.

First AD responsible for preproduction planning, rehearsal scheduling, one line schedule, DOOD, callsheets and making our day. 65 pages shot over 4 days.

Second AC for B unit Sony as7ii with Canon Prime lens kit Variable ND filters diopters for macro shots Setup smallHD for wireless monitor for producer and wired monitor for camera operator

Responsible for assisting production in various aspects, reported directly to Kerrianne Farrell

Responsible for locking location, searching through archival footage, running the set, and overseeing post production.

Pick up/drop off props/crafty, take lunch orders, assist creative team as needed, move production vehicles as needed.

Currently in pre-production, responsible for scheduling and planning DOODs to fit name talent's schedules/availability.

Edit 2 episodes of series pilot, 4k footage, color corrected with Magic Bullet Mojo, create opening title card and end credits.

2nd Camera Operator on Emmy Nominated digital series

Create Shooting Schedule with Movie Magic Scheduler, maintain shooting day schedule, responsible for directing extras as needed. Wrapped early several days, always made our days.

Responsible for creating shot list, story boards, and shooting schedule for 18 page short. Conceived, cast, shot, edited, and submitted to festivals in under 6 weeks.

Supply lighting, sound, camera gear as needed for shoots. Stage filming location to best utilize space. Set up up to 4 cameras to capture multiple angles of the training.

Assistant Editor responsible for the Thank You Cam for the 68th Annual Emmys, Emmys Backstage Live, part of the online presence for the Academy of Motion Picture Arts & Sciences 68th Annual Primetime Emmys

Schedule Shoot with Movie Magic Scheduler, Create Call Sheets and Minis for each shooting day, maintain open communication with cast, crew, director and producers. Coordinate company moves.

Edit 15 page short film, create subtitles for German footage, create opening titles and end credits.

Set PA, talent wrangler

DP for year end video, promo videos, and kickstarter campaign videos "Turn Off the Dark" "The Taming of the Kickstarter" "Shirtless Actors Prepare for Picnic"

Edit blind taste testing into segment, as well as 30 second video spots.

Editor: multi cam w/tricaster stream, green screen, assets, lower-thirds, basic animation, basic sound mixing

Set up the shot, capture audio/video on location. Additionally capture B-roll.

Director on feature film Communicate with crew to make pages on the day, and come in on schedule. Book staff as needed. Communicate with Actors on the projects from rehearsal throught shooting.

Edit of pilot video Green Screen Removal, graphic design, lower thirds, sound design, and animations

Graphic Design, Animation, sound design and Edit of pilot video

Edit feature with multiple passes. Directors cut at 2hrs18mins, final lock at 2hrs5mins. Opening titles, end credits, & title card.

http://youtu.be/G9GbDhOkx24

http://youtu.be/G9GbDhOkx24

Wrangle cast and crew. Secure and wrap location on the day. Keep track of meal breaks and hard outs.

Coordinating fights, wrangling handguns.