o Multi-cam, Go Pro, high volume of footage. Oversaw team of Assistant Editors through project set up, importing, and transcoding to SD, synching, grouping, exporting selects, producer support, ScriptSync. Production suspended due to COVID-19.
Summary
Shelby, a Lead Assistant Editor, based in Los Angeles, has 2 Lead Assistant Editor credits and 11 Assistant Editor credits, and has been a member since 2016.
Credits
3/20 – 3/20
Lead Assistant Editor – Undercover Billionaire (Season 2)
Discovery — TV — This is Just a Test Productions Details
3/20 – 3/20
10/19 – 2/20
Lead Assistant Editor (Avid) – You Ain't Got These (Season 1)
Quibi — TV — Boardwalk Pictures Details
10/19 – 2/20
o Deliver both 16x9 and 9x16 versions of all 12 episodes for Quibi, a mobile platform launching in 2020. Reframed horizontal picture locks with a vertical matte, utilizing Avid effects, split screens, and broll. Adjusted fine cuts based on network notes. o High-volume archival management and organization, synching, grouping, stringout assembly based on topic or request, editor and producer support, exporting cuts for network and review, full online prep and conform in Davinci Resolve.
8/19 – 9/19
Assistant Editor (Avid) – The Playbook (Season 1)
Netflix — TV — Boardwalk Pictures Details
8/19 – 9/19
o 6 episode documentary series streaming on Netflix, high-volume archival management and organization, importing, transcoding, synching, grouping, stringout assembly and selects by topic or editor request, exporting cuts for review, editor and producer support, ScriptSync.
6/19 – 7/19
Assistant Editor (Avid) – Undercover Billionaire (Season 1)
Discovery — TV — This is Just a Test Productions Details
6/19 – 7/19
o 8 episode reality show airing on the Discovery Channel, multi-cam, go-pro, importing, transcoding to SD, grouping, exporting cuts for network and internal review, upresing, editor and producer support, ScriptSync.
3/19 – 5/19
Assistant Editor (Avid) – Making It (Season 2)
NBC — TV — Open 4 Business Productions, LLC Details
3/19 – 5/19
o Craft competition reality television series on NBC Universal, starring Amy Poehler and Nick Offerman o Multi-cam, importing, transcoding, logging, broll management, archival management, daily management of incoming media from set, editor and producer support.
9/18 – 3/19
Assistant Editor (Avid) – No One Saw a Thing (Season 1)
Sundance — TV — Blumhouse Productions Details
9/18 – 3/19
o 6 episode documentary television series set to air for AMC (formerly Skidmore), importing, synching, grouping, high volume archival management, stringout assembly by topic and editor request, exporting cuts, upresing, preparation for Online, ScriptSync, Photoshop.
6/18 – 6/18
Assistant Editor (Avid) – The Cowboy Way: Alabama (Season 4)
INSP — TV — Glassman Media Details
6/18 – 6/18
o Reality television series airing on the Inspiration Network. o Multi-cam, go-pro, importing, synching, grouping, sorting and managing broll, exporting cuts for studio review and department transfer.
5/18 – 6/18
Assistant Editor (Avid) – Ridiculousness (Season 11)
MTV — TV — SuperJacket Productions Details
5/18 – 6/18
o Worked for SuperJacket on a developing clip show as well as Ridiculousness for MTV. o Grouping, music library import and management. o Preparation of sequences for live stage recording of Ridiculousness.
Recos
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Tim Seely
Lead Assistant Editor
I had the pleasure of meeting Shelby when she was a Post Intern during her senior year of college, her hard work and knowledge made her a no-brainer hire as a post PA. Quickly we learned that title definitely didn't suit her skillset and we quickly m ...MORE...
oved Shelby up to assisting on the docu-series for us as she was helping with an extremely keen eye for technical details as well as an interest in helping the creatives on whatever episodes needed it. Her addition to that show's post staff was invaluable and it was impressive, especially considering she started it getting college credit.
In the time since then, whatever projects I get hired on as a Lead AE, I have tried (and sometimes been successful) bringing Shelby into the mix because she is an extremely reliable source of hard work, attention to detail, and a massive help to both the technical and creative sides of assisting the edit. Whether it be complex multi-cam grouping, or scouring interviews and archival materials for that moment that "would go perfect in this scene", Shelby is a go-to that when I have the pleasure of having her on my staff I can rely on quality, efficient and effective work.
In the time since then, whatever projects I get hired on as a Lead AE, I have tried (and sometimes been successful) bringing Shelby into the mix because she is an extremely reliable source of hard work, attention to detail, and a massive help to both the technical and creative sides of assisting the edit. Whether it be complex multi-cam grouping, or scouring interviews and archival materials for that moment that "would go perfect in this scene", Shelby is a go-to that when I have the pleasure of having her on my staff I can rely on quality, efficient and effective work.
- Tim was Lead Assistant Editor and Shelby was Assistant Editor on Religion Of Sports S1/S2, Skidmore
Education
Class of '17
Adobe Systems
Premiere Pro CC for Experienced Editors
Class of '16
The University of Texas at Austin
BS in Radio-Television-Film
Class of '14
Avid Technology Inc
Avid Media Composer Certified User
My Gear
Skills
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