o 18-episode docuseries following Ryan Reynolds and Rob McElhenney’s purchase of a Welsh football team. Entire post production team worked remotely, initially via Storage DNAfabric Nexis Sync then transitioned to Jump. o Oversaw, organized and created a workflow for a team of 6-7 Assistant Editors to process a high volume of footage continuously shot for 2 years throughout all stages of post-production. Worked with the Welsh production team to coordinate prompt processing and transfer of footage proxies from Wales to LA. Executed grouping workflow that incorporates the show’s high volume of slow-motion into usable groups to provide access to both speeds in the edit, per request, include for match day groups. Archival, music, SFX, etc. logging, ingest and project sort, workshopping continuously to best fit the long-term nature of the project. o Provided support and fulfilled requests for a creative post team of 7-8 editors, 4-5 story producers, FX Promotions, FX Public Relations, Maximum Effort, Cricketlane Post Online and Color teams. Walked the show all the way through Online prep and delivery of all 18 episodes in Davinci Resolve. Clean up, logging and set up for season 2.
Summary
Tech-genius video editor and storytelling enthusiast, passionate about characters. Can quote any workplace comedy of your choice with terrifying accuracy. Been on some of the most logistically wild projects, yet my resolve refuses to be crushed. I'm the next addition to your team.
Credits
11/22 – Current
Lead Assistant Editor (Avid, Remote) – Shark Whisperer (Season 1)
Netflix — TV
11/22 – Current
11/22 – Current
Junior Editor (Avid, Remote) – Shark Whisperer (Season 1)
Netflix — TV — Boardwalk Pictures
11/22 – Current
11/20 – 10/22
Lead Assistant Editor (Avid, Remote) – Welcome to Wrexham (Season 1)
Disney+ — TV — Boardwalk Pictures Details
11/20 – 10/22
8/21 – 12/21
Editor (Premiere) – Freelance
TikTok — Digital — Freelance
8/21 – 12/21
11/20 – 12/20
Editor (Avid, Remote) – Sweet Street Sizzle
Discovery+ — TV — This Is Just A Test Details
11/20 – 12/20
Edited development sizzle for the pitch of a competition reality show, Sweet Street. Pitched options and worked with the TIJAT development team to create a sizzle that best represents their vision. Restructured the edit according to desired script, maintaining energy through the edit. Searched and imported archival pieces, SFX and music. Generated GFX via Photoshop and adjusted title animations via After Effects.
3/20 – 3/20
Lead Assistant Editor – Undercover Billionaire (Season 2)
Discovery — TV — This is Just a Test Productions Details
3/20 – 3/20
o Multi-cam, Go Pro, high volume of footage. Oversaw team of Assistant Editors through project set up, importing, and transcoding to SD, synching, grouping, exporting selects, producer support, ScriptSync. Production suspended due to COVID-19.
10/19 – 2/20
Lead Assistant Editor (Avid) – You Ain't Got These (Season 1)
Quibi — TV — Boardwalk Pictures Details
10/19 – 2/20
o Deliver both 16x9 and 9x16 versions of all 12 episodes for Quibi, a mobile platform launching in 2020. Reframed horizontal picture locks with a vertical matte, utilizing Avid effects, split screens, and broll. Adjusted fine cuts based on network notes. o High-volume archival management and organization, synching, grouping, stringout assembly based on topic or request, editor and producer support, exporting cuts for network and review, full online prep and conform in Davinci Resolve.
8/19 – 9/19
Assistant Editor (Avid) – The Playbook (Season 1)
Netflix — TV — Boardwalk Pictures Details
8/19 – 9/19
o 6 episode documentary series streaming on Netflix, high-volume archival management and organization, importing, transcoding, synching, grouping, stringout assembly and selects by topic or editor request, exporting cuts for review, editor and producer support, ScriptSync.
Media
Recos
Visual Effects Editor
In the time since then, whatever projects I get hired on as a Lead AE, I have tried (and sometimes been successful) bringing Shelby into the mix because she is an extremely reliable source of hard work, attention to detail, and a massive help to both the technical and creative sides of assisting the edit. Whether it be complex multi-cam grouping, or scouring interviews and archival materials for that moment that "would go perfect in this scene", Shelby is a go-to that when I have the pleasure of having her on my staff I can rely on quality, efficient and effective work.
- Tim was Lead Assistant Editor and Shelby was Assistant Editor on Religion Of Sports S1/S2, Skidmore
Education
Class of '17
Adobe Systems
Premiere Pro CC for Experienced Editors
Class of '16
The University of Texas at Austin
BS in Radio-Television-Film
Class of '14
Avid Technology Inc
Avid Media Composer Certified User
My Gear
Skills
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