Shawn Ullrich

As 1st AC, I was responsible for running the camera department, as well as making sure that every frame of the short "Hill of the Hapersnoks" was in focus. Pulling remotely on Sony FS700, steadicam.

As Operator, I was in charge of the camera department, and worked closely with the Director and DP, Andy Kennedy-Derkay, to achieve a high quality, cinematic look for the film "Or Forever Hold Your Peace."

As Dolly Grip, I was responsible for moving the camera through the shot, hitting the same marks every time. I also assisted in the construction and operation of a 12' jib arm.

As 1st AC, I was responsible for running the camera department, as well as making sure that every frame of the short "The Test" was in focus. Pulling on Arri Alexa with Cooke Panchro lenses.

As Operator, I was in charge of the camera department, and worked closely with the Director and DP, Jim Contner, to achieve a high quality, cinematic look for the film "Prima Donna."

I was responsible for making my creative vision of the film come to life. Inspired by films like "Drive" and "Shame," I shot the film in long takes, letting the actors move through the scene. I paid careful attention to art, lighting, camera, in addition to performance. DP Arthur Eng.

As 1st AC, I was responsible for running the camera department, as well as making sure that every frame of the short "The Test" was in focus. Pulling on Arri BL4 with Zeiss CP.2 lenses.

As Operator, I was in charge of the camera department, and worked closely with the Director and DP, Andy Kennedy-Derkay, to achieve a high quality, cinematic look for the film "Take Me Home."