David Gutierrez

Interviews, OTF, Run and Gun, Verite

Record dialogue of presenters, interviewers on the convention floor and green screen presentations.

Capture and mix dialogue for Chef and guests, food bloggers, and capture Foley of dishes being cooked

A2, wire talent, Boom, manage talent IEMs, waterproof mics, run RF cable runs, mobile plant mic op, manage handheld stick mics, and quickly perform sound ninja stuff at a moment's notice

Wire talent, send audio and house mix to switcher/streaming console, and stage tech duties

Capture Speaker Nancy Pelosi sound bites as she toured the LBJ library. Assist Multimedia Producer sending house mix to live switcher.

Capture Ted Lorenz dialogue, testimonials, Foley of Cars crashing from the sky (dropped from cranes)

Capturing audio was especially critical to get the first time because of limited access to talent. Both the boom transmitter and bodypack transmitters (Sound Devices A10 and Zaxcom ZMT4) had internal backup recordings to guarantee multiple redundant recordings required by the production.

Capture interview audio, capture laptop zoom audio, send audio to camera, monitor camera (confidence) return audio, record mp3 audio for transcripts, send final audio mix to camera (no ISOs)

Mix, boom, wire talent, OTFs, capture story moments, on-location VO, and dance in perfect sync with steady cam ops in the wonderfully chaotic waltz of reality TV.

Record, mix and wire talent in front of green cyc sound stage.

Record Voice Over on location with a large-diaphragm studio condenser Neumann microphone and captured Foley sound of Toyota engine with a high SPL transducer. The client also requested backup lavs, for this I used DPA lavs through a 100% fully digital Zaxcom system. Since this is becoming more common, I've created a mini portable sound booth that can capture great quality sound in an otherwise hostile sound environment. A typical location is not usually acoustically treated or a sound stage, so I use a very flexible and modular system that can adapt to any situation.

Mix and record hosts and subject matter experts. For testimonials, respectfully and quickly wired non-trained actors in a safe and non-invasive manner while making them feel comfortable. Record instructional segment with multiple redundant mics for the instructor.

waterproof talent transmitter and wires for submersion, rig water-sealed bodypacks and lav to talent in swimsuits, boom talent coming down waterslides, capture waterpark, bowling and Arcade Foley, and record VO on location.

Collaborate with all departments to capture the best performance and raw emotions from talent possible with state-of-the-art all-digital sound equipment.

Boom, mix, wire talent, and send live audio to client remotely. Provided timecode sync to camera via timecode box, digital smart slate and wireless hop.

Recorded voice-over on-site. Set up a portable vocal booth. Treated room with multiple layers of sound blankets and acoustic foam.

Capture interview and audio of the esports Sentinels Valorant team while they play and order DoorDash

Mix, record, boom, OTF interviews, fight mosquitoes, and wire the most friendly talent in the industry with an amazing and constantly changing wardrobe. Rigged body mics for full water submersion, and hurricane winds.

Location sound mixer and the first line of defense for the audio department. Record, mix, wire, boom, and capture the emotion of speakers in the moment the first time. Make non-trained actors feel comfortable while quickly wiring them in a safe and non-invasive manner.

Capture the emotion of interviews, sound bites, stories, wire, boom, and mix audio for talent in a way that is comfortable and not distracting for non-trained actors.

Department head, sending boom operator and Utility Sound Technician ninjas to capture the raw emotions of talent while defeating the generator sound demons.

Record interview, send mix to camera

Sound Mixer and Video Editor

Location Sound Mixer and video editor

https://www.facebook.com/springhillsuites/posts/with-its-unexpected-shops-and-killer-food-scene-katie-from-tastemade-travel-help/2317892851585854/

Sound Mixer

Sound Mixer

Sound Mixer and Boom Op

Sound Mixer

dual booming with two mics, cueing dialogue, sending audio from Sound devices mic preamp to Sound Mixer, establishing frame safety zones, placing lavs on talent, checking sound equipment before each scene.

Sound Mixer and Boom op

Sound dept head, Sound mixing, boom op, cueing dialogue, placing lavs on talent, recording wild lines, recording dual system, capturing room tone, recording dual tracks at different levels to protect against peaking, checking sound equipment before each scene.

Sound mixing, boom op, cueing dialogue, mic'ing room, placing lavs on talent, recording wild lines, recording dual system, capturing room tone, recording dual tracks at different levels to protect against peaking, checking sound equipment before each scene.

Recording sound for interviews of band members, sending audio directly from main sound board to mixer

Sound dept head, Sound mixing, placing lavs on talent, recording wild lines, recording dual system, capturing room tone, recording dual tracks at different levels to protect against peaking, checking sound equipment before each scene.

Sound dept head, Sound mixing, placing lavs on talent, recording wild lines, recording dual system, capturing room tone, recording dual tracks at different levels to protect against peaking, checking sound equipment before each scene.

Sound recording, mixing, boom op, mic'ing ship crew, capturing clean audio, redundant backup - recording dual tracks at different levels to protect against peaking, recording in single system directly to A camera while also recording to 2 separate SD cards, monitoring levels, recording room tone, recording noise capture print for post team, keeping all batteries charged/replaced, testing audio equipment before each interview.

Sound Mixer and Boom Op. Single system direct feed to Arri.

Sound recordist, mic'ing talent, recording single system and sending sub mix directly to A camera, capturing Foley, room tone, monitoring levels, sound proofing room, working as quickly and efficiently as possible

Working in close proximity to horses, livestock, hogs and rattlesnakes, recording from moving trucks and process trailers from the stunt department. Quickly adapting to diverse environments: creating custom belts for lavs, getting clean audio from talent in the middle of a river, working with rescue divers for safety, getting room tone for every scene and ambient wild tracks including capturing noise prints, Working with Pyrotechnics department to ensure frequencies wouldn't interfere with their squibs and charges,

Record pilot show, mic host and guests, record audio and video, edit video

Sound Mixer, recording dual system, monitoring levels, mic'ing talent, capturing room tone, recording wild lines

building/blocking set, setting up green screen, lights, sound proofing, providing additional equipment, offloading data, backing up data, and assisting the crew.

Sound recordist, sound mixer, boom operator, placing lavs on talent, grip, and gaffing, electrical, PA, provided auxiliary equipment including camera, dolly, jib, and green screen. For all the roles and help I was given Executive producer credits.

Shoot and edit a video for the 5th street U-verse crew in Austin, TX to demonstrate the daily job duties of a premises technician.