Stephanie Ollerton

Camera Operator - Season 2

Hindi Feature Film

Assist DP Danny Gruens and Director Ondi Timoner with all camera and lighting needs including: camera operating, gaffing, film loading, ACing.

I worked as a development producer to flesh out the concept, the business producer, and as the production producer. I was also the Director of Photography for our test shoots. This project is still in development.

Lit for Canon C300 cameras.

I run the lead camera (Red Epic). I also operate one of the hand-held cameras (A7s). Season 1: Episodes 1-55 See clips at http://drybarcomedy.com/

Organized and managed shoot; conducted interviews, operated camera.

https://vimeo.com/171813789

http://www.imdb.com/title/tt2679030/

Design lighting and advise DP/Camera Op.

I am waiting to receive this footage -- it is not in my current reel.

Design lighting with cinematographer. I was also the B camera operator.

Design and implement lighting. Operate camera. Manage crew. I am waiting for this footage -- it is not reflected in my current reel. Some lighting set ups included night exteriors.

Rent, manage, and transport gear. Set up lighting.

Articulate DP's plan; Set up and tear down lighting. http://www.artcenter.edu/

Title: Cradle to Career

Design and execute lighting for the film. https://vimeo.com/162555948 Lighting set ups included: night exteriors, cave interiors (practical locations and set), rain, and night for day.

Design and execute lighting.

Work with DP to create and carry out lighting.

Design and execute lighting plan; some camera operating.

Suggest and set-up lighting, operate camera.

Pull focus, manage media

Included work on a green cyc.

Worked with car hood mount

Light and film scenes from feature-length narrative and short film scripts.

Operate camera, oversee camera crew, and manage camera equipment.

Lighting green screen; lighting for car commercial (white surround)

Work with Cinematographer to determine best angles/camera movement, etc. Operate camera, occasionally help with lighting.

Shoot footage, advise producer/director/host on "scene" set up, story content

Oversee hiring of crew (camera, grip, electric, editing). Manage personnel on set. Advise Producers and Director on look of the show. In post-production, do the color grading. (Also advised first-time producers on details of production.)

Interviewed and film founder and CEO Mike Azcue. (I recorded audio in addition to filming and conducting the interview.) I also delivered footage in digital format.

Set lights and camera position. Operate camera. Advise director on actor placement.

Set lights and camera position. Operate camera.

Co-produce production. Determine story with director. Advise on edit. During shoot, operated camera and created lighting.

Advise director/producer on lighting. (They took my suggestion for the look of the piece.) I created interesting mood lighting with minimal resources.

Advise director on best camera positions and lighting for 3-camera shoot of musical stage event (broadcast on TV). Operate camera. Gaff.

Worked with director/producer to determine look of film. Operated camera. Manage small camera crew. Maintained equipment.

Work with Director (also co-director of photography) to write story and determine best lighting and camera movement. Operated camera. Lighting set ups included poor man's process trailer and night exterior.

Wrote story, determined desired lighting (communicated lighting to crew), operated camera from a crane. The entire piece was done on crane.

YLEO's projects included event documentaries and highlights, narrative promotionals, product use and introduction videos, and marquee company showpieces. I oversaw all video production (from ideation, through production, and to delivery) for 20 + projects. My responsibilities included: • Establishing production and distribution processes and helping stakeholders understand these processes • Creating and managing departmental and production budgets • Coordinating and scheduling video shoots and other project meetings (especially for project development) • Hiring talent and crew • Video production (shooting and lighting); included domestic and international travel; frequently included capturing interviews, B-Roll, action shots, and events • Video editing on Final Cut Pro • Conducting on-screen interviews (often putting the subject at ease which included encouragement and coaching) • Working with and providing feedback to talent, crew, and interns • Organizing and maintaing equipment (which also included recommending and purchasing equipment) • Meeting with key stakeholders and influencers to update them on project status • Creating and maintaing footage and project archive

In addition to operating the camera I managed the P2 media (data transfer and storage). These were generally one-man-band shoots where I would operate camera, conduct interviews, light (if needed), and record audio.

I documented a medical mission of Healing Hands for Haiti. I conducted interviews, shot footage, wrote and produced voice over and edited the footage. It is a documentary short that Kathryn Walther's team used for promotion and fund raising.

I followed Lora Joye McPherson during the last year of her life. I interviewed Lora and her family members, and spent many hours with them shooting observational footage.

Created video storyboard for commercial production company Travelled to UK and India

- research ancient technology - assist with writing scripts - various office duties

- find footage in Discovery archives (requested by clients) - story development (re-purposing footage to make new shows)

- research locations and experts - travel with crew to oversee field production (manage travel and expenses) My research was also used for the show "7 Natural Wonders of the US".

- story and talent research - location research - putting together the script book (story and travel information) - on-set PA - other tasks as needed