11/19 – 4/20
Disney+ — TV — Broadcast Production - Walt Disney World Parks and Resorts
11/19 – 4/20
10/19 – 11/19
Production Manager
Advertising — Nation Earth
10/19 – 11/19
9/19 – 10/19
Production Coordinator
Advertising — Radical Media
9/19 – 10/19
8/19 – 9/19
Meow Mix — Advertising
8/19 – 9/19
7/19 – 8/19
SNUGGLE — Advertising
7/19 – 8/19
5/19 – 6/19
Spotify — Advertising
5/19 – 6/19
4/19 – 5/19
Snickers — Advertising
4/19 – 5/19
3/19 – 4/19
Spotify — Advertising
3/19 – 4/19
2/19 – 3/19
AT&T — Advertising
2/19 – 3/19
1/19 – 2/19
I Can't Believe It's Not Butter! — Advertising — Viacom Productions
1/19 – 2/19
12/18 – 12/18
I Can't Believe It's Not Butter! — Advertising
12/18 – 12/18
10/18 – 11/18
USPS — Advertising — WhoSay
10/18 – 11/18
9/18 – 10/18
Production Manager
Advertising — MICHELLE BOUCHER PRODUCTIONS
9/18 – 10/18
9/18 – 9/18
wegotlove.com — Digital — West Brands
9/18 – 9/18
8/18 – 8/18
Music Video — Puritan
8/18 – 8/18
8/18 – 8/18
Music Video — AMMOLITE Inc
8/18 – 8/18
5/18 – 6/18
Production Manager
Advertising — Ramble West Productions
5/18 – 6/18
5/18 – 5/18
Production Manager
Advertising — MICHELLE BOUCHER PRODUCTIONS
5/18 – 5/18
5/18 – 5/18
Production Manager
Advertising — CMS Productions
5/18 – 5/18
5/18 – 5/18
Music Video — Tornado Inc
5/18 – 5/18
4/18 – 5/18
Music Video — Anonymous Content
4/18 – 5/18
4/18 – 4/18
Music Video — Rojas Vision
4/18 – 4/18
3/18 – 4/18
Music Video — AMMOLITE Inc
3/18 – 4/18
3/18 – 3/18
Production Manager
Advertising — Mass Appeal
3/18 – 3/18
2/18 – 3/18
Product Manager
Advertising — Doomsday Entertainment
2/18 – 3/18
1/18 – 1/18
Music Video — Rojas Vision
1/18 – 1/18
12/17 – 12/17
Music Video — Doomsday Entertainment
12/17 – 12/17
12/17 – 12/17
Music Video — Doomsday Entertainment
12/17 – 12/17
11/17 – 11/17
Music Video — Rojas Vision
11/17 – 11/17
10/17 – 11/17
Music Video — Rojas Vision
10/17 – 11/17
10/17 – 10/17
Music Video — Rojas Vision
10/17 – 10/17
10/17 – 10/17
Music Video — Divide / Conquer
10/17 – 10/17
9/17 – 10/17
Film (Short) — Cabin One Entertainment
9/17 – 10/17
4/17 – 4/17
Production Manager
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RYOT
Verizon — Advertising — More Media
4/17 – 4/17
3/17 – 3/17
Production Manager
Advertising — More Media
3/17 – 3/17
1/17 – 2/17
Music Video — Doomsday Entertainment
1/17 – 2/17
11/16 – 12/16
Social Media — Digital — True Beauty HD
11/16 – 12/16
9/16 – 11/16
Producer
Beautyblender — Advertising — True Beauty HD
9/16 – 11/16
9/16 – 10/16
Music Video — Diktator
9/16 – 10/16
8/16 – 10/16
Social Media — Digital — True Beauty HD
8/16 – 10/16
8/16 – 9/16
Social Media — Digital — True Beauty HD
8/16 – 9/16
6/16 – 7/16
Social Media — Digital — True Beauty HD
6/16 – 7/16
5/16 – 7/16
Producer
Beautyblender — Advertising — True Beauty HD
5/16 – 7/16
5/16 – 6/16
Producer
Advertising — True Beauty HD
5/16 – 6/16
4/16 – 5/16
Producer
Advertising — True Beauty HD
4/16 – 5/16
4/16 – 5/16
Producer
Advertising — True Beauty HD
4/16 – 5/16
4/16 – 5/16
Producer
Advertising — True Beauty HD
4/16 – 5/16
4/16 – 5/16
Producer
Advertising — True Beauty HD
4/16 – 5/16
10/15 – 10/15
Music Video — Fallout Entertainment
10/15 – 10/15
10/15 – 10/15
Music Video — Fallout Entertainment
10/15 – 10/15
9/15 – 9/15
Music Video — Fallout Entertainment
9/15 – 9/15
1/15 – 6/15
YouTube — Digital
1/15 – 6/15
1/15 – 4/15
Film (Feature-length)
1/15 – 4/15
1/15 – 1/15
YouTube — Digital
1/15 – 1/15
9/14 – 9/14
Line Producer
Adiamor — Advertising — BLACKLIST DIGITAL
9/14 – 9/14
6/14 – 9/14
Film (Short) — Visual Harassment
6/14 – 9/14
10/10 – 9/14
Preditor
Staff Position — Visual Harassment Details
10/10 – 9/14
Booking clients, client and creative management, securing investments, script development, writing treatments, cast and crew negotiation/booking, drafting/executing detailed budgets, coordinate scheduling, obtaining permits, coordinate casting, organize location/tech scouts, oversee all matters from development through to completion.
4/14 – 5/14
Music Video — Visual Harassment
4/14 – 5/14
3/14 – 4/14
Line Producer
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Linked
Film (Feature-length) — Rainy Sky Films/Konlive
3/14 – 4/14
2/14 – 4/14
Music Video — Visual Harassment Details
2/14 – 4/14
Shot on Red Epic with Super Baltar Lenses. Featured highlights: Motion Control, VFX
1/14 – 2/14
Music Video — Visual Harassment Details
1/14 – 2/14
Shot on Red Epic with Kowa Anamorphic lenses.
1/14 – 2/14
Music Video — Visual Harassment
1/14 – 2/14
1/14 – 1/14
Music Video — BLACKLIST DIGITAL
1/14 – 1/14
1/14 – 1/14
Music Video — BLACKLIST DIGITAL
1/14 – 1/14
11/13 – 1/14
Music Video — Visual Harassment
11/13 – 1/14
7/13 – 12/13
Digital — MyTeeVee Details
7/13 – 12/13
Shot on Sony F65 with Panavision Primo prime lenses. Featured highlights: Fight choreography, stunts and techno crane.
11/13 – 11/13
Music Video — Visual Harassment
11/13 – 11/13
2/13 – 3/13
Music Video — Visual Harassment Details
2/13 – 3/13
Shot on Arri Alexa with Zeiss Super Speed lenses.
2/13 – 3/13
Music Video — Visual Harassment
2/13 – 3/13
1/13 – 2/13
Music Video — Visual Harassment
1/13 – 2/13
9/12 – 11/12
Film (Feature-length) — Visual Harassment Details
9/12 – 11/12
Shot on Arri Alexa with Zeiss Super Speed lenses. Selected for 5 film festivals, including Pollygrind and LA Femme International Film Festival. Won "Best Crime Short" At the Pollygrind film fest in Las Vegas and nominated for best cinematography.
7/12 – 9/12
Film (Feature-length) — Visual Harassment Details
7/12 – 9/12
Shot on Red Epic with Red Pro Prime lenses.
6/12 – 7/12
Music Video — Visual Harassment Details
6/12 – 7/12
Shot on Red Epic with Hawk anamorphic lenses.Selected for screening at the Vegas Indie Film Fest and The International Festival of Cinematic Arts.
5/12 – 7/12
Film (Feature-length) Details
5/12 – 7/12
Script breakdown, scheduling, time management, took on script supervisor duties, call sheets, arranging logistics.
5/12 – 6/12
Music Video — Visual Harassment Details
5/12 – 6/12
Shot on Red Epic with Hawk anamorphic lenses.
5/12 – 6/12
Music Video — Visual Harassment Details
5/12 – 6/12
Shot on Red Epic with Hawk anamorphic lenses.
4/12 – 5/12
Music Video — Visual Harassment Details
4/12 – 5/12
Shot on Red Epic with Zeiss Super Speed lenses.
3/12 – 5/12
First Assistant Director
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Alien Babes
Film (Feature-length) Details
3/12 – 5/12
Script breakdown, scheduling, time management, call sheets, arranging logistics.
12/11 – 1/12
Music Video — Visual Harassment Details
12/11 – 1/12
Shot on Red Epic with Zeiss Super Speed lenses.
11/11 – 12/11
Line Producer
Under Armour — Advertising — Visual Harassment
11/11 – 12/11
11/11 – 12/11
Producer
Energy-X — Advertising — Visual Harassment Details
11/11 – 12/11
Shot on Arri Alexa with Zeiss Super Speed lenses.
9/11 – 10/11
Music Video — Visual Harassment Details
9/11 – 10/11
Shot on Red Epic with Zeiss Super Speed lenses.
8/11 – 9/11
Music Video — Visual Harassment Details
8/11 – 9/11
Shot on Panavised Red MX with Panavision anamorphic lenses.
4/11 – 6/11
Music Video — Visual Harassment Details
4/11 – 6/11
Shot on Red MX with Angenieux 24mm-290mm zoom lens. Project included 3D animation, green screen and compositing.
3/11 – 4/11
Music Video — Visual Harassment Details
3/11 – 4/11
Shot on Red MX with Red Pro Prime lenses.
10/10 – 12/10
Film (Feature-length) — Binary Rockstar Productions Details
10/10 – 12/10
Shot on Red MX with Red Pro Prime lenses.
9/05 – 11/05
Discovery — TV — Original Media
9/05 – 11/05
