Nathan Gregory

DP of the film deligation to my Art Dept, AC and Gaffer to the Director's needs. Had a wonderful time on this set was able to get a good deal of friends on this right before the holidays, felt good!

Camera operating Scene work in reality and B-roll

Camera Operator the scene work in house reality throughout Vegas and B-roll Duties

Camera Operator Scene work when the contestant got eliminated I was the camera in the car. When I wasn't in the car at the end of the show. You could find me shooting B-Roll on the beautiful Mexican Beaches in La Paz Mexico! Great times

I'm helping Terry Thoren Work together a fast way to make social media 2D animation for quick social media clips with the characters of the series. I'm developing them to be able to be LIVE animation that kids can interact with.

Gaffer in charge of lighting.

Camera operator for A cam. B cam was done my good friend from Jersey Shore days Kelley Lennon! Great time on set with this crew right before the holidays!

Camera Operator for the wedding and reception for Mike and Laura's Wedding. Defiantly was a great time. Got some time to cut loose ourselves.

Worked most of the flickering lights with flicker boxes. and used LED Q tubes to line the plane. Most of the film was the plane so I just had to wait for tweaks and resets and lighting adjustments. Which was sky panels of course.

Directed Shot and Produced This music video with Richard Villa.

Was Swing crew shift, Did B-Roll.

Gaffer with the lights.

Lighting Tech

Director and Conceptual Cinematographer. https://www.youtube.com/watch?v=Z8QF1Ai6A-Y

Camera by the ring. shot in slow motion 120 most the performance. Used Wide lens almost in the Ring.

Camera Operator at the ring and B-Roll Slomo with audience memebers during the fight in Mexico City.

Lighting Technician and designer.

CAMERA OPERATOR on 11:00 Am shift which worked into their work shift on the show. I got a GREAT tan on this gig!

Camera operating House reality, travel reality, also B-roll

Worked most of the ins and outs of the equipment on the truck. Not to mention safety of everyone on set.

DP of the scene at the side of the pool

Lighting Technician

This was a feature shot on the RED scarlet. It was a two man crew and we shot the 90 minute film in 5 days. Quality of the film impressive for the time constraints. We managed to light and design each shot with enough time to polish it. We are all proud of this feat.

Camera Operator responsible for Scene work and B-Roll around Cabo

Camera operator for most camera work.

Director of Cinematography. heavy blocking and artsy montage vignettes. A good amount of high con lighting throughout.

Camera Operator chasing them through the wilderness. This was right after a surgery so I had to take a job that was mainly on sticks. So cooking show

Cinematographer of this art take on the 27th club. Was a quick one 12 days with pickups and we barely managed to get it done. I did all the Steadicam and supplied the gear.

In charge of monitor setup with tradeck 2000 system with switch boards. AC to the two ops and DP. Also did most of the details from the 85-300 mm lens during shooting. Also a good amount of the B-Roll.

I was in charge of all 4 - c300 camera rigs with ENG lenses. Also 3 - A7s's, gopros, The RED for beauties and video village wirelesss system. I also worked the slider wide shot as well during shooting. Also a good amount of B-Roll.

Pulling focus and duties to a first AC. Also detailed shooting log.

Camera Operator Scene work And most of the Dolly moves in Therapy and Ext.

Camera operator for house reality scene work. And B-Roll car to car.

In charge of gear and lighting

shinning light with reflectors.

Camera Operator for reality scene work and B-Roll

Gaffer and Lighting technician of the Director of Photograher's design.

Safety and Grip team

Camera B and Second unit Director of photography.

Camera B on Single and two shots of contestants. B-Roll

Camera Operator in hides to capture the RED team as they try to escape.

I'm the Director Animator and creator of the series. Animated all the episodes on this channel https://www.youtube.com/channel/UCo4AD1QqUyI836zuVLlgquw

Mainly B-roll with some scene work.

I was a shooter shouldered up and shot B-Roll

I was in charge of Assisting the Director Of Photography with camera support and lighting.

Director of photography. In charge of the complete image and heavy problem solving with a micro budget within 15 days in the mountains of Montana. success!

I was the AC with the 7D shooting the reenactments for Tattoo Nightmares.

Camera Operator: operating sony PDW 700 Reality and B-Roll footage

Dealing with the hot Puerto Rica weather

I was in charge of holding the gear in my hotel room on our travels and maintaining the gear fully under my responsibility. I was also in charge of Assisting the camera operator with lighting interviews and shooting B roll.

Camera Operator

Worked as an AC but operated when other operators would go to lunch. It gave me a great amount of time with the camera, and feel it's mechanic's. Also shot a majority of the BRoll

Chasing down hogs with horses and dogs with a small HD camera. At certain points had to interview cast members like a producer

Camera Tech

I helped design and create the stage for the production

I stayed close to the camera department and the light team and worked as an assistant to them.

I worked with the camera crew and drove the camera truck

I was the on set graphic designer for flyers, posters, signage ect. I worked close with the prop master to get what we need. I also worked close with facebook to work out how to make things work for the creative ties to it.

This is a new comedy show by a man named Brian Hooks It's a mix between Dave Chappelle and In living Color. I worked closely with DP Reggie Brumfield. Set ran smooth and the show looks to be a hit!

I worked as a Director of photography I did Steadicam and directed the lighting throughout the process of the film.

I worked as key grip on this feature called Last stop This ran 21 days I was only on 19 of them.

This was a short promo for a Class taught by Paul Bodine at DePaul University. http://www.paulbodine.com/

I did the shooting for the new Documentary called BE GOOD JOHNNY WEIR it explores the life of one of America's most outspoken and colorful figure skater, three-time U.S. National Figure Skating Champion and World Medalist Johnny Weir.

I used 4 800w Speedotron photo flash bulb lights to create the lightning flashes. I used an open face 1k with full blue clicking on and off to create the slow dim of heat lightning in-between the violent flashes. by back lighting the rain with a 1200 HMI popping out the rain.

On this project we did a great deal of tracking dolly green screen shots. I learned a ton about CGI tape tracking with jibs and dollys. this project Escalated my knowledge of green screen shooting.

I was gaffer for this production to show corp Citi Bank Executives the customer service of their company

A short film on a father and Son meeting for the first time and the happness the Son felt for a step father that truly cares for him. This was a fun project we got some beautiful stuff. Timelapse and some dynamic shots.

This was a fun lighting gig. I got to do some creative stuff in the dream sequence. I had water effects mirrored down from the cycling to give the ground this aquatic motion. And it gave it this Trippy ballet of disoriented dimension.

This was a feature length shooting process (21 days) but it was shot for the theater stage. They project what was shot onto the stage as actors in the play react to them.

I was the gaffer on the film FancyPants a feature shot in 21 days and they were 21 hard working days WOW!

HD

This film was a short film for Columbia College of Chicago. It was a film about a best man helping a groom on his wedding day move a dead body... But whose body is it?