2/17 – 5/17
Additional Sound Operator
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Step
Film (Feature-length) — Amanda Lipitz Productions
2/17 – 5/17
2/17 – 2/17
Corporate — Martini Media LLC
2/17 – 2/17
12/16 – 12/16
Lifetime — TV — Beverly Boy Productions
12/16 – 12/16
12/16 – 12/16
Sound Mixer
Capital One — Advertising — Martini Media LLC
12/16 – 12/16
11/16 – 11/16
Sound Mixer (1 Episode)
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The Nineties
CNN — TV — Herzog & Company
11/16 – 11/16
11/16 – 11/16
Digital — American University
11/16 – 11/16
10/16 – 10/16
Corporate — Ben Powell Media
10/16 – 10/16
10/16 – 10/16
Internet — TV — Blue Chalk Media
10/16 – 10/16
9/16 – 10/16
Corporate — Rocket Media
9/16 – 10/16
9/16 – 9/16
Live/Special Event — Yo Maude! Productions Details
9/16 – 9/16
Managed live sound for an auditorium shoot of the show.
8/16 – 8/16
Corporate — Fullscreen
8/16 – 8/16
7/16 – 8/16
TV — Fullscreen
7/16 – 8/16
7/16 – 7/16
Film (Feature-length)
7/16 – 7/16
7/16 – 7/16
Corporate — WESTAT
7/16 – 7/16
6/16 – 6/16
Sound Mixer
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Prey
Film (Short)
6/16 – 6/16
5/16 – 5/16
Corporate — Eastward Films
5/16 – 5/16
5/16 – 5/16
Corporate — Blue Forest Studios
5/16 – 5/16
4/16 – 4/16
Bravo — TV — True Entertainment Details
4/16 – 4/16
Filled in for a day on Real Housewives of Potomac as a sound mixer for one of the crews.
4/16 – 4/16
Sound Mixer
Mattress Warehouse — Advertising — Big Picture Media
4/16 – 4/16
4/16 – 4/16
Film (Short)
4/16 – 4/16
3/16 – 3/16
Sound Mixer
Vesta Investment Real Estate Commercial — Advertising
3/16 – 3/16
3/16 – 3/16
TV
3/16 – 3/16
3/16 – 3/16
Sound Mixer (backup mixer)
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Step
TV — Stick Figure Productions
3/16 – 3/16
2/16 – 2/16
Sound Editor
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Solid 8
Digital — Solid 8 Productions Details
2/16 – 2/16
Post-sound mixer for Season 1 Episode 2 - Background Pretty
12/15 – 12/15
TLC — TV Details
12/15 – 12/15
Recorded audio for pick up shoots in the lead up to the series premiere.
11/15 – 11/15
Film (Short)
11/15 – 11/15
11/15 – 11/15
Film (Short)
11/15 – 11/15
9/15 – 11/15
Film (Feature-length)
9/15 – 11/15
10/15 – 10/15
Bravo — TV Details
10/15 – 10/15
2nd Unit Sound Mixer for pick up shoots on Real Housewives Of Potomac, 1st Season.
10/15 – 10/15
Digital
10/15 – 10/15
10/15 – 10/15
Kumar Barve Spot — Advertising
10/15 – 10/15
9/15 – 9/15
Film (Short)
9/15 – 9/15
9/15 – 9/15
TV
9/15 – 9/15
9/15 – 9/15
Planned Parenthood — Advertising
9/15 – 9/15
9/15 – 9/15
'Ain't Baseball Great' — Advertising
9/15 – 9/15
8/15 – 8/15
Film (Feature-length)
8/15 – 8/15
8/15 – 8/15
Digital
8/15 – 8/15
7/15 – 7/15
ESPN — TV
7/15 – 7/15
7/15 – 7/15
Digital
7/15 – 7/15
6/15 – 7/15
Film (Feature-length) Details
6/15 – 7/15
Sole Boom Operator and Sound Mixer for a feature film, using Wisycom Wireless system and the Sound Devices 633 Mixer/recorder.
6/15 – 6/15
Sound Mixer
Montgomery County Recycling Annual PSAs/External Communications — Advertising — Ben Powell Media
6/15 – 6/15
5/15 – 6/15
Film (Feature-length) — Eastward Films Details
5/15 – 6/15
Worked as part of a two operator team, primarily as a boom operator, but also doing some mixing work on a Sound Devices 633 mixer/recorder.
3/12 – 5/15
TV — Voice of America Details
3/12 – 5/15
Lead a team of 10 contractors to manage media for Voice of America. Rapidly respond to current news events throughout the day. Aid producers in finding video clips and ingesting original content.vSchedule shifts for team members, occasionally including short notice emergency coverage on nights and weekends.
4/15 – 4/15
Film (Short) Details
4/15 – 4/15
Sound Mixer for two days on a short film shoot in Silver Spring and Baltimore.
12/14 – 12/14
Discovery — TV — Discovery Studios Details
12/14 – 12/14
Provided audio configuration for a weeklong broadcast news show for the Discovery Channel, set up wireless lavalieres on talent and guest. Monitored and mixed audio during the shoot
10/14 – 10/14
Corporate — Eastward Films Details
10/14 – 10/14
Shot BRoll of several events indoors and outdoors on the Panasonic GH4 . Provided coverage of a formal gala event using the Sony F3.
3/14 – 3/14
Sound Recordist
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XY
YouTube — Digital — Laughing with the Storm Details
3/14 – 3/14
Short experimental film. Designed the audio configuration for the shoot using wireless lavaliere microphones with wired mics as backups due to challenging shoot conditions.
