Tyler Lyon

Operated Schoeps boom mic and Sennheiser wireless mic directly into camera for a training video for teachers sponsored by PNC Bank.

Recorded interview audio with boom and lav. Captured b-roll audio. Fed guide track to camera via breakaway cable.

Recording interview audio with lav and boom, sending straight to camera from mixer. Recording separate transcription audio with portable recorder.

Recorded interview audio and b-roll audio including boom and 2 lavs with multiple speaking talent. Fed breakaway cable to camera.

Captured interview audio on lav and boom, fed guide track to camera, and obtained b-roll audio.

Wiring talent with wireless lavalier microphone systems (DPA 4060's into Lectro SMQV's), performing frequency scans, finding optimal positions and movments for the boom mic to ensure excellent dialogue recording as well as excellent image capturing, setting up jam sync timecode system for cameras and sending scratch track to camera.

Mixing proper sound levels for optimal dialogue and ambient recording; boom operating; concealing lavalier microphones and wireless transmitters on talent; timecode sync.

Boom operating, placing radio mics on talent, ensuring proper dialogue levels and wild sound levels are recorded, sending scratch track to camera. Sometimes involved boom operating and managing 4 wireless tracks at the same time.

Building camera, building and maintaining DIT station, building and relocating video village monitors, swapping lenses, swapping camera support systems, and slating.

Responsibilities included assisting production coordinator, helping load-in and set-up camera and lighting equipment, going on runs, crafty and assisting in keeping the production running as smoothly as possible.

Responsible for obtaining releases, logging footage, lens changes, and behind-the-scenes stills.

Sound mixer and boom operator responsible for mic-ing all speaking talent, boom operating, and feeding a guide track to a non-timecode capable camera.

Positioning and maneuvering boom microphones, placing microphones on talent, timecode sync to camera, vehicle audio setups, equipment maintenance.

Rigging wireless microphones on speaking talent as necessary, boom operating, syncing time code with camera, mixing, and recording.

One-man, over-the-shoulder sound department for an independent feature film. In addition to mixing and recording, I also wired talent with personal mics, boom operated, and arranged vehicle audio setups.

Mixing and recording all sound for series of corporate interviews. Wiring talent with wireless systems, ensuring proper positioning of boom mic, and feeding scratch track to camera.

In addition to boom operating, I also assisted with wiring talent for wireless mics, creating vehicle audio setups, and ensuring a smooth workflow between camera and sound by maintaining IFB and timecode systems.

Recorded all on-location audio and sound effects for a gothic horror short with no dialogue. Included boom operating in addition to mixing.

In addition to mixing and recording sound, I also boom operated as a one-man sound department.

One-man sound department for short film. Mixed and recorded all location sound and wired talent for wireless systems and boom operated.

Boom operated, assisted with wiring personal mics on talent, assisted with vehicle audio setups, provided general sound equipment maintenance to IFB systems, timecode systems, cables, etc.