_Came aboard during production to cover the previous AD for the last day of principle shooting. -Ensured the set ran efficiently and safely. -The day was successfully wrapped, having everyone out and done hours earlier than expected.
Summary
Josh, an Associate Producer, based in New York, has 1 Associate Producer credit and 1 Key Production Assistant credit, and has been a member since 2014.
Credits
6/14 – 6/14
Associate Producer – The Matchmaker Cafe (Pilot)
Sizzle Reel — TV — BASE Productions
6/14 – 6/14
5/14 – 5/14
Key Production Assistant – My Haunted House (Pilot)
TNT — TV — BASE Productions
5/14 – 5/14
3/14 – 3/14
First Assistant Director – Zombies vs. Joe Alien
Film (Feature-length) Details
3/14 – 3/14
12/13 – 1/14
First Assistant Director (First AD for Preproduction. Second Second AD when the AD returned from break. ) – Respect The Jux
Film (Feature-length) — Little Feet Productions Details
12/13 – 1/14
• Broke down the script, created the production schedule, and took command of the set. • Supervised the set, for both the cast and crew, to make sure we completed each day according to our schedule. • Relayed vital information that the director expected for each scene from each individual department
8/13 – 10/13
First Assistant Director – Mi America
Film (Feature-length) — Industrial House Films Details
8/13 – 10/13
• Supervised the set, for both the cast and crew, to make sure we completed each day according to our schedule. • Relayed vital information that the director expected for each scene from each individual department. • Planned and helped organize the production schedule.
7/13 – 8/13
Second Second Assistant Director – Mi America
Film (Feature-length) — Industrial House Films Details
7/13 – 8/13
• Worked within the AD team to insure production ran efficiently. Managed individual crew departments to have the necessary tasks done for each scene. • Managed and set background when necessary. • Acted as a “liaison” between Production and Crew to make sure both were satisfied with one another's requests and responsibilities.
6/13 – 7/13
Swing – The Fly Room
Film (Feature-length) Details
6/13 – 7/13
• Rigged, lit, and set up grip equipment for individual shots. • Worked out of a full staged thirty-foot grip cube truck. • Collaborated with a team of four others to get setups done efficiently with a productive workflow.
10/12 – 11/12
Grip (Grip and Electric for Studio Shoot) – Wild Studio Shoot
Film (Feature-length) — HDNM Details
10/12 – 11/12
• Rigged a full 30x20 foot green screen. Ensured that all stands and equipment followed safety protocols. • Lit green screen and stage set up for an even controlled lighting studio.
Recos
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