Worked with the cinematographer to ensure that the camera, rig, and lens were correct for the upcoming shot. Manned the camera when the DP had other responsibilities. Managed the camera dolly to ensure a high quality and stable shot.
Summary
Marshall, a First Assistant Camera, based in Dallas, has 1 First Assistant Camera credit and 1 First Assistant Director credit, and has been a member since 2018.
Credits
4/17 – 4/17
First Assistant Camera – It's Getting Late
Film (Short) Details
4/17 – 4/17
10/16 – 11/16
First Assistant Director – Thespians (Pilot)
Digital Details
10/16 – 11/16
Worked with the director to ensure a clean, comfortable, and safe set. Scheduled the entire shoot and coordinated with multiple groups to ensure that shots were set up in a timely manner. Ensured the actors, crew, and staff were all prepared before the shoot began, and after the shoot ended for the next day.
10/16 – 10/16
Production Assistant – Tiny Houses
HGTV — TV — Gurney Productions
10/16 – 10/16
6/16 – 6/16
Production Assistant – Warning Shot
Film (Feature-length) — Warning Shot LLC Details
6/16 – 6/16
Worked on set to ensure that no one interfered with shots. Set up, maintained, and helped store production equipment. Worked extensively with G&E to help setup up and tear down lights, dolly tracks, and the dolly itself. Contributed to ensuring set was a positive experience for the talent, as well as other crew.
3/16 – 4/16
Director – Complex - Televized
Music Video Details
3/16 – 4/16
Preproduced the scripts and worked with producers to allocate equipment and create the set. Managed a crew to setup required shots and ensure all equipment was ready to go. Talked with the artist to ensure he liked all the video concepts, and worked with him directly to ensure a high quality product, and a comfortable set.
3/16 – 3/16
Production Assistant – Apartment 23
Film (Short) Details
3/16 – 3/16
Assisted the Camera department on set. Ensured all equipment was set up when needed to filming, and stored properly after use. Coordinated with the director and cinematographer to ensure their needs were met.
2/16 – 3/16
Director – Complex - No shade
Music Video Details
2/16 – 3/16
Preproduced the scripts and worked with producers to allocate equipment and create the set. Managed a crew to setup required shots and ensure all equipment was ready to go. Talked with the artist to ensure he liked all the video concepts, and worked with him directly to ensure a high quality product, and a comfortable set.
12/15 – 12/15
Director
Advertising Details
12/15 – 12/15
Preproduced the scripts and worked with producers to allocate equipment and set times for shoots. Managed a crew to setup required shots and ensure all equipment was ready to go. Directed the actors on set to ensure a quality performance, and directed the crew on set to ensure a positive and and efficient set.
Recos
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